Associate Professor of Theatre Production in the School of Performance at Ryerson University, Toronto (Ontario, Canada) Pavlo Bosyy has taught Theatre Arts, History, and Humanities for more than 25 years at the college and university level. Pavlo also worked as the Principal Resident Designer (Scenographer) at Kirovohrad State Puppet Theatre and Kropyvnytsky State Theatre, both in Kropyvnytsky (Ukraine). He designed or directed for about 200 projects at regional and academic theatres in Canada, Ukraine and the USA and at the Off-Broadway companies. Pavlo’s work has been featured in the Southeastern Theatre Conference, the Kennedy Center American College Theater Festival, the United States Institute for Theatre Technology’s Young Designers’ Forum, and in other numerous international conferences in the United States and Western Europe. He has participated in theatre design exhibits such as World Stage Design and Ming’s Clambake portfolio review. Pavlo is a four-time participant of Prague Quadrennial. Professional credits include Volyn State Puppet Theatre, Odessa Theatre for the Young Audiences, Poltava State Puppet Theatre (all in Ukraine), Le Ballet du Siècle de Taipei (Taipei, Taiwan), New York Fringe Festival, Equity Showcases at Take Wing and Soar company, Yangtze Repertory Company and The Billie Holiday Theatre (NYC), Michigan’s Meadowbrook Theatre, Plowshares Theatre Company and Jewish Ensemble Theatre, Texas Shakespeare Festival and Daemon Theatre (Toronto, Ontario, Canada). Pavlo holds the MFA degree in Production Design and Technology from Ohio University (USA); he is a member of UNIMA and ADC.
CURRICULUM VITAE
Pavlo Bosyy, MFA
Scenographer, Educator
Cell Phone (Canada): +1(647) 456-9196
E-mail: pavlo.bosyy@ryerson.ca
pavlobosy@yahoo.com
https://sites.google.com/site/pavlobosyy/
2014 – currently - Ryerson School of Performance, Ryerson University, Toronto, Ontario (CANADA) – Associate Professor of Theatre.
TEACHING EXPERIENCE
2014 – currently - Ryerson School of Performance: Design Communication I (Intro to Design), Intro to Scenography, Set Design, Costume Design, Vectorworks, Properties: Construction 1.
2009 - 2012 - University of San Diego, Assistant Professor of Theatre Arts (Scenography): Fundamentals of Design for the Theatre, Costume Design, Theatre and Society.
2005 - 2009 - Oakland University (Michigan), Assistant Professor of Theatre (Scenic Design): Elements of Design, Scenic Painting, Scenic Design, Properties Practicum, Drafting for the Theatre, Theatre History II.
2004 - 2005 - West Virginia University, Visiting Assistant Professor of Scenic and Costume Design: Scenic Design (Undergraduate), Scenic Design (Graduate), Costume Design (Undergraduate), Costume Design (Graduate), Rendering (Graduate and Undergraduate), Costume Craft, Scenic Painting, History of Eastern-European Puppetry.
1997 - 2002 - Educational Consortium Pedagogical Academy/Institute of Commerce, Kirovohrad (UKRAINE), Vice-President for External Relations: Cultural Studies, British History, Diplomatic History.
1999 - Kirovohrad College of Choreography (UKRAINE), Senior Lecturer: Cultural Studies.
1995 - 1997 - Kirovohrad National Technological University (UKRAINE), Senior Lecturer: Cultural Studies.
1989 - 1990 - Kirovohrad College of Music (UKRAINE), Senior Lecturer: History of Fine Arts.
Additional work experience – 2012 – 2013 – Principal Resident Designer (Scenographer), Kirovohrad State Academician Puppet Theatre, Kirovohrad (UKRAINE).
1986 - 1995 – Kirovohrad State Museum (UKRAINE) – Senior Research Fellow, Deputy Director, Director.
EDUCATION
2002 - 2004 – MFA course in Theatre Design and Production-Scenography: Scenic, Lighting and Costume Design (MFA is considered the terminal degree in Theatre Arts in the USA and Canada) at the School of Theater, Ohio University, Athens, OH (full scholarship); degree conferred in 2004.
1982 - 1986 – a university course, a Specialist Degree in History and Social Sciences (equivalent to the Western M.A.) summa cum laude, and professional qualification in Teaching) obtained from the Faculty of History, Kirovohrad Pedagogical University, Ukraine; degree conferred in 1986.
1974 - 1981 – Neuhaus School of Music, Kirovohrad, Ukraine (piano), music education certificate (conferred in 1981).
LANGUAGES
Ukrainian and Russian - native speaker. English – proficient. Polish – working level.
ADDITIONAL TRAINING AND FELLOWSHIPS
2015 – Teaching Dossier Mentorship Program, Ryerson University, Toronto, CANADA.
2000 – 2002 - New School University, The New School for Social Research, Graduate Faculty, Research Fellow (Fellowship awarded by the Open Society Institute, NYC).
2001 – Pedagogical Academy (Kirovohrad, Ukraine), International Renaissance Foundation summer school “Women Leadership in University Education.”
2001 – Center for Gender Studies, University of Latvia, Riga (HESP summer school “Men and Masculinities”) – research on Gender Representation in Theatre and Film.
2000 – Hungary, Poland, Czech Republic, Slovakia, Austria (Summer University at Central European University, “Medieval Europe: Resources and Issues”) – research on Heraldry and Family History.
1999 – fellowship in Management of University Education at the University of Buckingham (UK), and Lovanium Management Centre (Belgium) awarded by TACIS.
1995, 1994 – fellowship in Museum Studies at National Commission for Restitution, Kyiv, Ukraine.
1991 - fellowship in Museum Studies at the Institute for Advanced Training, Ministry of Culture of the USSR, Moscow.
1989 - internship in Museum Studies at the Institute for Advanced Training, Ministry of Culture of Ukraine, Kyiv.
AWARDS
2018, 2019 – Letters of Appreciation from Kirovohrad Regional Museum of Fine Arts, Kirovohrad, UKRAINE.
2010 – Honorary Guest Participant, Perekotypole International Folk Art Festival, Onyfriyvka, UKRAINE.
2008 - Kirovohrad Regional Society of Regional History and Cultural Studies has recognized my long term studies in history of Ukrainian theatre and in studies in History and Culture of Central Ukraine, and in studies of British-Ukrainian cultural and economic relations by awarding me the life title of "Distinguished Scholar in the Area of Regional Studies."
2008 – Faculty honoree at the Thirteenth Annual Faculty Recognition Luncheon, Oakland University.
2007 – Drabyna International theatre festival in Lviv, UKRAINE, a Diploma for The Little Globe Theatre production of Queen Lear, Director, Set, Costume and Lighting Designer, Dramaturge.
2006 – Waiting for… (Beckett inspired trauma-comedy, in English and in Ukrainian), Set, Costume and Lighting Designer, Diploma of Drabyna International theatre festival in Lviv, UKRAINE.
2006 – Urinetown, Set Designer (Oakland University), the show was selected to the be performed at the American College Theatre Festival.
2004 – Drabyna International theatre festival in Lviv, UKRAINE, an award for Cultural Contribution, The Lesson by Ionesco, The Little Globe Theatre production.
2004 – Na Krylakh Kochannya theatre festival in Kharkiv, Ukraine, an award for the Best Experimental Work for The Lesson by Ionesco, The Little Globe Theatre production.
2004 – selected to participate at the Young Designers’ Forum at the 2004 convention of the United States Institute of Theatre Technology (USITT) and at Ming Cho Lee’s “Clambake” portfolio review and exhibit.
2003 - Southeastern Theatre Conference (USA), Graduate Scenic Design Award, Third Place in the Graduate Scenic Design Competition for the set design for Henry V by Shakespeare, Honorable Mention for the Outstanding Costume Design for Henry V by Shakespeare, Graduate Students nomination.
GRANTS
Ryerson University’s Faculty of Communication and Design Scholarly Research and Creative Activity Travel Grant in support of presentation of my work at the Tbilisi Biennale of Stage Design 2020 and the 11th Annual Conference on Visual and Performing Arts in Athens, Greece, $2000
Participation of 7 students of Ryerson Theatre School at Prague Quadrennial, Prague, CZECH REPUBLIC, 2019, co-organized with Caroline O’Brien, co-sponsored by Ryerson Student Initiative Fund, Ryerson Communication and Design Society, School of Performance, and Faculty of Communication and Design, awarded in 2019, total funding $12000.
Ryerson University’s Faculty of Communication and Design Scholarly Research and Creative Activity Travel Grant in support of my work: Curating of the Ukrainian National Exhibit at Prague Quadrennial, Prague, CZECH REPUBLIC, and participation at the10th Annual
International Conference on Visual and Performing Arts, Athens, GREECE, awarded in 2019, $2000.
Ryerson University’s Faculty of Communication and Design Scholarly Research and Creative Activity Travel Grant in support of my work: Curating of the Canadian National Exhibit at the Tbilisi Biennale of Stage Design, in Tbilisi, GEORGIA, awarded in 2018, $2000.
Ryerson University’s Faculty of Communication and Design Scholarly Research and Creative Activity Travel Grant in relation to the paper presentation Boundaries Challenged, Blurred and Re-Invented: a Showcase of the Production of “Faust, or Of Freedom and of Life He Only is Deserving...” International Federation for Theatre Research 2017 Congress “Unstable Geographies: Multiple Theatricalities,” the University of São Paulo, BRAZIL, 2017 (refereed), awarded in 2017, $2000.
