Talks
Talks
"Front Row. The French Chef and its Kitchen Counter", conference "Designs on Television. Production Design and Television Aesthetics", Westminster University London, April 18-19, 2024.
"Ways to Get There. Stock Footage, Generic Aesthetics and Time Leaps in The Way We Were", conference "Critical Barbra. Perspectives on Barbra Streisand, First Global Jewish Superstar", Deutsches Filmmuseum & Filminstitut / Jüdisches Museum / Goethe-University, Frankfurt a.M., December 14-16, 2023.
"Ein feministischer Sexploitation-Film: The Student Nurses von Stephanie Rothman", Remake. Frankfurter Frauen Film Tage, December 5-10, 2023.
"Raising the Bar. The French Chef, Housewives and 'Real Cooks'", European Languages & Transcultural Studies department, UC Los Angeles, October 10, 2023 .
"Neue Ellbogenwelt. Maße und Ausmaße von Theken", Ringvorlesung "Das Detail", Johannes Gutenberg-Universität Mainz, October 29, 2019.
(A New World of Elbows. Sizes and Impacts of Bar Counters.)
"Vor Geschäftsschluss. Chantal Akermans Working-Girl-Film GOLDEN EIGHTIES", Lecture+Film series "Chantal Akerman: Die Erfinderin der Formen", Deutsches Filmmuseum, Frankfurt a.M., November 15, 2018.
(Before after hours. Chantal Akerman's working girl film GOLDEN EIGHTIES.)
"Counter Politics – Versammlungen an der Theke", Projekttage "Interesse am Körper", Department of Theater, Film and Media Studies, Goethe-University, Frankfurt, November 23-25, 2017.
(Counter politics – gatherings at the bar/lunch counter.)
"Vertigo, Fake, Zero Gravity and other Effects of Telephone Noise", Society for Cinema & Media Studies Annual Conference 2015, Montreal, March 24-29.
"Vor der Theke, hinter der Theke. Zur Visualisierung berufstätiger Frauen an Theken bei Édouard Manet, Jeff Wall und Isabel Bishop", Interdisziplinäres Zentrum für Geschlechterforschung, Ernst-Moritz-Arndt-University Greifswald, January 9, 2015.
(Visualizations of employed women at bar and lunch counters.)
"Hörensagen", introduction and discusssion of Phillip Scheffner's film "Revision" (D 2012), "Verorten, Verkörpern, Vergegenwärtigen. Medienpraktiken des Reenactment", conference, DFG Research Unit "Locating Media", University of Siegen, April 24-25, 2014.
"The Blinking Bulb and the Starry Sky: Stress and Modernism at the Switchboard", Society of Cinema & Media Studies Annual Conference 2013, Chicago, March 6-10.
"Lourdes – A film by Jessica Hausner", introduction to screening and film discussion, Center for Austrian Studies, University of Minnesota, Minneapolis, October 26, 2011.
"Stephanie Rothman’s Exploitation Films and Strategies of Presentation in a Feminist Context”, Gustavus Adolphus College, St. Peter, MN, April 10, 2007.
"Wie Frauen Riechen. Geruchsinszenierungen in Filmen von Catherine Breillat und Claire Denis,” conference "Lust? Darstellugen von Sexualität in der Gegenwartskunst von Frauen", University of Erlangen, January 26-28, 2007.
(Representations of scent and female desire in films by Catherine Breillat and Claire Denis.)
"Auf dem Weg," conference "Working Girls. Liebe und Arbeit in der Moderne", Ludwig-Maximilians-University Munich, February 25-28, 2005.
(Working girls in title sequences and film beginnings.)
"Girls, Gangs, Guns. Exploitationkino und feministische Rezeption", AJZ Kino, Bielefeld, November 23, 2003.
(Exploitation cinema and its feminist reception.)
"To Be A Working Girl," special program "Working Single Girls. Single and Working before Ally McBeal", 11th Feminale, International Women’s Film Festival Cologne, October 2-6, 2002.
"Stephanie Rothman: Feminist Filmmaker of Sexploitation Comedies," conference "Born To Be Bad: Trash Cinema From The 1960s and 70s", University of California, Berkeley, and the Pacific Film Archive, May 17-19, 2002.
"Der Kopf von Marilyn Monroe," UPS-Lecture Series "'the currency of fame is data...'" , Institute for American Studies / English Department, University of Cologne, January 11, 2002.
(The reception of the image of Marilyn Monroe’s hair and the difference between film and photo.)
"Der Kopf von Marilyn Monroe," film series Kontur Blond, Feminale e. V., Kölner Filmhaus, November 25, 2001.
(The reception of the image of Marilyn Monroe's hair and the difference between film and photo.)
"Utopie im Exploitationfilm: Stephanie Rothmans Terminal Island", Filmreihe Welcome to Violence – Girl Gangs im Film, Kommunales Kino Metropolis, Hamburg, May 27, 2000.
(Utopia and exploitation cinema: Stephanie Rothman’s Terminal Island.)
"Die Enden der Wurst. Filmschlüsse, Abschlussverfahren und Marilyn Monroe in der feministischen Filmtheorie,“ conference "Theorie – Politik", Graduierten-Kolleg „Theorie der Literatur und Kommunikation“, University of Konstanz, Feb. 16-18, 2000.
(The image of Marilyn Monroe’s mouth and feminist film theory.)
"Mädchenname. Mutterbewegungen in Texten Alexander Kluges," lecture series "Grenzüberschreibungen: Feminismus und Cultural Studies", Faculty of Linguistics und Literary Studies, University of Bielefeld, June 6, 1998.
(Addressing women in the films and texts of Alexander Kluge.)
"'Good Looking and a Great Actor‘. Hamlet als Star-Image," lecture series "'something is rotten ...'. Shakespeare & Co.", Lichtwerk, Kino im Bielefelder Filmhaus, Dec. 6, 1996.
"Schwarze Listen, schwarze Zahlen. Arbeitsbedingungen von Drehbuchautorinnen im Hollywood der 30er und 40er Jahre," 5th International Women’s Film Festival femme totale, Dortmund, March 26, 1995.
(American women screenwriters in 1930s and 1940s.)
"Der ernste Woody Allen trifft die Fröhliche Wissenschaft", film series "Was braucht man für eine Geschichte? Filme von Jean-Luc Godard," Lichtwerk, cinema in the Bielefelder Filmhaus, December 12, 1991.
(Comparison between Woody Allen and Jean-Luc Godard.)
"Stephanie Rothman", interview: Max Oppel, in: Kompressor (06:09), Deutschlandfunk Kultur, 26.8.2024.
"Frauen im Büro", interview: Mandy Schielke, in: Zeitfragen. Lang lebe das Büro?, Deutschlandfunk, 12.4.2023.
"Working Girls", interview: Boussa Thiam, in: Kompressor, Deutschlandfunk Kultur, 8.3.2022.