Bibliographic Information
Author: Burcaw, Shane
ISBN: 9781626720077
Publication Date: 2014
Physical Description: 250 pages : illustrations ; 22 cm
Subject Term: Spinal muscular atrophy -- Patients -- United States -- Biography -- Young adult literature.
People with disabilities -- United States -- Young adult literature.
Summary
Shane Burcaw has been in a wheelchair since he was two years old. Having Spinal Muscular Atrophy (SMA), he has experienced a life shaped by a gradually decreasing power over his own muscles. In Laughing At My Nightmare, which began as a blog, Burcaw tells the central stories of his growing up with SMA and how, with his family’s incredible love and support and his own sense of humor, he has been able to thrive, succeed academically, find friendship and love (experiences that all teens can relate to), and start his own non-profit dedicated to using humor to relieve the stress of living with SMA. The memoir begins with the story of Burcaw’s parents’ learning that their son had SMA and ends in the present, with Burcaw on a road trip with his brother, girlfriend, and film crew, promoting his non-profit, Laughing At My Nightmare, while filming a documentary. In between, Burcaw shows readers what it is like to depend on others for just about everything, to face the realities of his condition, and to seek to be treated just like everyone else.
Critical Evaluation
The major theme of Burcaw’s memoir is how vitally important it has been for him to be recognized and accepted as a full human being and not to be reduced to his condition, in spite of the degree to which his condition has made his life experience rather extraordinary. To manage this conundrum, Burcaw and his family and friends have employed an unwavering sense of humor and a prodigious amount of patience, have demanded and attained a degree of normalcy for Shane that many others in his place may not have managed to attain.
What makes this ironic in Burcaw’s case is his own admitted aversion to other disabled and/or wheelchair-bound people with whom he has engaged throughout his life. In one chapter, he tells of going to camp for others with SMA and being disgusted by how abnormal and infantile they seem, how he ended up hanging out with the camp counselors, strongly differentiating himself from the camp attendees. In another chapter, he writes of riding on the “short bus” with several developmentally challenged young people, comments that they smell like feces, and makes fun of their odd mannerisms and behaviors. For the other disabled people with whom Burcaw has interacted, there seems to be no attempt to see the fullness of their humanity. In mocking them, he reduces them to their conditions. This is unfortunate, but it also poignantly highlights the degree to which being accepted as fully human has driven Burcaw, and it may be that he has reconsidered his view (and a look at the website for his non-profit suggests there is more to the story). For the reader who doesn’t know any wheelchair-bound or developmentally disabled individuals personally, Burcaw’s account is an important reminder that, while the wheelchair and/or disability plays a role in shaping the individual, the individual transcends the wheelchair and/or disability, and needs to be seen, heard, and embraced in their full humanity. And that a sense of humor helps, but that, as with all things, we must be careful with it.
Reader's Annotation
Shane Burcaw’s fearless sense of humor makes the story of his experiences living with Spinal Muscular Atrophy (a genetic condition that causes the wasting away of the voluntary muscles) a laugh-out-loud and very eye-opening read. Trigger-warning: This work includes mockery of physically and developmentally disabled people.
About the Author
Shane Burcaw grew up in Bethlehem, Pennsylvania, and graduated from Moravian College with an English degree. His bestselling memoir was shortlisted for the ALA Excellence in Nonfiction Award. He also writes as a freelancer for The Morning Call. His blog, (Laughing At My Nightmare) about the humor of living with Spinal Muscular Atrophy, has over half a million followers. (ABOUT US | Laughing At My Nightmare, Inc.)
Genres
Memoir
Booktalking Ideas
Introduce Burcaw’s non-profit organization, Laughing At My Nightmare, then share some highlights from the memoir.
Reading Level
13+
Challenge Issues
Swearing, sexuality, mockery of the intellectually and physically disabled
Why I Chose This Book
It's important for all types of people to represented in a collection. Readers who have similar disabilities will find someone who shares their experiences and those who don't will be able to gain insight into what living with SMA is like.
Bibliographic Information
Author: Chavez Perez, Inti, 1984-
ISBN: 9780143134251
Publication Date: 2019
Physical Description: 206 pages ; 20 cm
Subject Term: Men -- Growth. Men -- Physiology. Puberty. Sex instruction for boys. Gender identity.
