STATEMENT

I make work about the psychological relationships that humans form between themselves, each other, and the nature that surrounds them. Patterns and habits of various animal species narrate an allegorical context for how humans treat one another. Masks and cyclical forms serve as recurring symbols, and allude to our sense of self-identity; our relationship to death; and the infinite connections we inherent from our earth and one another. 

Formally, I prioritize classical drawing skills, craftsmanship, and a deep understanding of the materials that I use. I often cross disciplines and uncover harmonies between technological innovation and ancient hand techniques. Rooted in tradition, these materials and practices sustain a connection to our collective memory and the organic world.