Reference

Publication Date: 3 July 2006

Through nigh-on forty years of laconic brilliance on Radio 1, a musical taste which defined a culture and his wildly popular Radio 4 show, Home Truths, John Peel reached out to an audience that was as diverse as his record collection. He was a genuinely great Briton, beloved by millions. John's unique voice and sensibility were evident in everything he did, and nowhere is that more true than in these pages.

Margrave of the Marshes is the astonishing book John Peel began to write before his untimely death in October 2004, completed by the woman who knew him best, his wife Sheila. It is a unique and intimate portrait of a life, a marriage and a family which is every bit as extraordinary as the man himself - a fitting tribute to a bona fide legend.

Publication Date: 21 May 2009

John Peel is best known for his four decades of radio broadcasting. His Radio 1 shows shaped the taste of successive generations of music lovers. His Radio 4 show, Home Truths, became required listening for millions. But all the while, Peel was also tapping away on his beloved Olivetti typewriter, creating copy for an array of patient editors. He wrote articles, columns and reviews for newspapers and magazines as diverse as The Listener, Oz, Gandalf's Garden, Sounds, the Observer, the Independent and Radio Times.

Now for the first time, the best of these writings have been brought together - selected by his wife, Sheila, and his four children. Music, of course, is a central and recurring theme, and he writes on music in all its forms, from Tubular Bells to Berlin punk to Madonna. Here you can read John Peel on everything from the perils of shaving to the embarrassments of virginity, and from the strange joy of Eurovision to the horror of being sick in trains. At every stage, the writing is laced with John's brilliantly acute observations on the minutiae of everyday life.

This endlessly entertaining book is essential reading for Peel fans and a reminder of just why he remains a truly great Briton.

Publication Date: 4 Oct 2007

This is a story of teenage dreams, which, as any Peel fan knows, are hard to beat. Between 1967 and 2004 John Peel picked over 2000 bands to come and record over 4000 sessions to be played on his radio show. Many were young and had never been in a recording studio before, for some it was the start of an illustrious career, for others it was the only recognition their musical talent ever got.

For over 35 years the cream of British musical talent made the journey to the BBC's studio in Maida Vale, from Pink Floyd to Pulp, the Small Faces to the Smiths. And because John Peel was so respected his sessions took on a legendary status - they were a rite of passage that every new band wanted to go through.

Unfettered by commerical pressure the Peel Sessions were a unique British institution - an archive of music that reflects one man's passion for finding and encouraging new music.

Includes a full sessionography listing songs, band members and broadcast dates.

Jarvis Cocker writing about his first Peel Session aged 18 (Wayne the drummer was 15):

'We travelled down to Maida Vale in a van driven by a very strange man we'd contacted via a card pinned to the Virgin record shop noticeboard. We'd had to borrow lots of equipment from a band called The Naughtiest Girl Was a Monitor 'cause we didn't have enough stuff of our own. The session was to be produced by Dale Griffin, who used to be the drummer in Mott the Hoople; I seem to remember that he was wearing cowboy boots.

I think the crisis point came when Wayne was attempting to get a home-made synth-drum to work that a friend of his at school had made out of a rubber burglar-alarm mat and an old electronic calculator - Dale Griffin looked at this 15-year-old kid crouching on the floor bashing what looked like a doormat with some wires coming out of it and just put his head in his hands. But to his credit, the session did get finished and after it, everything else started for me...'

Publication Date: 2 Oct 2006

Includes the BBC Radio 4 serialisation of "Margrave of the Marshes", John Peel's part-written autobiography completed by his wife, Sheila Ravenscroft and read by Michael Angelis and Carolyn Pickles, plus a special tribute edition of 'Home Truths' in which Tom Robinson visits Peel Acres to meet John's wife Sheila and their four children. Not many people manage to achieve the status of legend in their own lifetime, and even fewer deserve that status. John Peel was one such, whose contribution to British culture is undeniable. His 40-year career on Radio 1 and Radio 4 reached a huge and diverse audience, and he influenced the musical tastes of millions. Guaranteed to appeal to all John Peel's many devoted fans, these CDs are a perfect reminder of the genius of a man many regarded as the best DJ ever.

Publication Date: 26 Oct 2009

It’s hard to believe that five years have passed since the death of John Peel. Hard because, in many ways, it’s as if he’s still with us, so inspiring was the DJ to legions of music lovers in the UK and far, far beyond. The records he played seeped into the minds of young men and women, who years later found that the roots laid by late-night radio sessions had sprouted into magical new musical shapes.

To properly cover the breadth and depth of material Peel played on his Radio 1 show over almost 40 years would probably require 400 discs, but this four-CD set at least manages to convey some sense of the man’s eclectic tastes. He wasn’t always right with his recommendations, but at least he gave the bands in question a chance – there aren’t any DJs active today with quite the same ear for both the blissfully sublime and the stupendously bonkers.

