Nina Simone - Mississippi Goddamn 1964
This was written by Nina in response to to the murder of Medgar Evers in Mississippi; and the 16th Street Baptist Church bombing in Birmingham, Alabama, killing four black children. Ironically it sounds like a silly Broadway show tune until you hear the lyrics. This video includes famous shots of actual racial injustices.
The name of this tune is Mississippi Goddam
And I mean every word of it
Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam
Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam
Can't you see it
Can't you feel it
It's all in the air
I can't stand the pressure much longer
Somebody say a prayer
Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam
This is a show tune
But the show hasn't been written for it, yet
Hound dogs on my trail
School children sitting in jail
Black cat cross my path
I think every day's gonna be my last
Lord have mercy on this land of mine
We all gonna get it in due time
I don't belong here
Charles Mingus was a jazz artist however, this taunting track in reaction to Orvil Faubus' anti-integration stances is a gem. The attitude of the music conveys a strong enough message without the shouted out vocals.
Orval Eugene Faubus, Governor of Arkansas, is best known for defying a unanimous decision of the U.S. Supreme Court in 1957 by ordering the Arkansas National Guard to stop black students from attending Little Rock Central High School.
Oh, Lord, don't let 'em shoot us!
Oh, Lord, don't let 'em stab us!
Oh, Lord, no more swastikas!
Oh, Lord, no more Ku Klux Klan!
Name me someone who's ridiculous, Dannie
Governor Faubus!
Why is he so sick and ridiculous?
He won't permit integrated schools
Then he's a fool! Boo! Nazi Fascist supremists!
Boo! Ku Klux Klan (with your Jim Crow plan)
Name me a handful that's ridiculous, Dannie Richmond
Faubus, Rockefeller, Eisenhower
Why are they so sick and ridiculous?
Two, four, six, eight:
They brainwash and teach you hate
H-E-L-L-O, Hello
Strange Fruit was a protest song that depicted the ugliness of the Lynchings that were still going on in, but not exclusively in, the Jim Crow South at the time of its writing. The lyrics were written by Abel Meerpol, an English Teacher from New York City. His lyrics were put to music by Billie Holiday and first performed at the progressive "Cafe Society" in Greenwich Village. Cafe Society, was the first integrated club in NYC. Reception for the tune was first shock... and then applause.
Topics: Jim Crow, Lunchings, Ku Klux Klan
Southern trees bear strange fruit
Blood on the leaves and blood at the root
Black bodies swinging in the southern breeze
Strange fruit hanging from the poplar trees
Pastoral scene of the gallant south
The bulging eyes and the twisted mouth
Scent of magnolias, sweet and fresh
Then the sudden smell of burning flesh
Here is fruit for the crows to pluck
For the rain to gather, for the wind to suck
For the sun to rot, for the trees to drop
Here is a strange and bitter crop
In 1959, the legendary jazz trumpeter, Miles Davis came out with an album called 'Kind of Blue" it spawned a new style of jazz composition that incorporated true use of improvising over one chord as opposed to many. This allowed for a greater emphasis on rhythm and brought jazz music even closer to its African roots. James was deeply influenced by this recording and began to utilize this stripped down, compositional style in his own music. He also discovered that if you emphasized a hard down beat (the One), meaning the first beat of a measure of 4/4/ music that the rhythm became more intense. You can hear this in "Papa's Got Brand New Bag" and even more obviously in "Cold Sweat." Also notice how each instrument, including the lead vocal occupies its own rhythmic space. Each part fits together like a puzzle.
This is followed by "I'm Black and I'm Proud which represents James' on-going Martin Luther Kingesque message of self pride and existence. This track spawned a whole new trend in Black Pride lyrics from multiple funk bands to follow. It also marked the end James' good relationship with mainstream radio. Not only did stations refuse to play this song, but many were reluctant to play anything from him after the release of this track regardless of the lyrical content.
Here are a couple of examples of existing soul groups that went with the concept of James Brown's funk and with stronger lyrics about African American pride. This was epidemic in the late '60s and early '70s.
Motown was formed on the idea of providing light hearted "party pop music" that appealed to all demographics. By the late 60s and early 70s, the labels most popular stars began to take their music in the directions of more social commentary. Motown's president and founder Berry Gordy was not particularly pleased with this direction, He was given no choice when he was presented with the public demand for this music.
Marvin Gaye - What's Goin' On
The lyrics of this song are timeless, unfortunately, which is why it can serve as a wonderful starting point to develop a lesson or assignment on the social conditions addressed here then, vs now.
Topics: 60s 70s Civil Rights, Viet Nam, 60s protest
Chilling lyrics from a wounded Viet Nam soldier. African Americans suffered 12.5% of the deaths in Vietnam at a time when the percentage of blacks of military age was 13.5% of the total population.
Topics: Vietnam War
Gill Scott poetically weaves pop television culture with the concept of a militant African American revolution in the streets. In his lyrics he trivializes all the values of mainstream American TV while emphasizing a stronger need for Civil Rights. The lyrics are cleaver, comical and cutting all at the same time. Your students will probably not get the references. It may benefit you to play some of the referenced material from youtube prior to dissecting these lyrics. I put together a few here . The rhythm section consisting of Bernard Purdie on drums and Jerry Jemmott on bass sets a groove that gives these lyrics even deeper meaning. Hubert Laws' improvised flute also contributes to the African flavor.
Topics: Stokely Charmichael, Black Panthers, SNCC
After a number of controversial shootings involving African Americans and police officers in numerous American cities, the eclectic and innovative, D'Angelo found it important to rush the release date of his first new album in 16 years "Black Messiah." This album, in the tradition of artists like Sly Stone, contains socially conscious material as well as love songs and songs with personal meaning. The track featured here addresses the above mentioned shootings. This review outlines the whole album in detail.
Topics: Current issues in Civil rights
Crawling through a systematic maze
And it pains to demise
Pain in our eyes
Strain of drownin', wading into your lies
Degradation so loud that you can't hear the sound of our cries (doo, doo)
All the dreamers have gone to the side of the road which we will lay on
Inundated by media, virtual mind f*%ks in streams
[CHORUS]
All we wanted was a chance to talk
'Stead we only got outlined in chalk
Feet have bled a million miles we've walked
Revealing at the end of the day, the charade
Perpetrators beware say a prayer if you dare for the believers
With a faith at the size of a seed enough to be redeemed (doo doo)
Relegated to savages bound by the way of the deceivers
So anchors be sure that you're sure we ain't no amateurs
[CHORUS]
All we wanted was a chance to talk
'Stead we only got outlined in chalk
Feet have bled a million miles we've walked
Revealing at the end of the day, the charade
[BRIDGE]
With the veil off our eyes we'll truly see
And we'll march on
And it really won't take too long
And it really won't take us very long
I don't know whats better on here: The groove, Gary's guitar solo or Gary's lyrics about racism in Trump's America. This is powerful. Review before playing for class.