Participation of 4 students of Ryerson School of Interior Design and School of Performance at the Lviv Student Design Charrette (co-organized with Sholem Dolgoy) – in collaboration with Lviv Polytechnic National University, UKRAINE, co-sponsored by Ryerson Student Initiatives Fund, the School of Performance, Faculty of Communication and Design, Ryerson Communication Design Society, and Christie Lites Sales, awarded in 2017, total funding amounts to $9600.
Ryerson University Learning and Teaching Enhancement Fund’s grant for “The Creative Laboratory Project: The Series of Fifteen Extra-Curriculum Workshops on Digital Technologies for Stage Projections and Lighting, Computer-Assisted Drafting, Miking Life Performance, Mask Making, Hair and Wig Design, Prosthetic Makeup, Puppet Design and Making, Stage Upholstery and Business Ethics,” (developed in collaboration with Michael Bergmann), awarded in 2017, $13000.
Ryerson University’s Faculty of Communication and Design Creative Innovation Fund’s grant for the project “The Light and the Dance” (solo exhibit of photo art work), awarded in 2016, $8580.
Ryerson University’s Faculty of Communication and Design Scholarly Research and Creative Activity Travel Grant in relation to directing and designing of Faust, or Of Freedom and of Life He Only is Deserving..., script by Anatoly Yurchenko and Pavlo Bosyy inspired by Johann Wolfgang von Goethe, produced at the Volyn Regional Puppet Theatre, awarded in 2016, $1500.
Participation of 12 students of Ryerson Theatre School at Prague Quadrennial, Prague, CZECH REPUBLIC, 2015, co-organized with Sholem Dolgoy, co-sponsored by Ryerson Theatre School, Faculty of Communication and Design and Ryerson Communication and Design Society, awarded in 2015, total funding $21000.
Ryerson University’s Faculty of Communication and Design Scholarly Research and Creative Activity Grant for the project “Theatre Goes Digital: creating the RTS Projection Lab,” awarded in 2015, $7000.
Ryerson University’s Faculty of Communication and Design Scholarly Research and Creative Activity Travel Grant in relation to the public lecture Tendencies in contemporary theatre architecture: building of high-tech theatres of the early XXI century and adaptation of historical non-theatre structures for the needs of the performing arts delivered at the Institute of Architecture of National University Lviv Polytechnics, awarded in 2014, $1900.
USD International Travel Grant for participating at Prague Quadrennial and for participating at the conference “Designing the Performance Spaces,” IFTR Scenography Working Group, Arts and Theatre Institute and The Faculty of Art of Charles University, Prague, CZECH REPUBLIC, June 2011, awarded in 2011, $1500.
USD International Travel Grant for participating at Scenography Expanded symposium in Belgrade, SERBIA and for delivering the public lecture “Chekhov in Contemporary Western Culture,” public lecture at Anton Chekhov Memorial Museum, Yalta, UKRAINE. Awarded in 2010, $1500.
Fredrick Kaviuk Scholarship Fund, The Fred and Mary Kirachuk Scholarship Fund, Brad M. Glass Fund and the Oakland University Honors College Research Grant awarded to Katie Nabors and Brett Radke to support their participation at The Little Globe’s production of Medea produced and directed by Pavlo Bosyy. Awarded in 2009, $5000.
Howes Fund for Slavic Studies, Oakland University, for the research trip to Ukraine, study of the influence of Orange Revolution on Ukrainian Theatre and research on Stage Design form Chekhov productions; Kyiv, UKRAINE and Yalta, The Crimea, UKRAINE. Awarded in 2007, $2000.
Judd Endowment at Oakland University - a grant awarded for bringing a production of Eugene Ionesco’s The Lesson, to Oakland University in September, 2006. Awarded in 2005, $2600.
International Renaissance Foundation, a grant awarded for publishing of the catalog “Olexander Ilyin’s Kunstkammer“. Awarded in 1997, $2000.
THEATRE ACTIVITY
The Little Globe Students Theatre, Artistic Director and Designer.
Theatre Design and directing theatre performances, acting.
Personal exhibitions of stage design projects, oil painting, and graphics: 1987, 1988, 1994 – Kirovohrad, Ukraine; 2000 – New York; 2002 - Ithaca, NY, 2003 – Regional Museum of Fine Arts, Kirovohrad, Ukraine.
MAJOR DESIGN AND DIRECTING WORKS FOR THEATRE
Kirovohrad State Academician Puppet Theatre, Kropyvnytskyi State Academician Theatre, Ukraine; Plowshares Theatre Company, Michigan; Jewish Ensemble Theatre, Michigan; Meadowbrook Theatre, Michigan; Take Wing and Soar, NYC; the New York International Fringe Festival, The Cherry Lane Theatre; Perishable Theatre, Rhode Island; Texas Shakespeare Festival; Le Ballet du Siècle de Taipei, Taipei, TAIWAN, Kirovohrad Philharmonic Society, Ukraine; Sanford Meisner Theatre, NYC; Veresnevi Samotsvity Theatre Festival, Ukraine; Operetta Theatre, Kirovohrad, Ukraine; Oakland University, Michigan; Rezonans Theatre, Kirovohrad State University, Ukraine; West Virginia University; The Little Globe Theatre, Kirovohrad, Ukraine; Ohio University School of Theatre; Riga Gender Playhouse, the University of Latvia; International House Actors Playhouse, NYC; Rampa Studio Theatre, Kirovohrad, Ukraine; Lakes Region Summer Theatre, New Hampshire; Ohio Valley Summer Theatre; etc.
MAJOR DESIGN WORKS FOR MUSEUMS
1989 - 2010 – Design for exhibitions of medieval weapons, urban archaeology, restored artifacts, history of famine and holocaust in Central Ukraine, history of nineteenth century intelligentsia, modern history of Central Ukraine, history of British industrialists in Kirovohrad, history of the Ukrainian classical theatre, for a collection of ethnographic artifacts, several photo exhibitions (Kirovohrad Regional Museum), the Yuri Yanovs'kyi, Volodymyr Vynnychenko, Ivan Tobilevych museums and for the Museum of History of Ukrainian Choreography.
SOCIAL ACTIVITIES AND PROFESSIONAL AFFILIATIONS
Associated Designers of Canada.
International Federation for Theatre Research.
Canadian Institute for Theatre Technology.
The International Alumni Association.
Congress of Writers of Ukraine.
Ukrainian Heraldry Society.
2005 – 2011 - American Association of University Professors.
2004 – 2007 - United States Institute for Theatre Technology (USITT).
2003 – 2005 - Southeastern Theatre Conference (SETC), USA.
1996 – 2009 – The Little Globe Student Theatre (Kirovohrad, Ukraine), Founder, Artistic Director.
1995 – 1999 - British Executive Service Overseas volunteer regional representative.
1997-1999 – the founder and first President of the Independent Students Union, Kirovohrad.
1997-1999 – member of the Board of Trustees of the Central Ukraine Regional Branch of the Renaissance Foundation/Soros Fund.
1990-1994 - Kirovohrad City Councilor, Secretary of the Commission on Culture, Sports and Family Policy.
PLEASE SEE APPENDICES BELOW FOR REFERENCES, THEATRE DESIGN, RESEARCH, PROFESSIONAL AND UNIVERSITY SERVICE
Appendix 1.
PROFESSIONAL REFERENCES FOR PAVLO BOSYY – p. 9
Appendix 2.
THEATRE DESIGN – p. 12
Appendix 3.
RESEARCH, SCHOLARSHIP, PUBLICATIONS – p. 23
Appendix 4.
PUBLIC, PROFESSIONAL AND UNIVERSITY SERVICE – p. 33
Appendix 1.
PROFESSIONAL REFERENCES FOR PAVLO BOSYY
Dr. Peggy Shannon
Dean, College of Professional Studies and Fine Arts
San Diego State University
E-mail: pshannon@sdsu.edu
Evelyn Diaz Cruz
Professor of Theatre
Theatre Department
University of San Diego
E-mail: diazcruz@sandiego.edu
Steven Dykes
Programme Director, American Theatre Arts
Rose Bruford College
Lamorbey Park Campus Sidcup
E-mail: steve.dykes@bruford.ac.uk
Pamela Howard OBE
Professor Emerita, University of the Arts London
E-mail: pamela@pamelahoward.co.uk
Sholem Dolgoy
Associate Professor Emeritus of Theatre
Ryerson School of Performance
Ryerson University
E-mail: sdelight.v2@gmail.com
Carolyn Gillespie, Professor Emerita
Department of Theatre and Dance
University of Michigan-Flint
E-mail: cmgil@umflint.edu
Frank Gagliano
Benedum Professor Emeritus of Theatre Playwriting
Division of Theatre and Dance
CCA/CAC
West Virginia University
E-mail: sandrico@aol.com
David Eliet
freelancing playwright/director, Fulbright Scholar
E-mail: ilitsky@yahoo.com
Barbara Damashek
Associate Professor of Theatre
Department of Theatre Arts (CA 103)
College of Creative Arts
San Francisco State University
E-mail: damashekbd@aol.com
Vitaly Chernetsky, PhD
Professor, Slavic Languages and Literatures
2140 Wescoe Hall
University of Kansas
E-mail: vchernetsky@ku.edu
Donald Jack London
Visiting Professor in Business, Marketing and Behavior Modification Techniques.
Pedagogical Academy and Kirovohrad Institute of Commerce, Kirovohrad, Ukraine
E-mail: DonaldJack@AOL.com
Damira G. Burkan
Linguist/Interpreter
Lionbridge Federal
Former Fellow of the Open Society Institute
E-mail: linguist.interpreter@live.com
Appendix 2.
THEATRE DESIGN
Most recent productions
2018 - The Odyssey by Roland Schimmephennig, Set Design, and The Penelopiad by Margaret Atwood, Set Design (two plays performed in rotating rep at Ryerson Theatre, Toronto, Ontario, CANADA).