Sexual health. Respect. Young men. Man-woman relationships. Interpersonal relations.
Source: https://catalog.lacountylibrary.org/client/en_US/default/search/detailnonmodal.detail.mainpanel.fielddisplay.linktonewsearch?qu=Interpersonal+relations.
Summary
True to its title, Perez’s guide on male (and also female) sexuality provides frank information on everything from how the penis should look, to mastrubation, pornography, navigating the female body, love, flirting, dating, respect, how to have sex with a female, how to have sex with a male, emotions, safe sex, sexually trasmitted infections, pregnancy, contraception, and abortion. While there are no images or diagrams in the guide, there are some breakout boxes to highlight important points.
Critical Evaluation
With so much changing on the frontiers of sexual identity in the Western World, and so many positive messages becoming available for girls and young women and LGBTQ+ teens, young heterosexual (and gay) men are in need of some help, too. Enter Inti Chavez Perez and his comprehensive guide, Respect: Everything a Guy Needs to Know About Sex, Love, and Consent. In a warm and inviting voice, Perez delivers frank and practical messaging and explanations to answer just about every question that a young man (or, hell, an older man) might have about his body, the female body, mastrubation, pornography, gender identities, and how to be a mensch in and out of bed. Just a few examples might suffice to demonstrate: In the chapter, “Time for a dick pic,” Perez writes, “Don’t use our dick as a weapon to scare others. It can destroy your sex life when you later meet someone you love and want to have sex with. I’ve spoken to several guys who have had problems with sex because they’ve trained themselves to use their sexuality to degrade others by coarsely talking about girls, groping them, and sending unwanted naked selfies. Then when they meet someone they love, they find it difficult to change their view of what sex is.” As a woman reading this, I feel this is positive advice that counters what I understand is an all-too common phenomenon, and if men receive this messaging at a young age, who knows, maybe all those women (or men) on dating apps will be relieved when they share their phone numbers to encounter actual words when they receive the first text from a possible suitor. The overall vibe of the book is extremely sex positive and transparent, deflating the pervasive secrecy, fears, and misconceptions that surround this perennially fraught topic, rising beyond the trappings of a self-help guide to an essential reference title. If I were in charge of collections in a library, I would stock several copies.
Reader's Annotation
This little book covers EVERYTHING YOU EVER WANTED TO KNOW ABOUT SEX and will also help you become a more respectful person and partner.
About the Author
Inti Chavez Perez (born 1984) is a Swedish sex educator, journalist and author. In his teens he was a member of the editorial board of ponton magazine. Later he trained as a journalist and worked for Gringo, Metro, Swedish radio, SVT and Aftonbladet. He is also studied andrology and is active as a sex educator and lecturer, especially focused on guys. In 2008, Inti Chavez Perez was editor of Pittstim, an anthology about the male role with texts by 15 guys. Two years later he made his debut as an author with the book Respect – a sex book for guys. The book was awarded the debutante prize Slangbellan with the motivation: "In clear and simple language, Inti Chavez Perez sorts out the most complicated sexual issues and immerses himself in the most sensitive topics, with boldness, humor and hard control." He has also published the books Lätt sexboken and Jag och du in light Swedish, both with illustrations by Sara Teleman. (Inti Chavez Perez – Wikipedia)
Genres
Sexuality guides
Booktalking Ideas
Maybe I could share the first line of the book (“Is my dick normal?”) and then preview all the chapter titles. If those aren’t enough to get teens and especially young men interested, I don’t know what would be.
Reading Level
14+
Challenge Issues
Frank discussions of sexuality, homosexuality, rape, and pornography
Why I Chose This Book
There are many books aimed at girls and young women to help them learn about their sexuality and to empower them in this male-dominated world. This is an important trend. But I think that the boys and young men have been set to the side a bit, and need just as much help in forming healthy sexuality. Perez’s book will help them do just that.
Bibliographic Information
Author: Johnson, George M. (George Matthew), 1985-
ISBN: 9780374312718
Edition: First edition
Publication Date: 2020
Physical Description: ix, 304 pages : illustrations ; 22 cm
Subject Term: African American gay men -- Biography.
Gays -- Identity.
YOUNG ADULT NONFICTION -- Biography & Autobiography -- LGBT.
