On January 29, 2025, Georgetown University hosted a lecture titled “Orientalism Reimagined: European Influence, American Adaptation, and Gérôme's Legacy.” The event featured Professor Karine Walther and Professor Nadya Sbaiti, who provided distinct perspectives on the historical and contemporary implications of Orientalism in Western art and literature. Their insights explored how Orientalist representations originating in European colonial contexts were later adapted by American artists and writers, shaping perceptions of the East that continue to influence media and politics today.
Professor Karine Walther focused on how American interpretations of Orientalism evolved from European models. She explained that while European depictions of the East often framed it as exotic and mysterious, American adaptations added layers of political and cultural complexity. In the 19th and early 20th centuries, American artists and writers reinforced Orientalist tropes while using them to reflect U.S. geopolitical interests in the Middle East. These portrayals depicted the region as alluring and a site of conflict, aligning with America's expanding global influence.
Professor Nadya Sbaiti then examined the artwork of Jean-Léon Gérôme, whose paintings played a pivotal role in shaping Western perceptions of the East. She emphasized that Gérôme’s depictions were artistic expressions and tools of knowledge production that reinforced colonial ideologies. His works, often portraying the East through lenses of power, dominance, and desire, contributed to enduring stereotypes that persist in contemporary media. Professor Sbaiti connected these historical representations to modern portrayals of Eastern cultures in film, news, and advertising, arguing that such depictions continue to shape global perceptions of the region.
This lecture resonated deeply with me as someone pursuing a Media and Politics minor. It highlighted how cultural narratives extend beyond art and literature to influence media and political discourse. Understanding Orientalism’s legacy is crucial for analyzing how the Middle East, particularly Qatar, is portrayed in global media. The lecture reinforced the idea that representations of the region are not neutral; they are shaped by historical power structures that continue to inform political narratives today. Recognizing these dynamics equips me with the tools to critically engage with media portrayals and their implications for international relations and identity formation.