Light-ning Strike

I chose to present the body of works reflecting my perspective on various objects and pictures I have seen and been interested in recreating. All my artwork reflects my perspective, observational drawings, with a consistent theme of light. Throughout my higher-level visual arts course, I have explored various mediums, techniques, and art processes through my artwork. I chose these pieces because I believe they show my exploration of observational art and how the theme of light contributes to its portrayal. Charcoal, pencil, and watercolor are easy examples of mediums that show how light is controlled through perspective but acrylic paint is more challenging due to its inability to be blended as smoothly and effectively as the other mediums. Some clear connections between my pieces are due to medium choice, but the subject matter throughout my exhibition is more ambiguous. One of the most important aspects of my work is to provoke my audience to think about every stroke, smudge, and detail I put into my pieces in order to create the final product before them.

I started by putting my charcoal and pencil drawings in a pile, and I matched them with another image that relates closely to it in order to unify my pieces despite their differences. The first two pieces both have fruit in them, more specifically, apples, titled “Hydration” and “Fruit.” The second row has the pieces “Round Things,” “Skull,” and “Shapes.” I purposefully placed the pieces with the most round objects to the left, and as the line progresses, the subjects become more geometric and rigid. I thought that progression would emphasize the various plays on light and shadow the most effectively. I also believe that the variety of textures and the shading techniques would be most obvious and visible. The third row has two images, “Naked Lady 1” and “Naked Lady 2”, these pieces are identical in the subject matter; however the medium is different, and so is the perspective in which they are drawn. Hence, drawing more attention to the contrast created by the medium and its connection to light. The fourth row contains only one image, titled “Smith’s,” because this piece has the most detail and is a vocal piece in my exhibition. It contains the most color, number of mediums, and texture. I didn’t put this piece as the first piece because there would’ve been less of a flow throughout the exhibition to have the colorful work first and have an abrupt change to black and white pieces. The fifth row has two pieces, titled “Blue Lady” and “Yellow Lady,” which work together to complement each other, which is why they are placed directly. The monochromatic aspect of these pieces created unity between the two. Although the pieces’ line quality and complexity are different, the overall vibe from these pieces is the same.

A couple of artists have influenced my art, such as Janet Fish and Vincent Van Gogh. Fish focuses on hyper-realistic artwork, and her usual subject matter consists of everyday objects and fruit, while Van Gogh typically focuses on self-portraits and landscapes. These artists have very different styles, but both inspired me to step out of my comfort zone with subject matter and medium.

My exhibition conveys an understanding of observational art and how none are ever identical. Nothing ever looks the same twice once you're standing in a different position regarding the object or person. Angles also play a large role in determining the perspective of the art. Another relationship between the pieces and the viewer is the play on light and various expressions of light forms. This can be shadows, line quality, highlights, different shades of color, smudging, and texture. Although not all the pieces showcased fall into one category, such as colorful, all the pieces have many unifying elements that properly portray my artwork’s theme. Observational drawings are a method of showing someone a new perspective since no perspective is the same. By drawing from my point of view, it is easier for the viewer to understand what I am thinking about, chose to emphasize, and how I used the light and contrast to my advantage to portray the objects and figures in the manner I did.

Hydration, Charcoal, 22.9x30.5cm

This piece explores dimension and illusion while focusing on highlights and shadows. The light in this piece is explored through contrast, highlights, and dimension to create the apple and water bottle’s illusion in front of the viewer.

Fruit, Charcoal, 22.9x30.5cm

This piece explores perspective and texture through the handling of charcoal. I also focused on the different kinds of shades and textures I could create with charcoal.

Round Things, Charcoal, 22.9x30.5cm

This piece focuses on shading and depth with the same type of shape in different sizes and of different textures and the ambiguity of the objects themselves.

Skull, Watercolor, 22.9x30.5cm

This piece focuses on illusion and creating evocative images through shading. By using various shades of watercolor pen it creates a more unified image.

Shapes, Charcoal, 22.9x30.5cm

This piece was originally created in order to practice my shading skills and line experimentation using charcoal as a medium. For this piece, I didn’t use a pencil to sketch an outline and just dove in headfirst.

Naked Lady 1 , Pencil, 22.9x30.5cm


This piece was originally a sketch for me to practice figure drawing and also experiment with light perception as a direct impact of shading and various shading techniques without smudging.

Naked Lady 2, Charcoal, 22.9x30.5cm


This piece was also a light perception drawing but I chose a different medium to convey different lighting of a different figure. I wanted to emphasize various curves and shadows in order to make my artwork look as realistic as possible yet still sustaining the play on light, dimension, and line quality.

Smith's, Watercolor, Pencil, Acrylic, Pen, 21x29.7cm

This piece focuses on illusion, dimension, line quality, and value. This was the first piece that I tried to combine multiple mediums to create a cohesive piece of art. The play on light is most visible in the shine highlights on the lip balm and in the various shades of the wood.

Blue Lady, Acrylic, 14.81x21.01cm


This piece emphasizes the two-dimensional aspect of observational and realistic artwork. Value and line quality combined with the realistic and two-dimensionality of this piece create a contrast within the monochromatic constraints showcased.

Yellow Lady, Acrylic, 14.81x21.01cm


This piece emphasizes the two-dimensional aspect of observational and realistic artwork. Value and line quality combined with the realistic and two-dimensionality of this piece create a contrast within the monochromatic constraints showcased.