My Exhibition

Exploration of

Women’s Positionality


Curatorial Rationale

My body of work reflects my investigation of women’s positionality in our society, a theme I explored through several different methods. I examined women’s representation in the media, criticized the taxation of females’ essential products, and attempted to de-objectify myself and other women. Through this process, I analyzed how my context as a woman combined with media messages shaped my identity—both visual and mental.

I aim to create an active participant experience for the viewers and to allow them to integrate themselves into my journey. The pieces’ arrangement requires the viewers to engage with it: walk by, through, and around the art. The viewing process is arranged in growing order. The first work shows my initial research of women’s media representation; the second exhibits my criticism towards it; the third displays how the first’s and second’s explorations affected me. The fourth and last piece of my exhibition shows the process of this exploration. It conveys the message I learned: society pushes women to change and become a “better” version of themselves—a prettier one. But, women are perfect the way they are. The society needs to change.

My integration of flowers and pastel colors into my artwork illustrates how women are portrayed in the media. Women are looked upon as sexual objects whose value is measured in their appearance and beauty. I chose to include the motif of flowers in each work since flowers are a symbol of women’s beauty while it is also a symbol of their daily struggles. Many people associate the color pink with feminine and girly things, which is why I decided to use many shades of pink, representing the gender norms associated with being a woman.

Each piece should capture the perspectives of many and not just my own. Viewers observe the artworks from various angles to understand each piece’s message and purpose, portraying different viewpoints. Furthermore, the medium of each work emphasizes the connection to women’s position in our society. Whether it is fashion magazines, travelers magazines, or liners, all of these materials display a distinct representation of women. Furthermore, all of my works are composed of tiny details that are lost from a distance. This intentional decision seeks to emphasize the different ways in which inequality toward women is often overlooked.

"90-60-90"

Medium: Fashion and travelers magazines glued on paper

Dimensions: H. 89.1 cm.

W. 63 cm.

Classification: Found image collage


This piece explores society’s beauty standards for women. At first glance, it seems to objectify the female body; however, a closer look at the details shows the male gaze’s impact. I created one non-realistic, “ideal” body by combining many women’s faces. Each woman’s distinct look emphasizes the irony of the male gaze that pressures all women to fit into one unattainable figure. Further, I attempted to present the controversial message women receive: modest women are not desirable, revealing women have no dignity.

"Cloudy with a Chance of Liners"

Medium: Carefree liners, glue, metal wire

Dimensions: : H. 21.7 cm.

W. 40.1 cm.

D. 39.8 cm

Classification: Installation, sculpture


Hygiene products such as liners are essential for women, yet, consumers still pay tax on them. This piece criticizes their classification as luxury items by physically making them a decoration. The products’ actual use contrasts their presentation and highlights the categorization's irony. Although many people think women should not talk about their period in public, this piece displays hygienic products for everyone to see while emphasizing their beauty and nature.

"The Shape of Me"

Medium: Fashion, and travelers magazines glued on duct tape and fabric

Dimensions: H. 74.25 cm

W. 44.55 cm

D. 21 cm

Classification: Sculpture, collage


By developing the ideas presented in the previous works, this piece illustrates the media’s effects on my body image. The viewer can walk around my three-dimensional form and witness how my body and mind compose my identity. Unlike “90-60-90”, where the pictures create the body, in this piece, the images are contained in the body. This demonstrates how while the body is the first thing we see in a person, it is not the only thing it is composed of.

"I'm Every Woman Series"

Medium: Ink on Vogue magazine

Dimensions: H. 29.7 cm.

W. 263 cm.

Classification: Series of monoprints


This piece addresses women’s media representation by examining how various messages affect my outlook. While we are usually imprinted on the media, I decided to imprint myself on it in this work. The work’s positive space alters each found image in the same manner, whereas the negative space displays a distinct face each time. The repetitive print emphasizes how media messages are transformed to fit my perspective, while the variation of faces demonstrates how each media message changes my view.