The following is a compilation of poems submitted anonymously by University of Rochester undergraduates and Rochester East High school students. The prompt was "write a poem about what its like to live in a raced body in the world today, particularly focusing on the embodied experience"
(1)
I come from where all people go to, a place of worship,
From where all want to go to, and me escape from,
The place where all are the same, but I am different.
However, it is also where individualism is not acceptable.
I am from the place of care, love, fighting, and the hardship of living in such circumstances.
I am from the most sacred place on earth, but not where all honor it.
I come from the place that billions of people around the world direct to everyday,
Where I had great blesses that I did not know about before leaving the place I am from.
I am from where I am told what the best is, instead of learning what is it,
To then come here and realize all the ideas were really the best, if done as it were said!
I am from the place that has not identified me but it gave me strength,
From the place I miss most, but do not want to go back to yet.
Right now, I’m from that place in between,
Where I am appreciating what I have had back then and taking full advantage of what I have now.
Originally, I am from the place that I want to go back to, help make better for people to stay and my
top goal is this to be.
(2)
"ABC"
I am the product of two alien worlds
I am it's ugly misshapened disabled
Half breed daughter, half breed monster.
My auntie asked which parent I loved most
(I said I didn't know)
She asked me if they could never be reconciled
Which would I live with?
I said if I had to be honest neither
I said I hated both but because I've been claimed by one
I'll probably go with my father.
And so it was.
Except my mother never really left,
And she would come to see me,
Hug me, and kiss me with her sloppy saliva
Saying I belonged to her, her womb,
My motherland, my blood
And my father would stare
Then walk out
Squatting by the curbside, smoking a cig
Blinking fast, head glancing about,
As if there were something left to find.
If my parents were opposites, I'd know what I was.
(Now I'm indulging myself.)
Somewhere, what I am is hidden
Somewhere, in a spectrum of difference
Undiscovered unstudied uncared for.
If it were all opposite, I could imagine
An alien me in alien worlds
Topsy turvy
Pig Latin
Counter status quo.
My home is not so kind;
Logic and reason break down.
There is no common language to be spoken.
There is no common status quo to reform.
What lies between me and my parents, my home,
Feels so empty, feels so silent,
As if there was nothing more to say,
Nothing more to feel, nothing more to cry over,
Nothing more to see, nothing more to salvage.
(3)
Our differences started out only skin deep but they've become so much more
Each color comes with a label, each shade with an identity
Help me shrug it off
Help me rip every label and reject every identity
Let's make our own
I want you to see my soul but my skin is in the way
Differences that permeate every moment
Started out skin deep
You left my labels on and let them guide you
Society has gotten a hold of you and made you change
I can see the tears in your eyes as you say
I really love your soul but your skin is in the way
(4)
I.
Should the image of my whiteness
Held within your blackness—
Need getting used to?
Should our intertwined fingers—
Cause reflection?
I think it’s beautiful,
We both say.
But should we think anything at all?
If love is blind—
Then shouldn’t it be color blind too?
II.
You are black.
Black like the damp underside of tree bark.
Black like the soil it decomposes in.
Black like the darkness I escape to in the night.
And I am white.
White like what?
White like contrast.
White like the effort of finding a white crayon to draw on black paper.
White like the peculiarity of seeing a black cat with white paws.
White like the question of is that a black thing with a white pattern—
Or the other way around?
White like my hand in yours.
III.
We were intimate for the first time last night.
You were hungry.
Almost forceful.
I wanted to succumb to you.
I wanted to let you and your libidinous drive
Take my body.
Because I felt your raw desire,
untainted by false expectations
I felt you seeing me—
and nothing beyond or outside of me—
and seeing beauty.
I had never felt that before.
But I couldn’t.
Tienes miedo?
You asked.
No, I’m not afraid.
Not of you—I didn’t say—
But of letting go of my script—
My script of protection—
That says men are not to be trusted—
Not to be vulnerable with—
And not to be given anything—
That can’t be returned.
But you embodied nothing of whom that script
Was developed for—
A series of white men
That always looked beyond me.
IV.
But you are different.
Why?
Is it all that I can’t understand within your darkness?
Is it the layer of separation between our consciousness
That I only see in your
(widespread nose)
(large bottom lip)
(red-tinted eyes)
(African accent)
Is it the exoticization of difference—
That I’ve always deemed beautiful?
Do I perceive you as a cradle for my whiteness
Like a pearl held in a black shell—
Not my skin
But the idea
That my skin embodies.
Are you a momentary transgression—
A fast path to my liberation?
Because I want you to devour me
But then again,
Tengo miedo.
(5)
They look and you know
What they're thinking
"You guys"
Reverberates in your ears
"You guys"
So divisive "
You guys"
As opposed to what?
