Consider spatial immersion, how if focuses on the reality of settings and events to immerse viewers into films. Can you think of a scene in a movie with an unrealistic setting or scene where you still considered yourself to be immersed in the film? Why do you think that was?
~ Jojo Tenn
Do you think that movement is a necessary part of close-ups, as suggested by Jean Epstein, or do motionless and picturesque close-ups have their place in the modern film landscape?
~Isaac Hirsch
When considering motion within close ups, we may consider the differing impact between micro and macro-scaled levels of movement. What do you believe is the difference of impact that is left on an audience between both magnitudes of motion? Is there a difference?
-Javi Rodriguez