2018 – The Rover by Aphra Behn, Set Design, Ryerson School of Performance, Ryerson Theatre, Toronto, Ontario, CANADA.
2016 – Treasure Island by Ken Ludwig after Robert Louis Stevenson, Costume Design, Ryerson School of Performance, Ryerson Theatre, Toronto, Ontario, CANADA.
2016 - Faust, or Of Freedom and of Life He Only is Deserving... (inspired by Goethe's Faust), co-author of the script (together with Anatoly Yurchenko), Director, Set, Puppet, Costume and Poster Design, Projection Co-Design (with Leonid Tyvoniuk), Volyn State Academician Puppet Theatre, UKRAINE; presented at World Stage Design-2017 Online Galleries and at FCAD RUBIX event, Ryerson University, 2017.
2016 – Arranged Marriage by Chitra Banerjee Divakaruni, Ryerson Theatre, Set Designer.
2016 - You can’t Take it with You by George S. Kaufman and Moss Hart, Set Designer; Ryerson Theatre School, Ryerson Theatre, Toronto, Ontario, CANADA; presented at World Stage Design-2017 Online Galleries.
2015 – Suburban Motel and Filthy Rich by George F. Walker, performed in rotating rep, Set Designer and Properties Mentor; Ryerson Theatre School, Abrams Theatre, Toronto, Ontario, CANADA.
2015 – Gala concert/excerpts from Aida, Don Quichotte, La Esmeralda and Le Corsaire, Set/Projection Designer, Le Ballet du Siècle de Taipei, Taipei, TAIWAN.
2015 - Dancing on Eggshells by Cynthia Robinson, Set Design, The Billie Holiday Theatre, performing in residence at The Brooklyn Music School Playhouse, NYC.
2015 – The Last Five Years, a musical by Jason Robert Brown, Set Design, Daemon Theatre production performed at SMSC Centre for the Arts, Toronto, Ontario, CANADA; presented at World Stage Design-2017 Online Galleries.
Professional productions
Kirovohrad State Academician Puppet Theatre, UKRAINE
2013 – The Enchanted Present, a Christmas show by Natalia Ped’ko, Set Design and Lighting Co-design.
2013 - Aibolit and Barmaley after Korney Chukovsky (inspired by Hugh Lofting's Doctor Doolittle stories), Set, Puppet, and Costume Design, Lighting Co-design; presented at World Stage Design-2017 Online Galleries.
2012 - The Miraculous Treasure, a Christmas show by Natalia Ped’ko, Set Design and Supervising of Puppet, Costume and Lighting Design.
2012 - Viy after Gogol, Set, Costume and Puppet Design, Lighting Co-design.
The Theatre at the Museum Project, Kirovohrad Regional Museum of Fine Arts, Kirovohrad, UKRAINE
2014 – Povernennya (The Return) after the diary of Taras Shevchenko, Set and Lighting Designer.
2013 – A Dog’s Tale after Mark Twain, Set, Costume and Lighting Designer.
2013 – How it was done in Odessa after Isaak Babel, Set, Costume and Lighting Designer.
2012 – Krop’s Vacations after Marko Kropyvnytsky, Set, Costume and Lighting Designer.
2012 – The Timur Complex by Andrei Rozanov, Set, Costume and Lighting Designer.
2012 – Modern Inquisition after Anton Chekhov, Set, Costume and Lighting Designer.
Kropyvnytskyi State Academician Theatre, UKRAINE
2011 – On the Road to New Year by Mykhailo Illyashenko, Set, Projection and Costume Designer.
2011 – Twelfth Night by Shakespeare, Set and Lighting Designer.
2007 – Haydamaky by Taras Shevchenko (in Ukrainian), Set and Costume Designer.
2006 – Song of the Songs by Victor Krasnogorov (in Ukrainian), Set and Costume Designer.
2003 – Die Dreigroschen Oper (Threepenny Opera) by Bertolt Brecht and Kurt Weil (in Ukrainian), Set, Costume and Lighting Designer .
1996 – Do Not Play With Love by Pedro Calderon (in Ukrainian), Set, Costume and Lighting Designer.
1994 – Operetta Gives You a Smile by Mykhaylo Barskyi (in Ukrainian), Set Designer.
1993 – Graffin Mariza by Imre Kalman (in Ukrainian), Poster, Set, Costume and Lighting Designer.
1993 – Wedding at Old Age by O. Zhurbin and G. Fere (in Ukrainian), Set, Costume and Lighting Designer.
1993 – Le Medecin Malgre Lui by Moliere (in Ukrainian), Set, Costume and Lighting Designer.
1992 – Sin by Volodymyr Vynnychenko (in Ukrainian), Set, Costume and Lighting Designer.
1992 – Bridegroom to Rent by Mykhaylo Barskyi (in Ukrainian), Set and Costume and Designer.
1992 - When the Two are Parting by Mykhaylo Barskyi (in Ukrainian), Poster, Set, Costume and Lighting Designer.
1992 – Czardas Princess by Imre Kalman (in Ukrainian), Poster, Set, Costume and Lighting Designer.
1991 – When Our Grandparents Were Young by Volodymyr Kanivets and Oleksandr Veprynsky (in Ukrainian), Poster, Set, Costume and Lighting Designer.
Texas Shakespeare Festival (Kilgore, TX, USA), 2005
Macbeth by Shakespeare, Set and Properties Designer.
The Miracle Worker by William Gibson, Set and Properties Designer (also toured to Beijing, China).
A Midsummer Night’s Dream by Shakespeare, Set and Properties Designer.
Cyrano de Bergerac by Edmond Rostand, Set and Properties Designer.
Lakes Region Summer Theatre, (Meredith, NH, USA), 2004
Damn Yankees by George Abbott, Douglass Wallop, Richard Adler and Jerry Ross, Set Designer.
My Fair Lady by Alan Jay Lerner and Frederick Loewe, Set Designer.
Anything Goes! by Cole Porter, Set Designer.
Chicago by John Kander and Fred Ebb, Set Designer.
Phantom by Maury Yeston and Arthur Kopit, Set Designer.
Festivals
1992, 1993, 1994 – Veresnevi Samotsvity Theatre Festival, Poster and Set Designer, Kirovohrad, UKRAINE.
1992 –Festival of Ukrainian and Jewish Cultures, Emblem, Poster and Set Designer, Kirovohrad, UKRAINE.
Other professional venues
2014 – Dumy Kobzarya (Songs of the Kobzar) after the poetry of Taras Shevchenko, Set, Puppet, Costume, Lighting, Projection and Poster Design, Volyn State Academician Puppet Theatre, UKRAINE; presented at World Stage Design-2017 Online Galleries.
2014 – Dumy Kobzarya (Songs of the Kobzar) after the poetry of Taras Shevchenko, Set, Puppet, Costume and Projection Design, Poltava State Academician Puppet Theatre, UKRAINE.
2013 – Twelve Months after Samuil Marshak, Set, Costume and Lighting Design, Odessa Theatre for Young Audiences, UKRAINE; presented at World Stage Design-2017 Online Galleries.
2013 – Anthony and Cleopatra by Shakespeare, Set Design Consultant, Take Wing and Soar! & Voza Rivers/New Heritage Theatre Group, Harlem Shakespeare Festival inaugural production, Waterfront Amphitheatre in Riverbank State Park, NYC, USA.
2013 – Firebird by Stravinsky, Set/Projection Designer, Le Ballet du Siècle de Taipei, Taipei, TAIWAN.
2011 – Coppélia by Léo Delibes, Set/Projection Designer, Le Ballet du Siècle de Taipei, Taipei, TAIWAN.
2011 – Saviour? By Esther Armah, Set Designer, Take Wing and Soar Productions, Co-produced with Voza Rivers / New Heritage Theatre Group, DWYER Cultural Center (NYC, USA).
2010 – Sleeping Beauty by Tchaikovsky, Set/Projection Designer, Le Ballet du Siècle de Taipei, Taipei, TAIWAN.
2010 – Pecong by Steve Carter, Set Designer, Take Wing and Soar! (Equity showcase production at the National Black Theatre, NYC, USA).
2009 - Swan Lake by Tchaikovsky, Set/Projection Designer, Le Ballet du Siècle de Taipei, Taipei, TAIWAN.
2009 – Oliver! By Lionel Bart, Set Designer, Ohio Valley Summer Theatre (Athens, OH, USA).
2009 - In The Silence of the Heart by Joanna Chan, Set Designer, Yangtze
Repertory Theatre Company at Theatre for the New City, May 2009, NYC, USA.
2009 – Children of the Dnipro by David Eliet, Set and Costume Designer, Perishable Theatre, Rhode Island, USA.
2009 – Kernel of Sanity by Kermit Frazier, Set Design, Woodie King Jr’s New Federal Theatre, NYC, USA.
2009 – King Lear, Set Designer, Take Wing and Soar! (Equity showcase production at the National Black Theatre, NYC).
2008 - Venus and Mona by Leslie Bramm, Set Design, Emerging Artists Theatre, Nicu’s Spoon Theater, and Three Crown Theatre, NYC.
2008 - The Nutcracker by Tchaikovsky, Set/Projection Designer, Le Ballet du Siècle de Taipei, Taipei, TAIWAN.
2008 – Sleuth by Antony Shaffer, Set Designer, Jewish Ensemble Theatre (Michigan).
2008 – Ascension by Cynthia G. Robinson, Set Designer, the New York International Fringe Festival, The Cherry Lane Theatre, NYC, USA.
2008 – Tsarina’s Booties by David Eliet after Gogol, Set and Costume Designer, Perishable Theatre (Rhode Island, USA).