Maybe you forgot that
We are all people
People that bleed
Are oppressed
Die on the line
While killing other people
Die for being us
"You guys"
Just means
The Others
"You guys"
Means you don't see us as equal
"You guys"
Excludes us from the narrative
Maybe you forgot that
We are here
And we'll be louder
(6)
Vice Versa ~ by The Pompous Poet
Do you know what it feels like to be both fetishizied and ostracized? It's like being wanted for your style but hated for your looks. Or vice versa. It's like being at the place but wrong time. Or vice versa. It's like being gay or black. Idem statum. See because one cannot exist without the other for me so they are in constant state the same position, idem statum in Latin. Progress for one doesn't mean for the other. The only time it's vice versa is one side takes the lead but that inherently means another side is falling behind. Meaning you’re left in a state of either or.
You're either a fire starter for someone's flame or a paper weight for someone's noose. You're either the black sheep of someone else's family or the glitter covered ugly duckling of yours. You are either the black token of your friend or someone’s gay best friend and no we won’t do your hair!
The only two things that stays the same is one: I am oppressed everywhere. It's no secret that darker skin people suffer across the world. It's no secret that rainbow stitched people are oppressed around the world. Neither groups are new to the world but nor is their mistreatment. Two: I am always someone "too insert innate condition here" too gay too black too masculine too feminine never anyone's just enough.
Finally Frank i get what you mean when you say "I can't relate to my peers" because I would love to call Africa the motherland, but she too busy building metal barred closet doors for me, because she'd rather see me stay inside. I've love to call the queer community a safe haven but I can't seem to get in without passing the paper bag test.
Frank I understand what it means to live outside than to chip my pride. Because I'd rather live out there too in the box society gave to me because at least I can call that home. In this vice versa world I can promise you one thing. That this box I'm in will stay idem statum.
(7)
Growing Up Guilty
My grandmother always told me to keep my head down
whenever we drove past the kids on the street.
They always had things to sell, peddling their candies and flowers
as if they were giving you all they had to offer,
their lilting voices earnest, their black eyes dead.
Dirty hands fisted to knock on the windows of your car,
skinny blurs racing to fill the gaps in between the midday traffic
- keeping my head down, it was easy to forget they were there.
I don't know why I assumed that they had parents
and a roof and a table full of food
like I did.
They looked hungry all the time.
I felt the words rolling around my mouth,
my tongue tasting them before I swallowed my objections once again.
I was never a brave child.
Rummaging for my meager weekly allowance,
I grab a hold of two 20 peso bills.
I crumple them in my fist, reaching out to drop them into the insistent hands of another.
I snap my purse shut,
I have just been caught.
You don't know what they do with the money that you give them,
my grandmother chides.
I'm never quick enough to catch her flit her hands, like doves,
granting salvation in the form of a fifty peso note slipped into the little girl's grubby
hand –
the only telling sign a wreath of sampagita flowers hidden in the back seat.
One day, I won't be afraid to look up and stare their poverty in the eyes
and maybe they might flicker with recognition.
I have been taught that hunger sinks the cheeks droops the skin
swells the bellies so that the afflicted all look the same.
So why is it that I am still searching for forgiveness in that single child's eyes?
My ignorance
shall forever be
a debt I will be required to pay.
Towering white columns
Social norms by his side,
Liberty on his shoulder; His
Freedom- Arms spread wide.
The blindfold hides no secrets,
Men’s might overtake her pride
Fallen and forgotten; her
freedom- washed aside.
Land of opportunity,
Those Eyes,- no place to hide
blinded by secrets; My Freedom- arms spread wide.
Towering white columns
Whose stature justified,
Waits until tomorrow; Who’s
Freedom- rests inside
(8)
Is it not enough to be a woman,
but yellow, silent, and ashamed?
It is no one's fault, I suppose, but
my own unhappiness, started by rage,
started by fear; before that, betrayal,
and that, pattern recognition, and that,
well, patterns, but before that, innocence
and trust and faith and predestination.
it's not my people's fault, I know that much,
if they serve Them forced to grovel in dirt,
but like some beast desperate to live
whose master often whips, I tried murder;
I tried strangling my race, making it
go blue, itself like a muffled creature,
speaking foreign words, reaching out to me,
as I pressed my pillow harder still
until it's limbs drooped, its eyes closed,
it's last ragged protest, words of my people
stole away my voice into the underground.
(9)
Call it beauty.
It’s nothing but a body with
too little regard.
Your body is not my body,
but we are more similar than we seem,
because we are all just
starving.
Starving.
No matter whose body,
starving.
Because you are not alive
if you are not in deficit.
I used to believe that
deficit was beautiful.
But my body can’t fathom the
deficit you survive with.
And we get so bored that
we create our own versions.
But beauty is not beautiful.
And I am not a victim.
