Giovanni Batista Tiepolo (1696 - 1770) is an Italian painter known for his 'luminous and poetic' frescoes that expand on Baroque tradition with Rococo flavors. Notable works are The Adoration of the Trinity by Pope Clement ca. 1735, The Martyrdom of St. Sebastian ca. 1739 and the Institution of the Rosary ca. 1730.[1]
While the Duchess is compared to one of Tiepolo's "lenient goddesses"[2], Ascanio is compared to Saint Sebastian[3] who was also painted by Tiepolo in one instance. Perhaps this could be seen as a subtle nod to Violante and Ascanio being essentially 'of the same substance' as their natures are so similar and they are so compatible.[4] Furthermore, both Tiepolo's Sebastian and his goddesses are vibrant and vital-looking, giving a certain luster and weight to Wharton's descriptions of Violante's and Ascanio's beauty.
[1] see Britannica 8
[2] Wharton 1901, p. 3
[3] see Wharton 1901, p. 8
[4] see Wharton 1901, p.