2008 – Oy! By Rich Orloff, Set Designer, Jewish Ensemble Theatre (Michigan, USA).
2008 – Biloxi Blues by Neil Simon, Set Designer, Meadowbrook Theatre (Rochester Hills, Michigan, USA).
2008 – Medea by Euripides, Set Designer, Take Wing and Soar! (Equity showcase production at the National Black Theatre, NYC, USA).
2007 – King Hedley II by August Wilson, Set Designer, Plowshares Theatre Company (Detroit, MI, USA).
2006 – The Choice (a musical Passion play by Sterling, Davenport and Dumas), Set Designer; Lighting Design Consultant (Apostolic Church, Auburn Hills, MI, USA).
2004 – Annie Get Your Gun! by Irving Berlin, Herbert Fields and Dorothy Fields, Set Designer, Ohio Valley Summer Theatre (Athens, OH, USA).
2003 – Christmas Show by Oleh Popov (in Ukrainian), Director; Set, Costume and Lighting Designer, Kirovohrad Philharmonic Society. Kirovohrad, UKRAINE.
2003 – Shirley Valentine by Willy Russell, Set and Costume Designer (Magnus et Parvus Productions, Inc. Performed at Unison Arts in New Paltz, NY; at Sanford Meisner Theatre, NYC; at Foundation for Hellenic Culture, NYC).
2002 – Inspector General by Nikolai Gogol (in Ukrainian), Set Designer (Lidia Kruszelnicka Ukrainian Theatre Group, New York, NYC, USA).
1989 – A Man and Women by Grigory Gorin (in Russian), Poster, Set and Costume Designer (Operetta Theatre, Kirovohrad, UKRAINE).
1988 – The Violet of Montmartre by Imre Kalman (in Russian), Poster, Set and Costume Designer (Operetta Theatre, Kirovohrad, UKRAINE).
1987 – The Revolt of Women by Yevgeny Ptichkin and Mikhail Sholokhov (in Russian), Poster, Set, Costume and Lighting Designer (Operetta Theatre, Kirovohrad, UKRAINE).
Academic productions
For Ryerson Theatre School, Toronto, Ontario, CANADA
2014 – The Plough and the Stars by Sean O’Casey, Set Designer (performed in rotating rep with La Ronde).
2014 – La Ronde by Arthur Schnitzler, Set Designer (performed in rotating rep with The Plough and the Stars).
For the University of San Diego, California, USA
2011- The Government Inspector by Gogol, Set Designer.
2011 – The Mail Order Bride by Charles Mee, Set Designer.
2010 - Rosencrantz and Guildenstern are Dead by Tom Stoppard, Set Designer.
2010 – Country Wife by William Wycherley, USD-The Old Globe Professional Acting MFA program, Set Designer and Scenic Artist.
2009 – Cabaret by John Kander and Fred Ebb, Lighting Designer.
2009 – An Experiment with an Air Pump by Shelagh Stephenson, Scenic Designer.
For Oakland University, Michigan, USA
2009 - Follies by Stephen Sondheim, Set Designer, for Oakland University.
2008 – Falsettos by William Finn and James Lapine, Set Designer.
2008 – Drat! The Cat! by Ira Levin and Milton Schafer, Lighting Designer.
2007 – Crumbs from the Table of Joy, by Lynn Nottage, Costume Designer.
2007 - A Flea in Her Ear by George Feydeau, Set Designer.
2006– By Jupiter! by Richard Rogers and Lorenz Hart, Set Designer.
2006 – A Midsummer Night’s Dream by Shakespeare, Set Designer.
2005 – Urinetown by Mark Hollman and Greg Kotis, Set Designer.
For The Little Globe Theatre, Kirovohrad, UKRAINE
2009 – Medea by Euripides, Producer, Director, Sound, Set and Costume Designer (in English and Ukrainian).
2008 – Counting Icebergs by Frances Rouse, Australia (World premiere, in English), Set Designer and Producer.
2007 – Queen Lear after Shakespeare, Director, Sound, Set, Costume and Lighting Designer, Dramaturge, (in English), Diploma of Drabyna International theatre festival in Lviv, UKRAINE.
May 2006 – Waiting for… (Beckett inspired trauma-comedy, in English and in Ukrainian), Set, Costume and Lighting Designer, Diploma of Drabyna International theatre festival in Lviv, UKRAINE.
2003 – Mozart and Salieri by Pushkin (in English), an interactive theatre production and workshop on text interpretation, Set, Costume, Lighting and Sound Designer.
2001 – The Night Before Christmas by David Eliet after Gogol (in English), Set, Lighting, and Costume Designer.
2001 – Genet-Sade (Boudoir Philosophy by Kenneth Krauss after de Sade and Les Bonnes by Genet, in English and Russian), Costume and Lighting Designer.
2000 – The Business of Good Government by John Arden and Margaretta D’Arcy (in English), Set, Costume, Sound and Lighting Designer.
2000 – The Lesson by Ionesco (in English and in Ukrainian), Set, Costume, Sound and Lighting Designer
(Awards: 2004 - Na Krylakh Kochannya theatre festival in Kharkiv, UKRAINE, an award for the Best Experimental Work for The Lesson by Ionesco, The little Globe Theatre production; 2004 – Drabyna International theatre festival in Lviv, UKRAINE, an award for Cultural Contribution).
2000 – The Bear by Chekhov (in English), Set, Costume, Sound and Lighting Designer.
2000 – The Canterville Ghost by Wilde (in English), Set, Costume, Sound and Lighting Designer.
1999 – How to Make a Happy Hamlet by Justin Coe after Shakespeare (in English), Set, Costume, Sound and Lighting Designer.
For West Virginia University, USA
2005 – Texts for Nothing by Beckett, Set Designer.
2005 – Evening of One-Act Plays and Bleeding in the Dark by Munsie, West Virginia Playwrights’ Festival, Lighting Designer.
2004 – Kolonists by Steven Dykes, Set and Costume Designer; Lighting and Sound Design Consultant.
2004 – A Voice of My Own, an adaptation based on the play by Elinor Jones, Charge Scenic Artist.
For Ohio University School of Theatre, USA
2004 - Romeo and Juliet by Shakespeare, Set Designer.
2003 - Top Girls by Caryl Churchill, Charge Scenic Artist.
2003 – She Calls up the Sun by Addae Moon, Lighting Designer.
2003 – Miss Julie by August Strindberg, Set Designer.
2002 – Roost by John Ray Sheline, Set Designer.
2002 – Cloud Tectonics by Jose Rivera, Set Designer.
Other academic productions
2003 – Temptation of Christ, an opera by Rafael De Costa, a virtual Internet project for the set design, information available at http://pub.turingshop.com
2000 – One Day in the Life of International House (Beyond Therapy), Set Designer (International House Actors Playhouse, NYC, USA).
2000 – Les Bonnes by Genet (in Russian), Set, Costume, Sound and Lighting Designer (Rampa Studio Theatre, Kirovohrad, UKRAINE).
1987 – And Music Played in Moldavanka by Oleg Sosin (in Russian), Set Designer (Rezonans Theatre, Kirovohrad, UKRAINE).
1986 – The Only Heir by Renard (in Russian), Scenic Artist (Rezonans Theatre, Kirovohrad, UKRAINE).
Directing and producing
2016 - Faust, or Of Freedom and of Life He Only is Deserving... (inspired by Goethe's Faust), co-author of the script (together with Anatoly Yurchenko), Director, Set, Puppet, Costume and Poster Design, Projection Co-Design (with Leonid Tyvoniuk), Volyn State Academician Puppet Theatre, UKRAINE.
2009 – Medea by Euripides (in English and Ukrainian, The Little Globe Theatre, Kirovohrad, UKRAINE).
2008 – Counting Icebergs by Frances Rouse (Australia), Producer, (World premiere, in English, The Little Globe Theatre, Kirovohrad, UKRAINE).
2007 – Queen Lear after Shakespeare, (in English, The Little Globe Theatre, Kirovohrad, UKRAINE), Diploma of Drabyna International theatre festival in Lviv, UKRAINE.
2005 – The Night Before Christmas by David Eliet after Gogol (in English), West Virginia University, USA, a puppet show. Puppets designed and built at the Costume Craft class; roles performed by the students attending the Eastern-European Puppetry class.
2003 – Christmas Show by Oleh Popov (in Ukrainian, Kirovohrad Philharmonic Society, UKRAINE).
2003 – Mozart and Salieri by Pushkin, an interactive theatre production and workshop on text interpretation (in English, The Little Globe Theatre, Kirovohrad, UKRAINE).
2001 – The Night Before Christmas by David Eliet after Gogol, (in English, The Little Globe Theatre, Kirovohrad, UKRAINE).
2001 – Savonarola by Monika Milewska (in English, Riga Gender Playhouse, the University of Latvia, Riga, LATVIA).
2001 – Genet-Sade (Boudoir Philosophy by Kenneth Krauss after de Sade and Les Bonnes by Genet (in English and Russian, The Little Globe Theatre, Kirovohrad, UKRAINE).
2000 – The Business of Good Government by John Arden and Margaretta D’Arcy (in English, The Little Globe Theatre, Kirovohrad, UKRAINE).
2000 – Les Bonnes by Genet (in Russian, Rampa Studio Theatre, Kirovohrad, UKRAINE).
2000 – The Lesson by Ionesco (in English, The Little Globe Theatre, Kirovohrad, UKRAINE).
2000 – The Bear by Chekhov (in English, The Little Globe Theatre, Kirovohrad, UKRAINE).
2000 – The Canterville Ghost by Wilde (in English, The Little Globe Theatre, Kirovohrad, UKRAINE).