YOUNG ADULT NONFICTION -- Biography & Autobiography -- Social Activists.
YOUNG ADULT NONFICTION -- Boys & Men.
Source: Search Results for all boys aren't blue (lacountylibrary.org)
Summary
All Boys Aren’t Blue is a memoir by writer and activist George M. Johnson. Its focus is on Johnson’s experiences of growing up Black and Queer. The work is organized chronologically, so that readers can grow up with George and go through the good times and the bad ones and learn what it is to navigate the intersectionality of Blackness and Queerness in a world where those two identities are still under attack by so many. Johnson’s intention in writing the book is to extend a guiding hand out to Black, Queer teens who are navigating their own journeys and finding their own ways to be unapologetically Black and Queer. The work includes narratives about Johnson’s early upbringing, his amazingly loving family, his first traumatic experiences surrounding his Queerness, travelling with his grandmother and cousins, his first sexual encounters, and his emerging into adulthood, finding friendship and himself at an HBCU. Each chapter ends with an expression of principles or advice or hope, reflecting Johnson’s intention of reaching out to his audience.
Critical Evaluation
What is it like to grow up Black and Queer in the United States, and how can young Black, Queer men find themselves as they chart their own courses through life, face trauma, find themselves sexually, and seek acceptance and love among their family and friends? In George M. Johnson’s All Boys Aren’t Blue, Mr. Johnson shares with unflinching openness and honesty what it was like for him to grow up Black and Queer and everything he learned about himself, about family, friendship, and identity along the way. Written in sparse, clear prose, the memoir is easy to engage with. It’s clear that, as he wrote, Johnson never wavered from his primary intention to reach out to teens who are also Black and Queer. The underlying theme of each chapter is, “If I was able to do this, you can do this, too.” Perhaps more than anywhere else, we can see the complexity of Johnson’s search in his recounting of his first sexual experience. Written as a letter to the young man with whom this encounter occurred, who happened to be a family member not much older than he, the piece is exemplary for its raw honesty and recognition that, even where there is victimization, there can be understanding and forgiveness, as society’s intolerance can cause young Queer men to seek perhaps injudicious ways to teach and protect one another. While the prose may be spare, the work still allows for this depth of complexity, and would certainly act as a lifeline to any Black and Queer young man looking for himself. For others, the work teaches us that the journey of the Black and Queer young man begins at the very beginning of conscious life and is constantly evolving, always becoming and always fighting for existence.
Reader’s Annotation
Growing up Black and Queer imposes tremendous challenges on young Black, Queer men. In Johnson’s memoir, the author shares his own unflinchingly honest and open account of that experience as an act of solidarity and guidance to others who are trying to find their way through.
About the Author
George has written for major and niche media outlets like Teen Vogue, Entertainment Tonight, NBC, The Root, Ebony, THEM, INTO, The Grio, VSB, Black Youth Project, and several other national media publications. He writes on topics ranging from Race, Gender, Sex, HIV, Intersectionality, Politics, Culture, Health, and Pop-Culture, and is never afraid to “go there” and ask the tough questions. George is an HIV and LGBTQ+ activist, serving as a state spokesperson for the HIV Stops with Me Campaign, and being called upon to discuss various issues facing the LGBTQ+ community from civil rights leaders to politicians. (About GMJ (iamgmjohnson.com))
Genre
Memoir, LGBTQ+
Booktalking Ideas
Begin asking questions, such as, “Where can young, Black, Queer men find themselves in literature?” and “How can those who want to support and uplift young Black, Queer men learn more about what it’s like to experience those intersecting identities?” Then, use George’s website to introduce him and his book.
Reading Level
13+
Challenge Issues
Sexuality, homosexuality, sexual victimization
Why I Chose This Book
It seems more important than ever that young, Queer people be able to find themselves in literature, whether fiction or nonfiction. Every new work that opens the pathways toward self-discovery, self-recognition, and self-acceptance can help uplift and empower young Black Queer folks. Any work that explores Queerness as it intersects with another identity, in this case, Blackness, can be doubly powerful. The more books like All Boys Aren’t Blue we can add to our collections, the better.
