Sacred Sojourns: Songs of Vitthal (A Musical Journey in Faith)
This is the title of a concert by Dr. Deepti Navaratna, a faculty in NIAS, Bengaluru. The concert/lecdem was a part of a unique paper presentation by Poornima Rajakarne, her PhD student. The paper presentation titled 'Very Vāri' was a one-of-a-kind text-audio-video combined presentation of Poornima's exploration of the famous annual pilgrimage of the 'Varkaris'. The Varkaris (="the one who performs the vari") undertake a multi-day journey to Pandharpur, the abode of Bhagwan Vitthal (='Vithoba') and his consort Rakhumai (='Rukmini'), during the month of Aashada (acc. to the Hindu Calendar). The word 'vari' here signifies repetition (~बारी) , a journey that one is compelled to undertake again and again. Hence varkaris undertake the same journey year after year! And every time due to the bhakti in them towards the lord.
In order to bring the audience to the correct frame of mind and invoke bhakti in them, Dr Deepti Navaratna presented a concert/lecdem preceding the presentation. She merged both the Maharashtra’s Varkari and Karnataka’s Haridasa traditions, remarking that each verse of either of these traditions carries centuries of longing, remembrance, and surrender, echoing with the footsteps of pilgrims and the heartbeat of devotion. What she presented was a collection of songs+context from both traditions to direct the audience towards the objective of invigorating bhakti. Her exposition started with 'nammama shaarade', went onto 'kereya neeranu' (not quite the usual kutcheri!), followed by 'udupeeya kandeera'. Later she moved onto 'endu kaambenu', followed by a Tamil song (forgot which one, mostly on Lord Shiva), finally concluded with a marathi abhang 'ughad nayan deva'. For each song, Dr. Deepti explained the context of the song and it's ಗೂಢ ತತ್ವ.
Many points that she brought out was fascinating for me. Also, the kutcheri format was very informal, Dr Deepti herself was in informal normal clothes and she had accompaniment as tabla and harmonium, both unthinkable in karnataka sangeetha. I will highlight the major points that I could take away from this concert/lecdem:
Dr. Deepti started with a beautiful exposition of 'nammama shaarade', a devotional song composed by Kanakadaasa. She explained as she sang along the song. She remarked that the song is more of a interrogative style, asking who is this boy with large ears and broken tusk (ಮೋರೆ ಕಪ್ಪಿನ ಭಾವ ಮೊರದಗಲ ಕಿವಿ ಕೋರೆ ದಾಡೆಯವನ್ಯಾರಮ್ಮ), with the question being a rhetoric. The poet himself answers saying he is Shiva's son, the one who is very courageous (ಧೀರ ತಾ ಗಣನಾಥನೆ ) and possesses infinite knowledge (ರಾಶಿ ವಿದ್ಯೆಯ ಬಲ್ಲ ). Although the song starts exonerating 'shaarade', however it next hails 'uma maheshwari', showing the ಗೂಢ ತತ್ವ that all the infinite forms are the same, point to the same supreme consciousness, irrespective of their form. One can find the correct song here with a more elaborate interpretation.
The audience was directed to the paper presentation after the concert by which they could feel the varkaris and their devotion. The paper presentation turned out to be infact an exhibition with huge cutouts showing various photos clicked by Poornima herself, accompanied by a short video explaining the journey, what people go through during the multi-day journey, how they sing songs, cook food and what hardhsip they endure. People also view the journey itself as the fulfillment of their love towards the lord. Poornima's exploration has showed her many facets and she has captured all this in the multimodal presentation. She also made an observation that in future, any new pilgrimage journeys can take many leaves out of this pandharpur yatra! Since Poornima is a student with Dr. Deepti, I am sure the study also has observations regarding what effects the pilgrimage itself has on the body's neurology and whether there are any noticeable effects that can be quantified.