HAMILTON, LICHTENSTEIN, AND WARHOL
Photo by Keith Bates
Hamilton was born in London. He was educated at the Royal Academy Schools from 1938 to 1940, then studied engineering draughtsmanship at a Government Training Centre in 1940, then worked as a 'jig and tool' designer. He returned in 1946 to the Royal Academy Schools, from which he was expelled for 'not profiting from the instruction being given in the painting school' (Hamilton, p.10), then attended the Slade School of Art from 1948 to 1951.
An exhibition of his engravings was held at Gimpel Fils, London, in 1950. These were inspired by D'Arcy Wentworth Thompson's 1913 text On Growth and Form which had been republished in 1942 and was a seminal influence on Hamilton's early work. Hamilton devised and designed the exhibitions Growth and Form at the Institute of Contemporary Arts in 1951, and Man, Machine and Motion at the Hatton Gallery, Newcastle upon Tyne and the Institute of Contemporary Arts in 1955. He exhibited at the Hanover Gallery in 1955, and participated in This is Tomorrow at the Whitechapel Gallery in 1956, for which he produced a collage entitled Just what is it that makes today's homes so different, so appealing? for the poster and catalogue. With Victor Pasmore in 1957 he devised and organised an Exhibit, at the Hatton Gallery and the Institute of Contemporary Arts.
Hamilton was a member of the Independent Group, formed in the 1950s by a group of artists and writers at the Institute of Contemporary Arts, whose symposiums contributed to the development of Pop art in Britain. He was one of the prime practitioners of the critic Lawrence Alloway's theory of a 'fine/pop art continuum'. Hamilton interpreted this as meaning that 'all art is equal - there was no hierarchy of value. Elvis was to one side of a long line while Picasso was strung out on the other side ... TV is neither less nor more legitimate an influence than, for example, is New York Abstract Expressionism' (Hamilton, p.31).
Hamilton taught at the London Central School of Arts and Crafts and University of Newcastle upon Tyne; he gave up teaching full-time in 1966. He designed a typographic version of Duchamp's Green Box, published in 1960, and in 1965-6, with Duchamp's guidance, reconstructed Duchamp's The Bride Stripped Bare by her Bachelors, Even (The Large Glass) (Tate Gallery T02011). Keen to embrace certain types of technology within his art, Hamilton began creating computer-generated works in the 1980s. He has had a long career as a print-maker, and in 1983 won the World Print Council Award. In 1991 he married the artist Rita Donagh. Retrospective exhibitions of Hamilton's work have been held at the Hanover Gallery, 1964, the Tate Gallery, 1970 and 1992, and abroad. He was Britain's representative at the 1993 Venice Biennale
Tate. (n.d.). Richard Hamilton 1922–2011 | Tate. https://www.tate.org.uk/art/artists/richard-hamilton-1244
Photo by Bernard Gotfryd
Roy Fox Lichtenstein was an American pop artist. He rose to prominence in the 1960s through pieces which were inspired by popular advertising and the comic book style. Much of his work explores the relationship between fine art, advertising, and consumerism.
Whaam!, Drowning Girl, and Look Mickey proved to be Lichtenstein's most influential works. His most expensive piece is Masterpiece, which was sold for $165 million in 2017.
Lichtenstein's paintings were exhibited at the Leo Castelli Gallery in New York City, which represented him from 1961 onwards. His artwork was considered to be "disruptive". Lichtenstein described pop art as "not 'American' painting but actually industrial painting".
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Photo by Bernard Gotfryd
Andy Warhol ( ; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director and producer. A leading figure in the pop art movement, Warhol is considered one of the most important American artists of the second half of the 20th century. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, sculpture, photography, and filmmaking. Some of his best-known works include the silkscreen paintings Campbell's Soup Cans (1962) and Marilyn Diptych (1962), the experimental film Chelsea Girls (1966), the multimedia events known as the Exploding Plastic Inevitable (1966–67), and the erotic film Blue Movie (1969) that started the "Golden Age of Porn".
Born and raised in Pittsburgh in a family of Rusyn immigrants, Warhol initially pursued a successful career as a commercial illustrator in the 1950s. After exhibiting his work in art galleries, he began to receive recognition as an influential and controversial artist in the 1960s. His New York studio, The Factory, became a well-known gathering place that brought together distinguished intellectuals, drag queens, playwrights, bohemian street people, Hollywood celebrities and wealthy patrons. He directed and produced several underground films starring a collection of personalities known as Warhol superstars, and is credited with inspiring the widely used expression "15 minutes of fame." Warhol managed and produced the experimental rock band the Velvet Underground. Warhol expressed his queer identity through many of his works at a time when homosexuality was actively suppressed in the United States.
After surviving an assassination attempt by radical feminist Valerie Solanas in June 1968, Warhol focused on transforming The Factory into a business enterprise. He founded Interview magazine and authored numerous books, including The Philosophy of Andy Warhol (1975) and Popism (1980). He also hosted the television series Fashion (1979–80), Andy Warhol's TV (1980–83), and Andy Warhol's Fifteen Minutes (1985–87). Warhol died of cardiac arrhythmia, aged 58, after gallbladder surgery in February 1987.
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