1999 – How to Make a Happy Hamlet by Justin Coe after Shakespeare (in English, The Little Globe Theatre, Kirovohard, UKRAINE).
Acting
2003 – Mozart and Salieri by Pushkin, an interactive theatre production and workshop on text interpretation, Mozart (in English, The Little Globe Theatre, Kirovohrad, UKRAINE).
2002-2004 – the Bridging Diversity Gap Group devised interactive theatre performances, Athens, OH, USA.
2000 – One Day in the Life of International House (Beyond Therapy), Bruce (International House Actors Playhouse, NYC, USA).
DESIGN FOR MUSEUMS
2012 - Chekhov Overseas exhibit at Anton Chekhov Memorial Museum in Yalta, UKRAINE.
2010 –in progress- design for the History Department Permanent Exhibit at Kirovohrad Regional Museum, UKRAINE.
2009 - design for the new permanent exhibition of the Museum of History of Ukrainian Choreography, Ivan Tobilevych Museum, UKRAINE.
1989-1999 – design for exhibitions of ancient, medieval and modern weapons, urban archaeology, restored artifacts, history of famine in Central Ukraine, history of nineteenth century intelligentsia, modern history of Central Ukraine, history of British industrialists in Kirovohrad, history of the Ukrainian classical theatre, for a collection of ethnographic artifacts, several photo exhibitions (Kirovohrad State Museum, Kirovohrad, UKRAINE), the Yuri Yanovskyi, Volodymyr Vynnychenko, and Ivan Tobilevych museums, UKRAINE.
Appendix 3.
RESEARCH, SCHOLARSHIP, PUBLICATIONS
Research Studies
Robert P. Elworthy. The Influence of a British Industrialist on the Development of Elizabethgrad/Kirovohrad. Ukraine. 1872-1920), (in Ukrainian), Kirovohrad National Technological University, UKRAINE.
Master’s thesis
2004 - Exit Portfolio at the MFA Program at the School of Theatre, Ohio University, which included scenic, lighting and costume design for academic and professional main stage productions and participating entries for South-Eastern Theatre Conference, Washington, DC, USITT Young Designers’ Forum, Long Beach, CA, and Ming’s Clambake, NYC, USA.
Exhibitions
October, 2020, June - October 2017, October 2019 - The Light and the Dance, solo exhibit of photo art, supported by the Ryerson University’s Faculty of Communication and Design Creative Innovation Fund, hosted by the Regional Museum of Fine Arts, and Kirovohrad Regional Research Library, both in Kropyvnytskyi, UKRAINE; also exhibited at Tbilisi Biennale of Scenography, GEORGIA, 2020 and at Ryerson’s HQ Studio in 2019, presented at the FCAD RUBIX event, Ryerson University, 2017.
October, 2020 – Co-Curator (together with Caroline O’Brien), Ryerson School of Performance’s Student Exhibition, Tbilisi Biennale of Scenography, GEORGIA.
6-16 June 2019 - Curator, First Ukrainian National Exhibition at the 14th Prague Quadrennial, UKRAINE and CZECHIA.
June 2019 - exhibitor, Our Theatre of the World Performance Space Architecture Exhibition at Prague Quadrennial: Theatre on the Podil and The Ryerson School of Performance documentaries, Prague, CZECHIA.
October 2018 – curator, Stage CanadA exhibition of young Canadian theatre designers at Tbilisi Biennale of Scenography, Tbilisi, GEORGIA.
July 2018 – Ballet at Railway Station and The Masterclass photo exhibitions, Kirovohrad Regional Museum of Fine Arts (the opening was a part of One-Day Museum Mini-Fest with Pavlo Bosyy, July 20, 2018, Kirovohrad, UKRAINE, invited).
World Stage Design-2017 Online Galleries, Set Design presenter: You can’t Take it with You, The Last Five Years, Aibolit and Barmaley, Faust, or Of Freedom and of Life He Only is Deserving..., Dumy Kobzarya (Songs of the Kobzar) and Twelve Months.
June 2015 – curator, Ukrainian Student Exhibit at Prague Quadrennial-2015, UKRAINE and CZECHIA.
May 2012- curator, Chekhov Overseas, Anton Chekhov Memorial Museum, Yalta,
UKRAINE (invited).
June 2007 – participant, Prague Quadrennial, the Ohio University graduate
Scenography program section of the USA Theatre Design exhibit; Set and Costume Design for Salome and Henry V, Prague, CZECHIA.
2006-2007 - curator and participant Contemporary American Theatre, a photo exhibit;
The Museum of Ideas at Dzyndra Gallery (Lviv, UKRAINE, December 2006), Kirovohrad Regional Museum of Fine Arts (Kirovohrad, UKRAINE, January 2007), Pedagogical Academy (Kirovohrad, UKRAINE, May 2007), Kirovohrad Regional Research Library (Kirovohrad, UKRAINE, July-September, 2007).
2005 – participant, World Stage Design Exhibit, Toronto, CANADA – presenting
design works for Romeo and Juliet and Salome.
2005 - co-curator and participant, American Scenography Today: Works of West
Virginia University Faculty and Graduate Students, an exhibition at Regional
Museum of Fine Arts, Kirovohrad, UKRAINE, also available at
http://www.crossroads.com.ua/articles/2004/52/1054.php and
http://www.nrcu.gov.ua/index.php?id=4&listid=11818
1987-2015 - solo exhibitions of stage design projects, oil painting, and graphics:
2015, 2003 – Regional Museum of Fine Arts, Kirovohrad, Ukraine, 2002 - Ithaca, NY, and New School University, NYC; 2000 – Open Society Institute, NYC; 1994, 1989,
1987 – Kirovohrad, UKRAINE.
Books and catalogues published or in press
Yevhen Lysyk. Bibliography and Cataloguing: Theatrical Time, Space, Scenography and Architecture. Compiled by Victor Proskuriakov, Oksana Zinchenko and Zoriana Klymko, translated into English by Inna Derkach, edited by Pavlo Bosyy. Lviv: Sribne Slovo Publishers, UKRANE, 2015.
Monograph Robert Pearce Elworthy (1846-1925), (in Ukrainian) / published by Kirovohrad Regional Research Library, UKRAINE, 2012.
Available at: http://library.kr.ua/elib/bosiyP/index.html
Foreign Manufacturers in Ukraine (Documents of The R. Elworthy Memorial Archive) / Collection of Documents compiled and edited by Pavlo Bosyy / Kirovohrad: Littera, UKRAINE, 1999, in English, Ukrainian, Russian, 150 p.
Olexander Ilyin’s Kunstkammer / Catalogue compiled and edited by Pavlo Bosyy / Kirovohrad, UKRAINE, 1997, in Ukrainian.
Also available at http://library.kr.ua/elmuseum/ilyin/kunstkam/
Translations
Out of Nowhere, scenes from the play by Ken Krauss, translation into Russian by Pavlo Bosyy / Literaturna Kirovohradshyna Annual Almanac of Creative Writing. ISBN 978-966-130-104-6, Central Ukrainian Publishing House, Kropyvnytskyi, Ukraine, 2016. P. 97-114.
2016 - Out of Nowhere by Ken Krauss, translation into Ukrainian by Pavlo Bosyy.
2016 - Editing of the English translation by Dr. Svitlana Kukharenko of Faust, or Of Freedom and of Life He Only is Deserving... (inspired by Goethe's Faust), by Anatoly Yurchenko and Pavlo Bosyy.
Ismene, a translation of a play by David Eliet / Vsesvit, UKRAINE, December 2003, p. 64-95, in Ukrainian.
ARTICLES PUBLISHED
Theatre Studies
The metaphoric approach to stage design for Country Wife by William Wycherley based on the XVIII – early XIX s. neo-classical architectural motifs of “the Garden Room” / Architectura / Annual collection of academic papers, # 895. Lviv Polytechnics National University, Lviv, Ukraine, 2018. P. 15-20, in Ukrainian (refereed).
My PQ Story: Dedication to the 50th Anniversary of Prague Quadrennial / The PQ Collective Memory Archive / Prague, CZECHIA, 2017, http://50.pq.cz/pavlo-bosyy/
Forming of the Theatre Space by the Means of Stage Lighting / Architectura / Annual collection of academic papers, # 793. ISBN 0321-0499, Lviv Polytechnics National University, Lviv, Ukraine, 2014. P. 175-181, in Ukrainian (refereed).
Chekhov Overseas: the Importance of Chekhov Legacy for Contemporary English Speaking Culture / 90-years of Founding of Anton Chekhov Memorial Museum in Yalta (XXXIIIrd Chekhov Readings in Yalta), collection of academic works, Anton Chekhov Memorial Museum in Yalta, Simferopol, 2012, p. 13-22, in Russian (invited).
History of Theatre in Kirovohrad Region / Kirovohrad Regional Research Library, 2009, in Ukrainian (invited),
available at http://library.kr.ua/elib/bosiyP/teatr.html
In Love With The Theatre / Kirovohrad Region: History, Traditions, Present, Kirovohrad, UKRAINE, 2008, p. 556-559, in Ukrainian (invited).
It’s Never Too Late to Come Back to Your Calling! / Hobby, UKRAINE, September 2006, p. 67-75, in Ukrainian (invited).
History and Museum Studies
Review of History of Architecture of the city of Elisabethgrad / Recollections of the Steppes, Kirovohrad, UKRAINE, 2003, p. 108-117, in Ukrainian (invited).
Towards the History of Founding of the Elworthy Company in Elisabethgrad: Local Historical Context / Collection of Academic Works of the Pedagogical Academy, Kirovohrad, UKRAINE, 2000, p. 77-85, in Ukrainian (invited).