Bibliographic Information
Author: Pinkney, Andrea Davis
ISBN: 9781596439733
Edition: First edition
Publication Date: 2015
Physical Description: 166 pages : illustrations ; 24 cm
Subject Term: Sound recording industry -- United States -- Juvenile literature.
Source: Search Results for rhythm ride (lacountylibrary.org)
Summary
Rhythm Ride: A Road Trip Through the Motown Sound tells the story of Berry Gordy, native of Detroit and founder of one of the most well-known and influential musical production labels of all time, Motown. Told in the warm and vibrant, wise and fun voice of a tour guide known as “the Groove,” the book follows Berry through his early, restless years as he tries to settle into a vocation that suits his independent personality, and charts a course through the founding of Motown Records in 1959, the singers, songwriters, and musicians who made it big on the label, and the eventual demise of Motown in the 1980s. One of the themes of the work is how Berry and the Motown family were able to transcend the idea among whites that music by Black people was “race music,” creating hit after hit that people of all races clambered for.
Critical Evaluation
I have only good things to say about Andrea Davis Pinkney’s Rhythm Ride. Where to begin? How about with the author’s choice to create a special narrator for her work, the Groove: “You ready, child? Let’s go. I’ve got my pulse on all the roads. And side streets. And avenues. And alleyways. You see, I steer the beat. That’s why they call me the Groove. Because my uh-huh keeps us pumping on the way. So--uh-huh, I’m the one driving this Rhythm Ride. Make no mistake, kid. I’m not a man or a woman. I’m a guide. A tempo to keep us on track.” (p. 1) Warm, embracing, credible, this voice establishes the tone of the work and, I feel, was created to make especially young Black readers feel at home on the journey. With the Groove, Pinkney establishes her keen and loving awareness of her audience, drawing us in with this special spirit. The physical book is a hardbound, 9 ½ by 9 ½ inch square (kind of like a record), with glossy pages and plenty of photographs to illuminate the journey, so that opening it, turning the pages, and reading and gazing at the images feel like an extra special treat. And then, of course, there’s the story itself. Infused with the vernacular touches of the Groove’s narration, it rings true, memorable, amazing, and clear, so that we come away understanding just how groundbreaking Berry Gordy and the singers, songwriters, musicians, and community around Motown truly were. As I read, I kept my Spotify app open on my phone, so that I could revisit the songs referred to in the story: “Money (That’s What I Want"), “Shop Around,” “Please Mr. Postman,” “My Girl,” “(Love is Like a ) Heat Wave,” “Stop! In the Name of Love,” “Jimmy Mack,” “War.” Of course, I knew all of them, but I hadn’t quite realized before reading this history why I knew all of them and that they had all been created by Motown and resulted from Berry Gordy’s singular vision. A must read, and keep your music app handy.
Reader's Annotation
Take a ride back in time and discover the incredible story of some of the most important music in our history: Motown.
About the Author
Andrea Davis Pinkney is the New York Times bestselling author of more than 20 books for children, including the Caldecott Honor Book and Coretta Scott King Honor Book Duke Ellington, illustrated by Brian Pinkney; Let it Shine: Stories of Black Women Freedom Fighters, a Coretta Scott King Honor Book and winner of the Carter G. Woodson Award; and Alvin Ailey, a Parenting Publication Gold medal winner. Pinkney's newest books include Meet the Obamas and Sojourner Truth's Step-Stomp Stride, which has garnered three starred reviews and has been named one of the "Best Books of 2009" by School Library Journal. In 2010, Andrea's book entitled Sit-In: How Four Friends Stood Up By Sitting Down, was published on the 50th anniversary of the Greensboro, North Carolina, sit-ins of 1960. Her mother is a teacher and her father is a great storyteller, so growing up surrounded by books and stories is what inspired Andrea Davis Pinkney to choose a career as an author. The first official story she remembers writing was in second grade — it was about her family. Pinkney was born in Washington, D.C., and raised in Connecticut. She went to Syracuse University, where she majored in journalism. After college, she followed her dream and worked as an editor for Essence magazine, but after watching her husband, Caldecott Award-winning artist Brian Pinkney, illustrate children's books, she decided to switch jobs and became involved in book publishing. Andrea Davis Pinkney currently lives in Brooklyn, New York. (Andrea Davis Pinkney (Author of The Red Pencil) | Goodreads)
Genres
Music history
Booktalking Ideas
I would start with the music, playing some of the most popular songs ever to be recorded. Then, I would explain how one man, Berry Gordy, in 1950’s Detroit was able to make all of these historically important songs a reality and highlight key parts of the book.