Because your ceilings are made of bricks,
and at least I can see the other side.
And our empty stomachs
won’t change that.
So go on starving and
make sure you satiate yourself
with something beautiful.
Because beauty is not beautiful.
And look down at your body and
recognize how that beauty serves you
but don’t call it what it is not.
Don’t forget that the world is
feasting on some people, and
those people are not
you.
So life will continue,
and your body will survive in deficit,
and you will take solace in knowing that
what connects us is not our bodies,
but the truth that we are all
starving.
(10)
(i)
My father mentions what happened
to him in Laos in passing,
weaving stories of protagonists who
dance around him, the Shakespearean clown,
distant and observing.
These stories are always
The mysterious martyr woman.
The youthful siblings.
The Frenchman teacher.
Always
His sweetheart.
Her neighbors.
Her activities.
He writes his memoirs in third person.
(ii)
My family history is the type
to fly by in a paragraph
in history books.
My mother never talks
about her childhood.
I thought it must have been boring until
I read her brother's interview and unearthed their secret:
They witnessed the hot snarl of death
and saw it turn up its nose in disgust at their youth.
I know next to nothing about my parents until after
The gentle pink girl came into their lives.
The dark talkative girl.
The chubby curious boy.
(iii)
They complain
That the chubby one doesn’t talk enough.
That the curious one too quiet.
That the only boy needs to speak up,
to tell them
What he wants,
What he needs,
What he feels
A parent must be let in
to be the best they can be.
But what about them?
How can he let them in
if they do not let him in?
At night, sometimes,
the curious boy does not sleep,
mind raging with thoughts unwanted.
And they complain of his insomnia.
Sometimes, he sleeps,
eyes clenched tight not from exhaustion, but from dried tears
unwelcome.
As long as the light is off
No one will come.
(iv)
Love is worry
and scorn
and desire for better.
Love was hard.
Uncomfortable.
The loved felt invisible.
Alone.
So that is what he became.
Just like their pasts.
(v)
I answer my parents with a word –
“Fine.”
“Good.”
“Okay.”
They say my words are ice,
an unwelcome house
in a faraway land.
But really that is too eloquent
for them.
I'm putting words in their silent
expressions.
Just as they put memories in my
head of that chubby, curious boy
tucking his feelings behind
the talkative girl and gentle girl.
Memories of when curiosity came
out not as wonder, but as
intense desire to hide.
Memories of fuzzy, grainy
static as I try to recall facts
about these people who called him his parents –
Who were they?
Where did they come from?
How did they meet?
What did they enjoy?
The memories draw out a silent scream:
“I learned this from you.
“This silence, this distance, this coldness?
I learned all of this from you.”
(11)
Who Am I?
Goofy?
I think that defines me.
Something I ask myself why am i always smiling.
Is my life a joke
or have my other feelings just not awoke. Sometimes i tell myself i'm different maybe it's a lie i bleed, i laugh, i cry………….
Just like everyone else. so tell me who am i.
Maybe the funny guy who can't laugh at his own jokes, or a cage of feelings, or an electric pulse? Someone please help me figure out who am i!!!!!!!!!!!!
(12)
White, male, straight, and rich,
life has been quite a cinch;
Though D. Trump harms even me,
for now I belong in a category
that I oppose wholeheartedly.
(13)
my race is pop tarts
white supremacy still lives
pop tarts and privilege
(14)
A unity destroyed
A hierarchy of equals
The seed of strife is sown
The resolution hidden by hate
(15)
I'm a white ashkenazi marshmallow
(16)
Here i
Here i struggle. i cry
Here i feel pain from being neglected
Here i feel traumatized painful memories
Here i feel the need to fight and stand up for myself
Here i feel unloved because my dad wasn't there
Here i'm on my own if you don't make it happen it doesn't get done
Here times is hard at the end of the month bills come back
Here you have to get it cause it isn't given
Here your tears are not acceptable you have to get in ya bag
Here you wear black easy to blend in and get away from 12 -don’t know what 12 is? They cops, they killers. THey the up - to - date KKK. They the police.
Here you strap up cause you a walking lick (w/ stufff you took from someone), stain
Here there isn't a team
Here you on ya own no one can help you at night when you on the block have to help ya self
Here the cops can't save you
Here you can't get caught because that's jail time
Here it's hard to get by
Here is poverty -skinny, dirty, you can see people in poverty look like old dogs.
Here is tears from the sound of a gun shot someone child just got smoke
Here you have to keep ya enemies close to you
Here you have to watch ya back - keep that tang [your girls] with you, and don’t get caught in the wrong hood (West side).
Here it shoot or get shot
Here don't get caught on someone else block here is the streets - East side or West side.
Here you snitch you a dead man walking
Here is the streets where it gets real
Here it ain't it easy