Kats Karavan essentially presents four show-style mixes, with selections from the 60s and 70s, the 80s, 90s and 00s. Between certain songs up pops Peel with some words of wisdom, endearingly fumbling his lines occasionally, which does sometimes transport the listener back to those days of listening intently to every tiny detail about this limited-run seven-inch that was, apparently, so very amazing. There are well-known names and many which will be entirely new to many: Traffic and Free appear on the 60s/70s disc, rubbing shoulders with Deaf School and The Fabulous Poodles; on the latest, 00s mix, Bloc Party and Yeah Yeah Yeahs appear alongside Ball Boy and Bearsuit.

Though the material is largely of an indie/rock slant, there are tracks from The Orb and Stereolab on the 90s disc, and Aswad on the 60s/70s, showcasing the variety Peel offered. The most out-there arrangement though is Bong Ra’s frenetic Archie Bunker Disciples, which sounds like a broken Aphex Twin 33 played at 45, backwards, through an over-driven amplifier. Basically like a really angry Prodigy, then.

While it was never going to be comprehensive, Kats Karavan does paint a fairly accurate audio portrait of one of the nation’s best-loved radio DJs. One hopes that the surprises contained within its intriguing tracklisting inspire a new generation of investigative listeners to get searching for new, often singularly brilliant sounds.

Publication Date: 9 Oct 2006

Throughout his lengthy radio career, John Peel promoted underdogs from almost every genre - folk, prog-rock, reggae and punk to hip-hop, jungle, Madchester and Britpop. Released to coincide with the anniversary of his death in 2004 (12 October has been officially designated John Peel Day in the UK), Right Time, Wrong Speed is a compilation of tracks championed by the legendary jock between 1977 and 1988, focusing on the kind of music his name has become most associated with: punk, post-punk and indie rock. Kicking off with The Buzzcocks' sprightly "What Do I Get", the first disc leads into a colourful selection of tracks from the likes of Stiff Little Fingers (their classic "Alternative Ulster"), Killing Joke and the Slits. Then there are other indie classics and curios including The Cure's "A Forest", Laurie Anderson's ambient/experimental "O Superman", Jesus & Mary Chain's haunting "Just Like Honey", plus tunes by reggae legends Misty In Roots, reggae-punks The Ruts and long-time Peel fave poet/humorist Ivor Cutler. The second CD moves into the 80s with tracks by Joy Division ("Atmosphere"), The Cocteau Twins ("Musette and Drums"), The Sugarcubes ("Birthday"), Gang Of Four ("Damaged Goods") and Grandmaster Flash's "The Message". A collection of genuine leftfield classics, Right Time, Wrong Speed is also a wonderful insight into the arcane tastes of a genuine -- and sorely missed -- broadcasting legend.

Publication Date: 2 Dec 2002

Taking over from Grooverider, the man behind the decks for Fabriclive Vol.7 is everyone's favourite steam engine-loving sexagenarian, Mr John Peel. After his memorable set at the Fabric club in February, the veteran DJ obviously relished compiling his relentlessly eclectic first mix album.

Predictably, The Fall get a look in as do the Undertones with "Teenage Kicks" but as the cult vinyl manipulator flicks from techno to blues, then R&B to reggae via folk and funk, it proves to be a rocky ride well worth the fare. Quite how it all fits in to the dance compilation category is a mystery, but in contrast to the dirge of one-dimensional titles available, Fabric 07 shines bright with a free-form bristling energy that many DJs half Mr Peel's age can only dream of.

Where else would you find MC DET's feisty drum & bass fuelled "Hipsteppin" merging with the gorgeous soulful R&B harmonising of The Velvelettes "Needle in a Haystack" before the Bad Livers serve up a manic, banjo-driven, thigh-slappin' rendition of Iggy Pop's "Lust For Life"? With music culled from deep within the archives, Peel effortlessly transcends genres and decades with carefree abandon. Fabric 07 may well confound the feet but it's sure to rock the soul and warm the heart.

Publication Date: 18 Jun 2012

This 3CD box set comes in a limited edition 10 inch square, old fashioned tape box-style packaging with a 28 page booklet. Includes exclusive sleeve notes by Irmin Schmidt and Ian Harrison.

Publication Date: 31 Oct 2011

EMI in partnership with the BBC are making available for the first time some incredible material from distinguished artists’ BBC Peel Sessions. Movement is the first in a series of Peel Sessions compilations. It features 41 different artists/songs, covering the hugely musically fertile - and influential - period of 1977 – 1979. From the ‘year zero’ birth of Punk, Movement includes session tracks from such era-defining and esteemed artists, as: Buzzcocks, The Adverts, The Slits, The Skids, Wire, John Cooper Clarke - as well as those who transcended the pub rock scene, and influenced the punk generation, Dr Feelgood and Ian Dury & The Blockheads – and post-punk, electronica-influenced artists such as The Monochrome Set, Magazine, Joy Division, OMD and PiL, and a selection of reggae and Two Tone artists: Steel Pulse, UB40, The Specials, Madness and The Beat.

Publication Date: 22 May 2006

The Pig's Big 78's