"Bunny"

A Reflection on Identity and The Self

This body of work was created and cultivated as a reflection on myself and my identity, and my journey to better understand myself through my art. The works follow the creation and development of my persona, Bunny, as well as several other pieces that connect to my life and who I am. Throughout my art, Bunny has been a way for me to reflect and insert myself into my art while also maintaining more of an outsider perspective. Their creation allowed me to make art that was personal and emotive, while also being distanced enough to reflect on it and grow from it. While not every piece involves Bunny, all the pieces in this exhibition act as a reflection into my identity. “Identity” is an intentionally vague word, it could refer to my relationships to my loved ones or myself, my emotions and the mental health struggles I’ve faced throughout highschool, my childhood and growing up, or my identity as a bisexual nobinary person. I hope that through this collection viewers ask themselves what “identity” means to them, and what their relationship to themselves is. Some of the works were created with the express intent to be a reflection on a part of me, and some merely started off as doodles, or were purely just for fun or experimentation. Both those kinds of art have a place in this exhibition because both are a part of who I am as an artist; to me the doodles and experimentation are just as reflective of my identity as some of my finished or thought out pieces. A lot of what I wanted to explore over the IB was art materials I had never tried before, like charcoal, linoleum printing, and digital animation. The experimental nature of these pieces was intended to probe the viewer to consider whether the initial intention of an artwork significantly impacts its meaning, or whether thoughtless experiments can mean just as much. My creative process was altered drastically when COVID-19 hit and quarantine started. Not only was it more difficult to find space and materials to create, it also drained a lot of my creative energy to be stuck inside. It was very difficult to motivate myself to create anything beyond notebook doodles. However, it wasn’t all bad, as quarantine inspired me to experiment with other mediums I probably wouldn’t have tried before, like digital animation and photography. In fact, it was because of COVID-19 that a lot of the pieces for this exhibition were created, and that the theme of identity came together so nicely. Quarantine may have initially drained my creative energy, but it also sparked a lot of self reflection into who I was and who I wanted to be. It was because of this that I became inspired to revisit my persona, and to create more personal art about my emotions and identity. It also inspired me to revisit old pieces, and make changes in order to make them feel more personal and authentic. COVID also meant that this exhibition would have to be digital, however I see that as a positive for the most part. While I feel that photos maybe don’t do some of the art justice, creating a digital exhibition means that it is permanent, and will be easier to share with others in the future. It also allows me to better display digital art like animation and photography. While COVID and quarantine have affected us all negatively, I hope that the creation and perseverance of my art making journey proves to the viewer that something positive can come out of it too.

"Bunny", charcoal on paper, 27x32 cm

This portrait was the first ever depiction of the character/persona Bunny. The design of the character in the portrait was based off of a toy Bunny I’ve had since I was a child, hence the name Bunny. The bunny was gray with a blue ribbon tied around its neck. While the portrait was never intended to become my persona, the final portrait did end up resembling me slightly, and I liked the name so much that I ended up adopting it.

"Blink", digital animation, 25.4x15.24 cm

This is a self-portrait animation I did as an experimentation in video art. The project mostly existed as a way to experiment with animation and figure out the software, but it does hold more personal significance. While the animation may be simple, each section represents a part of my personality. The portrait in the center is of Bunny, and this was the first instance of me using the character Bunny to represent myself.

"???", watercolor, marker, and pen on paper, 22x28 cm

This was a project I did exploring negative emotions, as well as my personal intersectionality between my gender identity and sexuality. This piece was meant to explore the internal confusion and conflict that comes with questioning your identity, as depicted through my persona Bunny. This was a very important piece for me to create, and it is very personal.

"Stare pt.1", photograph, 40x46 cm

This was the first photo in a series of three, meant to be a continuation of "???". The photos were meant to explore similar themes of "???" through a different medium. All three photos were of the same linoleum print in different contexts. Unlike some of my previous art reflecting on my identity, these are the only self portraits that are of myself, and not my drawn persona Bunny. This photo particularly meant a lot to me, as I felt self conscious about my face for quite a long time.

"Stare pt.2", photograph, 22x51 cm

"Stare pt.3", photograph, 44x49 cm

This was the third and final photo in the series, and it is probably my favorite. I think out of all the photos, I was able to execute this concept the best, and I think the composition also works great.

This was the second photo in the series, and probably the most directly linked to "???". In the photo, I intentionally dressed up as Bunny. I like that the colors are very muted in this photo, as it contrasts with the two other photos in the series

"Untitled", marker, watercolor, pen, and collage on paper, 44.5x30.5 cm

This is a multimedia piece I did to experiment with unconventional materials such as thread, ribbon, buttons, and washi tape. The piece was originally intended to be some sort of social commentary on how love is portrayed in the media, but the piece has evolved so much that now it more represents my own ways of experiencing love throughout life. Creating this piece also taught me a lot about the art making process, and that an art piece doesn't always have to stick to its original intention.

"Mr. Fuzzball", acrylic on paper, 46x46 cm

This is a series of still lives of a pink stuffed sloth that my little siblings lovingly named Mr. Fuzzball. My intentions for this piece were very self-indulgent, I wanted to create something that I thought was cute, and reminded me of my childhood. The reason I went for a more cartoon/pop-art style is that I really enjoy bright colors and clean lines. This piece is not only a reflection of the emotions I have towards my childhood, but also a reflection of the art I most enjoy creating

"Bonnie", acrylic on paper, 28x46 cm

This is a painting I did of my sister Bonnie, as a gift for her birthday. In this painting I decided to experiment a lot with color and texture. Bonnie is one of the most important people in my life, and she was so influential in the development of my identity, as well as my passion for art. In fact, the original toy that Bunny was based on was a gift from her. I made this painting as a way of thanking her for all she has done to help me over the course of my life.