The Transformation of the Elworthy Company into a Joint-Stock Society / Collection of Academic Works of the Kirovohrad Institute of Commerce, Kirovohrad, UKRAINE, 2000, p. 54-70, in Ukrainian (invited).
The Elworthy Archive as a Source for Economic History / Collection of Academic Works of the Kirovohrad Institute of Commerce, Kirovohrad, UKRAINE, 2000, p. 15-22, in Ukrainian (invited).
Inventions and Patents at the Elworthy Plant / Collection of Academic Works of the Kirovohrad State Polytechnics, Kirovohrad, UKRAINE – 1999, p. 64-70, in Ukrainian (invited).
Robert and Thomas Elworthy, Founders of the Elisabethgrad Agriculture Machinery Plant: Business and Private Life / Kirovohrad Region at the Edge of Millenium. Collection of Academic Conference Papers. – Kirovohrad, UKRAINE, 1999, p. 27-30, in Ukrainian (invited).
The Elworthy Archive / The Annual of Kirovohrad State Institute of Agricultural Machinery Building, Kirovohrad, UKRAINE, 1997, p. 25-31, in Ukrainian (refereed).
The Subject for an Unwritten Story (The Mystery of O. Ilyin’s Collection) / Vezha. - #4-5, p. 75-118, #6-7, p.89-131, Kirovohrad, UKRAINE, 1996, in Ukrainian, (invited), also available at
http://www.library.kr.ua/elmuseum/ilyin/index.shtml
Economic History: Informational Sources / Kharkiv: The Annual of the People’s Academy, Kharkiv, UKRAINE, 1996, p. 15-19, in Russian (refereed).
What Kind of Thing Was Trzywdar? - Step. / Kirovohrad, UKRAINE, 1996, # 2/3, p. 43-46, in Ukrainian (refereed).
IMPORTANT INTERVIEWS
Pavlo Bosyy about the Names of Cities, the Shevchenko Memorial and the New Coat-of-Arms / Ukraina-Centre, UKRAINE, July 28, 2016, p. 10, in Ukrainian.
About Analogies and the Future Coat-o-Arms of the City of Kropyvnytsky / Narodne Slovo, UKRAINE, August 4, 2016, in Ukrainian.
It’s Never Too Late to Come Back to Your Calling! / Hobby, UKRAINE, September 2006, p. 67-75, in Ukrainian.
ORAL PRESENTATIONS
Pedagogy
The Ancient Greeks Meet the Contemporary Canadian Playwrights and Artists: the Creative Process of Producing The Penelopiad and The Odyssey in the Rotating Repertory Format / presented at the International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT) International Scenography Symposium, Tbilisi Biennale of Stage Design, GEORGIA, October, 2020 (refereed).
The Creative Laboratory Project: the Series of Fifteen Extra-Curriculum Workshops on Digital Technologies for Stage Projections and Lighting, Computer-Assisted Drafting, Mask Making, Hair and Wig Design, Prosthetic Makeup, Puppet Design and Making, Stage Upholstery and Business Ethics / poster presentation together with Michael Bergmann and Angelo Pileggi, Ryerson University Faculty Conference, Toronto, Ontario, CANADA, 2018 (refereed).
The Industry and the School: A Carefully Arranged Marriage / poster presentation, Ryerson University Faculty Conference, Toronto, Ontario, CANADA, 2016 (refereed).
Academia Meets Industry: A Case Study of the Musical Production of The Last Five Years / poster presentation, Ryerson University Faculty Conference, Toronto, Ontario, CANADA, 2015 (refereed).
Theatre and Education / presented at the Kirovohrad Regional Research Library, UKRAINE, 2012 (invited).
2001 – Using the Stanislavski Method to Train Actors for Chekhov Repertory / College of St. Rose, Albany, NY, USA, lecture, 2001 (invited).
Panel moderator and presentation on Using Film to Teach Culture / presented at the conference Globalization and Education Open Society Institute, NYC, USA, 2001 (refereed).
Theatre and Film Studies
The Art and Craft of Training Theatre Designers and Technology Specialists,
Work-in-progress presentation at the International Organisation of Scenographers, Theatre Architects and Technicians (OISTAT) Research Commission Meeting, March, 2020 (refereed).
Reflection of the Contemporary Ukrainian Politics in the Production of FAUST, or Of Freedom and of Life He Only is Deserving… by Volyn State Puppet Theatre: Mutual Influence of Historical Events, Script, Design, Staging, and the Style of Acting / presented at the international conference The Influence of the Architecture-Scenography Ideas of Yevhen Lysyk on the Creative Activity of Architects in Ukraine and of the World, Lviv, Ukraine (online), November, 2020 (refereed).
The Creative and Technological Process for Designing Scenography for the Rotation Repertory Theatre Model, the Canadian model / presented at the International Conference “The Influence of Futuristic Ideas of Friedrich Kiesler on the Development of Architectural Practice and Theory in Ukraine and the World”, Chernivtsy – Lviv, UKRAINE, September, 2020 (refereed).
Faust, Theatre and Politics / presented at the 11th Annual International Conference on Visual and Performing Arts, 2020, Athens, GREECE (refereed).
Imagination and Process: the Art of the Leading Ukrainian Female Designers of the Puppet Theatre / IFTR Scenography Working Group: Interim Event – Symposium,
Department of Theatre Studies, Faculty of Arts, Charles University, Prague, CZECHIA, 2019.
Women – Scenographers of the Ukrainian Puppet Theatre / 10th Annual International Conference on Visual and Performing Arts, 10-13 June 2019, Athens, GREECE.
Stage CanadA exhibition of young Canadian theatre designers at Tbilisi Biennale of Scenography, Tbilisi, GEORGIA / presented at the FCAD RUBIX event, Ryerson University, CANADA, 2018.
The Light and the Dance / solo exhibit of photo art, presented at the FCAD RUBIX event, Ryerson University, CANADA, 2017.
The Found Space: Some Observations and Notes on the Ukrainian-Canadian Collaboration Inspired by Prague Quadrennial / “Porous Borders” symposium dedicated to the 50th anniversary of Prague Quadrennial; Prague, CZECHIA, 2017 (refereed).
Boundaries Challenged, Blurred and Re-Invented: a Showcase of the Production of “Faust, or Of Freedom and of Life He Only is Deserving...” / International Federation for Theatre Research 2017 Congress “Unstable Geographies: Multiple Theatricalities,” the University of São Paulo, BRAZIL, 2017 (refereed).
Forming of the Theatre Space by the Means of Stage Lighting / public lecture at the Kyiv Academician Drama Theatre on the Podol, Kyiv, UKRAINE, 2017 (invited).
Projections to Tell the Story: Design and Implementation of Digital Animation for the Production of Faust at Volyn State Puppet Theatre (2016, Ukraine) / Faculty of Communication and Design Rubix Showcase, Ryerson Univerity, Toronto, CANADA, 2016 (refereed); Designer/Playwright Creator Exchange event organized by the Playwrights Guild of Canada, Toronto, CANADA, 2016 (refereed).
Prague Quadrennial as the Leading Contemporary Forum of Scenography Art / Third Transatlantic Seminar on Theatre Arts Dedicated to the 85th Birthday of Yevhen Lysyk, Lviv, UKRAINE, 2015 (refereed).
The Word and the Stage: A Theatre Tribute to Taras Shevchenko / multimedia presentation (together with Mike Zgryvets), Second Transatlantic Seminar on Theatre Arts, Prague Quadrennial – 2015, Prague, CZECH REPUBLIC, in English (refereed); Faculty of Communication and Design Rubix Showcase, Ryerson Univerity, Toronto, CANADA, 2015 (refereed).
Tendencies in contemporary theatre architecture: building of high-tech theatres of the early XXI century and adaptation of historical non-theatre structures for the needs of the performing arts / presented at the Institute of Architecture, Lviv Polytechnic University, Lviv, UKRAINE, 2014 (invited).
Theatre Space and Stage Lighting / presented at the Institute of Architecture, Lviv Polytechnic University, Lviv, UKRAINE, 2013 (invited).
Collecting of Chekhov Materials in the USA and Canada / presented at the annual Chekhov Readings in Yalta, Anton Chekhov Memorial Museum in Yalta, UKRAINE, 2012 (invited).
Interpretation of Shakespeare Classics / presented at the annual Kutsenko Readings, Ivan Tobilevych Museum of Literature and Theatre, Kirovohrad, UKRAINE, 2012 (invited).
Prague Quadrennial: The Major World Theatre Event / presented at the Kirovohrad Regional Research Library, UKRAINE, 2011 (invited).
The Interaction of Music, Acting and Space Utilizing Traditional Georgian Music in the Bi-lingual (Ukrainian-English) International Production of Euripides’ Medea, Performed at The Little Globe Theatre (Ukraine) in 2009 / presented at Prague Quadrennial’s Sound Kitchen, Prague, CZECHIA, 2011, (refereed).
Space Found, Shaped, Deconstructed and Regained / presented at the conference “Designing the Performance Spaces,” IFTR Scenography Working Group, Arts and Theatre Institute and The Faculty of Art of Charles University, Prague, CZECHIA, 2011, (refereed).
Chekhov in Contemporary Western Culture / public lecture at Anton Chekhov Memorial Museum, Yalta, UKRAINE, 5, 2010 (invited).
American Scenography Today: Education, Architecture, Management / First Transatlantic Seminar on Theatre Arts, Lviv and Kirovohrad Regional Research Library, UKRAINE, June 2009 (invited).
Theatre Lighting in Eastern Europe: Traditional and Unusual Approaches / workshop for Kennedy Centre’s American College Theatre Festival, Saginaw, Michigan, 2009 (refereed).