Reading Level
10-14
Challenge Issues
Some discussions of racist violence against Black people
Why I Chose This Book
My initial attraction to Rhythm Ride was based on its good reviews and the fact that it deals with events in the history of Black Americans. I think it’s important for young people to learn about all aspects of their cultural history. Music is one of those things that people love deep down but which is often overlooked as secondary to the main story of history. Pinkney shows that this is a misconception. Motown was a critical piece of the movement for Civil Rights in the United States.
Bibliographic Information
Author: Sheinkin, Steve.
ISBN: 9781596439528
Edition: First edition
Publication Date: 2015
Physical Description: 370 pages : illustrations, map ; 24 cm
Subject Term: Whistle blowing -- United States -- History -- 20th century -- Young adult literature.
Vietnam War, 1961-1975 -- United States -- Young adult literature.
Genre: Biographies.
Source: Search Results for Most Dangerous Daniel Ellsberg (lacountylibrary.org)
Summary
Shenkin’s account of the Vietnam War and how the public came to know the truth about the government’s long history of intervention and destruction in that country centers on the polarizing figure of Daniel Ellsberg. A man who once considered himself a “cold-warrior,” employee of the Rand Corporation and later the Department of Defense, Ellsberg transforms from an insider helping to escalate the war to one of its most pivotal critics. Senkin tells the story of how Ellsberg’s change of heart transpired, of how the Pentagon report known as “The Pentagon Papers” led to Ellsberg’s position, and of how Ellsberg’s principles drove him to commit what some called an act of treason, and others believed to be the act of an American hero.
Critical Evaluation
Not long ago while sharing a meal of dim sum with my husband and his parents, we were talking about the movie The Post, which, if you recall, recounts the story of how The Washington Post came to be the second newspaper to break the story of the Pentagon Papers. Toward the end of the discussion, I expressed my disgust at the fact that the government was sending young men to die in what they knew was a losing battle in Vietnam. One of our party retorted, “We actually won that war, by the way.” Reading Shenkin’s YA history, Most Dangerous, has certainly disabused me of any doubt as to the erroneous nature of that claim, and reminded me that we shouldn’t try to learn history from the movies if we’re going to engage in an intelligent, fact-based discussion about it. His work also made me realize that a readable, suspenseful account of events can go a long way toward helping those of us who don’t have a head for facts actually remember all of the actors and details involved in an event (in case we have to discuss it again with family and friends who might see things differently). As Shenkin zeroes in on Ellsberg’s increasing moral opposition to the war and details the egomaniacal fears of Johnson and Nixon, who didn’t want to be “the first American president to lose a war” and so sent thousands of young American men to die and caused the killings of millions of Vietnamese, he builds a case for the First Amendment and against the immorality of American power, while still leaving enough room for everyone to question whether Ellsberg was on the side of right or, as Nixon and Kissinger believed, was “the most dangerous man” in America.
Reader's Annotation
If you’ve ever wondered why and how the U.S. got involved in Vietnam and how the U.S. public came to find out the truth about the war, then this book is a must-read. It will answer all your questions as it lures you in with a page-turning account of this tragic era in U.S. and Vietnamese history.
About the Author
Steve Sheinkin is an American author of suspenseful history books for young adults. A former textbook writer, Sheinkin began writing full-time nonfiction books for young readers in 2008. His work has been widely acclaimed for its ability to transform historical information into thrilling, accessible accounts. (Steve Sheinkin - Wikipedia)
Genres
History, biography
Booktalking Ideas
Start by showing some of the most iconic photos from the Vietnam era, then the headlines of the New York Times, Washington Post, Boston Globe, and other newspapers that broke the story of the Pentagon Papers. Then move on to introducing Ellsberg and his mission.
Reading Level
12+
Challenge Issues
Depictions of war, political controversy, political opinion, antiwar sentiment
Why I Chose This Book
The Vietnam War draws together some of the most difficult issues in U.S. History and offers insights into the origins of the increasing degradation of citizens’ trust in the U.S. government.