The Beauty Behind the Mystery of Nature

Curatotial Rationale

Nature is something that I have been interested in my entire life. It is the one thing I have admired and fawned over the most, which often leads to new wonderings I have about nature. The impact that nature has had on my life and my identity is what originated the idea for the focus of this exhibition. Through this exhibition, I wanted to express the different emotions that nature can evoke within a person and how some ideas are a lot deeper and more meaningful than they are thought on the surface. I wanted to also see how I can represent nature through different techniques and materials. I decided to explore these representations with watercolor, pen, linoleum print, and even unconventional materials such as thread to ensure the exploring of the full spectrum and make sure that every possible perspective is included.

I decided to group certain works together because they have a common factor connecting them to each other more than to other pieces. These groupings also represent one idea or concept in different ways, showing different possible perspectives one might have of that idea or concept. I feel that purposefully grouping certain artworks together adds to each of the piece's meaning and the group as a whole can reflect something different than one piece from the group. This broadens my exploration of nature and has caused me to make new discoveries I would not have otherwise made if I had kept all of my pieces separated. I knew that nature is something so broad and probably can never be fully explored since nature is neverending and is comprised of so many different things such as fields, forests, skies, and even space. But putting this exhibition together and looking at my pieces all together in one place has really made me realize how extensive and diverse nature is, which I find beautiful and phenomenal. This exhibition has helped me explore so many ideas, but it has also given me so many new questions and ideas I would want to potentially explore in the future.

"Pure"

Watercolor and print ink on paper, 28cmx38cm

This is the piece I enjoyed creating the most out of all the paintings in this exhibition. I decided to create a very upbeat, natural, yet abstract landscape piece. The colors used do not accurately represent how a landscape would be seen in reality, but I find that this aspect adds to the abstraction of the piece. Overall, I wanted to capture how I view nature and how beautiful it is seen through my eyes.

"Tainted"

Watercolor and print ink on paper, 28cmx38cm

This piece is not exactly "nature", but I wanted to include some contrast in this exhibition, which is also why I grouped this piece with the piece on the left. I decided to show how I view the difference between a landscape and a city skyline. I did this by keeping the piece abstract, but I used more geometric shapes rather than the organic shapes seen in the previous piece. But a city skyline does have its own kind of beauty, which is why I included hints of bright blue into the background of the piece.

"Lonely or Alone?"

Watercolor and pen on paper, 63.5cmx48cm

Nature is commonly considered to be cheerful and beautiful, but in reality, there are other sides of nature that are not seen as commonly. With this piece I wanted to explore one of those less commonly seen sides, which is how one can feel when they are engulfed in this uncommon and never-ending place. But the quietness of this piece is also surprisingly calming, which is an effect that an empty field stretching out for miles can have on a person.

"Sněžka 1"

Paint on paper, 28cmx18.5cm

I wanted to explore different techniques of how one landscape can be captured and compare what emotions are evoked and why these different techniques evoke those certain emotions. I decided to use this landscape specifically since it is a mountain I have climbed many times, therefore I have a strong personal connection with these pieces. With this first piece, I created a realistic painting since I have always wanted to create a realistic landscape painting.

"Sněžka 2"

Paint on paper, 28cmx18.5cm

With this second painting, I decided to take a more abstract representation of this landscape. Additionally, I used an unconventional color to play with the emotions evoked even more and see how color affects a piece instead of just how an artistic technique affects a piece.

"Sněžka 3"

Paint on paper, 28cmx18.5cm

This third and final piece of this group is also an abstract piece with an unconventional color for landscaping. But instead of exploring an artistic technique, I wanted to focus more on line-work. I decided to blur all of my lines together instead of making lines that clearly divide each section of the piece, which made this piece even more abstract and caused the piece to not even look like a landscape is captured.

"Textures of the Forest"

Watercolor, thread, fake pine needles, and felt on paper, 28cmx18.5cm

I wanted to represent how I believe the different sections of the photo on the left side of the piece would feel if I were to touch it. I made these representations based on personal experience and how the photo makes me feel. I used a material that has a similar feeling and decided to keep part of the photo so the audience can get an idea of how both the photo and my creation feel.

"Spring"

Watercolor, paint and pen on paper, 23cmx24cm

Spring is one of my favorite seasons because I see it as a rebirth and the start of a new life after a cold hard winter. It's as if this new life is fighting with all its might to pull through and defeat the cold strength of winter. I find that spring is the combination of that coldness from the winter and the beauty and warmth from the summer. I wanted to capture that combination of winter and summer, along with the struggle of life coming anew after a long winter, with this piece.