Lost and Found / presentation on theatre spaces in Ukraine, for Kennedy Centre’s American College Theatre Festival, 2008 (refereed); Annual Shakespeare Readings, Pedagogical Academy, Kirovohrad, UKRAINE, 2008 (invited).
Video interview with Serhiy Proskurnia dedicated to the influence of Orange Revolution on Ukrainian Theatre presented at Kennedy Centre’s American College Theatre Festival, 2008 (refereed).
“Hamlet’s” Enigma in the Interpretations of Sir Lawrence Olivier and Grigoriy Kozintsev / presented at the Annual Shakespeare Readings, Pedagogical Academy, Kirovohrad, UKRAINE, 2007 (invited).
Re-Thinking Shakespeare from the Cross-Cultural Perspective: Theatre and Film / Workshop Presentation, 5th International Conference on New Directions in the Humanities, Paris, FRANCE, 2007 (refereed).
East European Scenographers Designing for Chekhov Repertory / The Kennedy Center American College Theatre Festival, Milwaukee, WI, USA, workshop, 2007 (refereed).
Re-Thinking Shakespeare: Text and Visual Elements From the Cross-Cultural Perspective / presented at The Kennedy Center American College Theatre Festival, Milwaukee, WI, USA, workshop, 2007 (refereed).
Hawaiian Dream: Shakespeare’s Midsummer in the Kingdom of Hawaii / together with Michael Gillespie, a poster presentation at the Hawaii International Conference on Arts & Humanities, Honolulu, HI, USA, 2007 (refereed).
Re-Thinking Shakespeare: Cross-Cultural Perspective / key-note address / Annual Shakespeare Readings, and workshop Casting for Shakespeare Productions / Pedagogical Academy Kirovohrad, UKRAINE, 2006 (invited).
Genealogy as a Source for Artistic Inspiration: How Martyn Borulia, One of Ivan Tobilevych’s Most Popular Comedies was Created / presented at the Fourth Annual Hawaii International Conference on Arts and Humanities, Honolulu, HI, USA, 2006 (refereed).
Gender Representation and Interpretation on Modern Stage: the Case of The Little Globe Theatre / presented at the North-West Network of Ecological and Gender Studies and St Petersburg Theatre Academy, Gender and Contemporary Drama International seminar, St Petersburg, RUSSIA, 2001 (refereed), also available at http://www.batory.org.pl/ftp/english/2001/cultural.pdf#search=%22pavlo%20bosy%22
Interpreting Gender on the Stage: the Case of The Little Globe Theatre, Kirovohrad, Ukraine / presented at the Center for Gender Studies, University of Latvia, Riga, LATVIA, 2001 (refereed).
Stereotypes of Masculinities in Russian Film / presented at the Center for Gender Studies, University of Latvia, Riga, LATVIA, 2001 (refereed).
Soviet Totalitarianism and the Eastern-European Film / lecture at Bishop Reindorp Church of England’s Secondary School, Guilford, Surrey, the UK, 2001 (invited).
The Contemporary Ukrainian Theatre / public lecture at the Kennan Institute, Woodrow Wilson Center, Washington, DC, USA, 2001 (invited); available at http://www.wilsoncenter.org/index.cfm?topic_id=1424&fuseaction=topics.publications&doc_id=8193&group_id=7718
Ukrainian Theatre at the Threshold of the Third Millennium / public lecture at the New School University, Graduate Faculty, NYC, USA, 2001 (invited).
Debates on The Enigma of Shakespeare’s Personality with Prof. J. Turner / Humboldt State University, CA, at Pedagogical Academy, Kirovohrad, UKRAINE, 2000 (invited).
Ukrainian Traditional Vertep Puppet Theatre / presented at the International House, NYC, USA, 2000 (invited).
History and Museum Studies
CURATOR is that Proud Word... / public lecture at Kirovohrad Regional Museum of Fine Arts (a part of One-Day Museum Mini-Fest with Pavlo Bosyy, July 20, 2018, Kirovohrad, UKRAINE, invited).
The Museums of Toronto: The Interplay of the Building and the Collection / public lecture at Kirovohrad Regional Museum of Fine Arts, 2016, Kirovohrad, UKRAINE (invited).
David Kharlab - a Photographer of the Elworthy Family / presented at the roundtable discussion on the History of photo art and photo journalism in Kirovohrad Region, Kirovohrad Regional Research Library, UKRAINE, 2012 (invited).
Museums of San Diego / presented at Kirovohrad Regional Research Library, UKRAINE, 2011 (invited).
Contemporary Museum Practices / key-note presentation at the National Seminar for Curators of Art Museums, Kirovohrad State Museum of Fine Arts, Kirovohrad, UKRAINE, 2011 (invited).
Ukrainian Heraldry as a Source for Historical Research / Central-European Context / VII World Congress of the International Council for Central and East European Studies, Berlin, GERMANY, 2005 (refereed).
Two Scenarios of opposition to Political Power: The Case of Igor Tamm and Andrej Sacharov / public lecture at the New School University, Graduate Faculty, NYC, 2001 (invited).
Heraldic Registers as the Source for Historic Research (Russia and Ukraine) / presented at the workshop on Resources and Research Methods for Central European Medieval Studies, Department of Medieval Studies, Central European University, HUNGARY, 2000 (refereed).
Dance Studies
Ballets Rousses: Massine and Balanchine / public lecture at Kirovohrad Regional Research Library, 2011, Kirovohrad, UKRAINE (invited).
New Names of Contemporary Ballet / public lecture at Kirovohrad Regional Research Library, 2011, Kirovohrad, UKRAINE (invited).
Oedipus Complex in Bejart’s The Nutcracker / presented at Kirovohrad Regional Research Library, Kirovohrad, UKRAINE, 2006 (invited).
Matthew Bourne’s Ballet Novels / presented at Kirovohrad Regional Research Library, Kirovohrad, UKRAINE, 2006 (invited).
Forming of Adolescent Sexuality and Contemporary Ballet / guest lecture at the Department of Psychology and Pedagogy, Pedagocial Academy, Kirovohrad, UKRAINE, 2006 (invited).
Cultural Studies, Literature and Linguistics
Creating Literary Texts in the Style of “Stream of Consciousness” / workshop at Kirovohrad Regional Research Library, Kirovohrad, UKRAINE, 2010 (invited).
English Idiomatic Speaking: British and American Dialects / presented at Kirovohrad Regional Research Library, Kirovohrad, UKRAINE, 2010 (invited).
2000 – Ukrainian Heraldry as a Source for Social Anthropological Research / public lecture at the New School University, Graduate Faculty, NYC, 2000 (invited).
Education
The Contemporary Western University Practice: A View from the Inside / public lecture at Kirovohrad Regional Research Library, Kirovohrad, UKRAINE, 2010 (invited).
American University Education / lecture at the Kirovohrad campus of the National University of Arts and Culture and at Kirovohrad Regional Research Library, July 4, 2008, Kirovohrad, UKRAINE, 2008 (invited).
Moderator, Management Education: Issues and Perspectives / USAID and SEUME Round table discussion, Kirovohrad, UKRAINE, 2001 (invited).
The Alumni of International Programs: Issues and Perspectives of Collaboration / presentation, conference of American Educational Programs Alumni, Odessa, UKRAINE, 2000 (refereed).
Ukrainian Educational System and Pedagogical Legacy / lecture at Humboldt State University, CA, USA, 2000 (invited).
Appendix 4.
PUBLIC, PROFESSIONAL AND UNIVERSITY SERVICE
Public service
Kirovohrad City Council, UKRAINE, 1990-1994, Councilor and Secretary of the Commission on Culture, Sports and Family Policy (publicly elected).
Board of Trustees of the Central Ukraine Regional Branch of the Renaissance Foundation/Soros Fund, UKRAINE, 1997-1999, member (appointed).
Professional Service
Athens Journal of Humanities & Arts (AJHA), GREECE, peer reviewer, 2020.
The Global Undergraduate Awards (UA), Judge in the Music, Film & Theatre category, 2019, 2020.
Social Sciences and Humanities Research Council, Insight Grants, External Assessor, CANADA, 2019.
Curator, First Ukrainian National Exhibition at the 14th Prague Quadrennial, 6-16 June 2019, UKRAINE and CZECHIA.
Organizer, the Prague Quadrennial - 2019 Flash Talk Found Space Turned into the Theatre: a Fruit of Collaboration of the Architect, the Technician and the Performer, Prague, CZECHIA.
Organizer, participation of the Ukrainian entry to the Prague Quadrennial - 2019 Fragments exhibition of the landmark theatre designs, Prague, CZECHIA.
Ukrainian Culture Fund, expert, 2018-2019.
Round Table “Electronic Cataloguing: from Myth to Reality,” Moderator, the Regional Museum of Fine Arts, Kropyvnytskyi, UKRAINE, 2017.
Canadian Institute for Theatre Technology’s IGNITION event – Resume Reviewer and Mentor, Toronto, CANADA, 2017.
Organizer and moderator, Fourth Transatlantic Seminar on Theatre Arts, Prague Quadrennial – 2019, Prague, CZECHIA, 2019.
Coordinator of the Canadian and the Ukrainian Sections, Third Transatlantic Seminar on Theatre Arts, Lviv, UKRAINE, 2015 (invited).
Coordinator of the Canadian and the Ukrainian Sections, Second Transatlantic Seminar on Theatre Arts, Prague Quadrennial – 2015, Prague, CZECHIA, 2015 (invited).
Master Class on Stage Lighting delivered at Mykolaiv Academician Theatre of Drama and Musical Comedy, Mykolaiv, UKRAINE, 2013 (invited).
Organizer and Academic Secretary of the First Transatlantic Seminar on Theatre Arts, Lviv, UKRAINE, 2009.
Drabyna Fifth International theatre festival, Judge, Lviv, UKRAINE, 2008 (invited).
Kennedy Centre American College Theatre Festival production and design respondent, 2006-2008 (invited).
Participating at the Examination Committee for the State Final Oral Bachelor's and Specialist's Exams at the Department of Fine Arts and Choreography, Vynnychenko State Pedagogical University, Kirovohrad, UKRAINE, 2008 (invited).
Contemporary American Theatre, a photo exhibit; The Museum of Ideas at Dzyndra Gallery (Lviv, UKRAINE, December 2006) and Kirovohrad Regional Museum of Fine Arts (Kirovohrad, UKRAINE, January 2007), December 2006 - January 2007, Pedagogical Academy (Kirovohrad, UKRAINE ), May 2007; Chyzhevsky Regional Research Library (Kirovohrad, UKRAINE, July-October, 2007; curator (invited).
Chair of the Early Modern History session (invited), VII World Congress of the International Council for Central and East European Studies, Berlin, GERMANY, 2005.
American Scenography Today: Works of West Virginia University Faculty and Graduate Students, an exhibition at Regional Museum of Fine Arts, Kirovohrad, UKRAINE, 2005, co-curator (invited), also available at http://www.crossroads.com.ua/articles/2004/52/1054.php and http://www.nrcu.gov.ua/index.php?id=4&listid=11818
Co-organizer and panel moderator at the International academic workshop Traditional Cultures: New Research Methods and Results, Pedagogical Academy, Kirovohrad, UKRAINE, 2001 (organizer).
The Little Globe Student Theatre, Kirovohrad, UKRAINE, 1996 – Founder; 1996-2004 - Artistic Director.
University and Faculty Service
Ryerson University:
2020 – Ryerson University ad hoc Faculty Promotions Committee, member.
2020, 2019 - FCAD Scholarly Research and Creative Activity Seed Grant Adjudication Committee, member.
2019 – Ryerson University Internal Creative Fund Review Committee, member.
2019 – FCAD Associate Dean for Undergraduate Education & Student Affairs Search Committee, member.
2019 –co-organizer, participation of Ryerson School of Performance’s students at Prague Quadrennial (together with Caroline O’Brien), Prague, CZECHIA.
2019 – Ryerson Gold Medal Selection Committee, member.
2017 - Co-organizer of the Lviv Student Design Charrette (with Sholem Dolgoy) – in collaboration with Lviv Polytechnic National University, UKRAINE.
2017, 2018 - Ryerson Creative Fund Review Committee, member.
2017 - Special Faculty of Communication and Design Scholarly Research and Creative Activity Adjudication Committee for Small Research Grants and Travel Grants.
2016 - presented at the New Faculty Orientation.
2015 - 2017 - Faculty of Communication and Design Learning and Teaching Committee, member.
2015, 2016, 2017, 2018 – Ontario Universities’ Fair, Ryerson School of Performance representative.
2016 - Organizing Committee of Ryerson Annual Faculty Conference, member and peer reviewer.
2015 –co-organizer, participation of Ryerson School of Performance’s students at Prague Quadrennial (together with Sholem Dolgoy), Prague, CZECHIA.
2014, 2016, 2017, 2018 - Faculty of Communication and Design Award Committee, member.
University of San Diego:
2011 - Evelyn Diaz Cruz’s film project Catholic Diversions, director and cameraperson.
2010 - 2011 - USD Undergraduate Curriculum Committee, member.
2010 - 2011 - USD Interdisciplinary Humanities Advisory Committee, member.
2010 - USD Summer Undergraduate Research Experience (SURE) Grant Review Committee, member.
Creating Lighting and Set Design for the USD Production of “Rosencrantz and Guildenstern are Dead by Tom Stoppard” – together with William Hartley, Creative Collaborations: a Celebration of Student-Faculty Works, USD, April 2011.
Creating Lighting and Set Design for the USD Production of “An Experiment with an Air Pump” – together with William Hartley, Creative Collaborations: a Celebration of Student-Faculty Works, USD, April 2010.
2009, 2010 – representing the department at USD events for the perspective students and at the Majors Fair and USD Career Expo.
Oakland University:
2007-2009 - Oakland University Senate’s Teaching and Learning Committee, member.
2008, 2007, 2006 - Go for the Gold outreach event, Theatre Program presenter.
2006 - Bargaining Forum, member.
Department Service
Ryerson Theatre School:
Participation at the end-of-semester interviews.
Interviewing perspective students.
2019-2020 - Department Hiring Committee, member.
2019 - School of Performance Chair’s Search Committee, member.
2017-2018 - The Creative Laboratory Project: the Series of Fifteen Extra-Curriculum Workshops on Digital Technologies for Stage Projections and Lighting, Computer-Assisted Drafting, Miking Life Performance, Mask Making, Hair and Wig Design, Prosthetic Makeup, Puppet Design and Making, Stage Upholstery and Business Ethics, (developed in collaboration with Michael Bergmann).
2017 - Workshop on Animation and Digital Projections for Performance (together with Michael Bergmann), School of Performance in collaboration with ADC and CITT.
Advising Student Scenic and Properties Designers
Photo calls for School of Performance productions of The Odyssey, The Penelopiad, The Plough and the Stars, La Ronde, Hamlet, Balm in Gilead, Choreo-I and Choreo-II (2015 and 2016), Choreo-A (2017, 2018 and 2019), EnChoreo (2015, 2016, 2017, 2018 and 2019), Ryerson Dances – 2016 and 2017, The Women, Treasure Island, Love's Laybour's Lost, Julius Caesar, The Possibilities, Peace, Dance to the End of Love, Suburban Motel and Filthy Rich, Clown-2015, 2016, and 2017, The Rover, Fassbinder, Spring Works, A Midsummer Night’s Dream, You can’t Take it with You, Goldoni’s The Holiday Trilogy, The Artful Widow and The Venetian Twins, Peer Gynt, New Voices-2016, the other productions as well as the school’s annual award ceremonies (2014, 2015, 2016, 2017 and 2018).
Assessment of CUPE instructors’ teaching.
References for the students’ job and grad school applications and for entering Associated Designers of Canada.
Representing the School of Performance at the Council of Representatives of Ryerson Faculty Association, 2016-17.
University of San Diego:
Advising USD Student Scenic, Costume and Lighting Designers.
Photo calls for the main stage, student directed productions and events.
Workshops on Costume Design (2009), USD.
Oakland University:
Fall Semester, 2008 –Department’s Curriculum Committee, member.
Winter Semester, 2008 –Department’s Scholarship Committee, member.
Winter Semester, 2007 –Department’s Steering Committee, member.
2009, 2008, 2007, 2006 – Presenting at “Go for the Gold” events for perspective students and their parents.
April, 2008, April, 2007 – Hosting a group of members of Rochester Chamber of Commerce.
April, 2008 – Presentation on Theatrical Career at Utica High School, Michigan.
March 2008 - Participating at Career Expo at Eisenhower High School, Utica, Michigan (presenting on Theatre Design and on OU Theatre Degree Programmes).
November 2007 – Presentation on Prague Quadrennial-2007.
Research trip to Cincinnati Conservatory to study teaching practices and theatre facilities, November, 2007.
Advising OU Student Scenic Designers.
Photo calls for the main stage, student directed productions and events.
Workshops on Scenic Painting (2008), Model Making for Theatre Productions (2008), Properties Seminar (2007), Costume Jeweler Craft (2006), Scenic Draping (2006) and on Figure Drawing for Designers (2005), OU.
Presentation on Prague Quadrennial-2007, OU, November, 2007.
Invited presentations at other faculty members’ classes:
February, 2021 – Guest lecture on the creative process of theatre designers and directors, for the students of various years of study at the Academy of Film and New Media, Kyiv, UKRAINE, invited by Yulia Lavrynenko, the school’s Rector.
November, 2020 – Guest lecture on the creative process of theatre directors, for the 1st year students, Film Directing Program, Karpenko-Karyi National University of Theatre, Film and Television, Kyiv, UKRAINE, instructor – Volodymyr Kharchenko-Kulykovskyi.
March, 2017 – Presentation of the directorial and design concepts for Moliere’s Tartuffe at the THM200/W17 Production Communication 1 course, the Production Management Portion, instructor - Cheryl Lalonde.
September, 2015 – “Design for the Properties Project of Faust’s Contract” at Properties: Construction 1 course, instructor – Kathryn Kerr.
September, 2011 - “Designer’s Process,” co-presented with Nate Parde at the Introduction to Architectural Design course, instructor - Whitney Moon.
April, 2011 - “Designer’s Process” at Theatre and Society course, instructor – Evelyn Diaz Cruz.
November, 2010 – “Acting Skills of a Teacher and Theatre Creative Process” in Prof. Linda Rose Martinez graduate seminar on teaching techniques followed by the six-hours master class on acting techniques and teaching methodologies.
March, November 2010 - “Designer’s Process” at the Theatre and Community and Theatre and Society courses, instructor – Evelyn Diaz Cruz.
March, 2010 – “Drafting for the Performing Arts” in the Fundamentals of Design class taught by Jeannie Galioto.
September, 2010 - “Artistic Portfolio Preparation” at the Interdisciplinary Humanities program (Prof. Molly McClain).
March, 2006 - “Designer’s Process” in the Introduction to Theatre course, instructor - Mila Govich.
November, 2006 – “Acting Skills for Lawyers” in the Pretrial Litigation course, Cooley Law School at OU, instructor - Kate Fehrman.