MY polychromy of Greek and Roman sculpture and architecture - THE BEST COLLECTION OF PODCASTS AND YOUTUBE VIDEOS FOR
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10 Years Gods in Color
Vinzenz Brinkmann
Published on Apr 10, 2014
30 years research, 20 years experimental reconstruction, 10 years traveling exhibition "Bunte Götter"
Statements: Salvatore Settis, Demetrios Pandermalis, Oliver Primavesi, Richard Posamentir
durata 21:33 minutes
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https://www.youtube.com/watch?v=zV0IDoPp674
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Persian Horseman Acropolis Athens
dyabola
Uploaded on Oct 22, 2009
Project Persian Horseman (Brinkmann & Brinkmann)
Leibniz Award 2007 Oliver Primavesi
Reconstruction of former polychromy by non-invasive analysis and stereo lithography. Historical pigments applied.
Pigment Analysis Demokritos Athens & Dr. Heinrich Pienieng, München (UV-VIS absroption spectroscopy)
3D Scan GOM Braunschweig (Ursula Buck, Thorsten Schwing)
Rapid Prototyping Alphaform, Feldkirchen
duration 02:00 minutes
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https://www.youtube.com/watch?v=JRkD8rrHbHs
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Ancient Greek Art - Αρχαία Ελληνική Τέχνη
ORFFEAS
Published on Dec 9, 2012
¨Οι Εραστές της Ωραιότητας¨ - ¨ Lovers of Beautifulness¨
Η ομορφιά για τους αρχαίους Έλληνες ήταν μια προσωπική επιδίωξη και όχι απλά και μόνο ένα πολιτιστικό ιδεώδες που συνδέεται με την τέχνη και τους θεούς.- For the ancient Greeks, beauty was a personal pursuit and not simply a cultural ideal connected with art and the gods.
*Η πηγή για τις εικόνες και τις πληροφορίες στο βίντεο είναι: Το Βρετανικό Μουσείο.
Η μετάφραση στα Ελληνικά έγινε από μένα γι' αυτό ίσως υπάρχουν κάποιες προσθήκες ή διαφοροποιήσεις.
*Ο Φειδίας ήταν Αθηναίος ζωγράφος, αρχιτέκτονας και ένας από τους μεγαλύτερους και καλύτερους γλύπτες της Αρχαίας Ελλάδας.
*Source: The British Museum
* Phidias was an Athenian painter, architect and one of the greatest of all sculptors of Ancient Greece.
*Music by James Fitzpatrick, Nic Raine and Gareth Williams -- Album: The Symphonic Jean-Michel Jarre
duration 15:33 minutes
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ANCIENT GREEK SCULPTURE
ΧΛΕΤΣΟΣ ΒΑΣΙΛΗΣ
Published on Oct 9, 2012
There are three main periods of Greek Sculpture; Archaic, Classical and Hellenistic. The Greeks were blessed with a large supply of marble, which was what they used most in their sculptures. Bronze was also used in their artistic work of humans. Many of the original sculptures were damaged or destroyed. Yet, many still survived because the Romans make copies or duplications of the original works. The Archaic period was the earliest period in Greek Sculpture which started around 600 B.C. and lasted until 480 B.C. These works have a stiff and ridged appearance similar to that of the Egyptian sculpture. The second period, the Classical period, was between the Archaic and Hellenistic times. The Classical period shows a very large shift from the stiff Archaic to a more realistic and sometimes idealistic portrayal of the human figure. Females, after the 5th century B.C., were depicted nude, often with flowing robes. The robes gave the sculpture the idea of movement and realism in an effort by the artist to show humans more realistically. The third period, the Hellenistic period, started a little before 300 B.C. To the average person, it is more difficult to see the distinctions between the Classical and Hellenistic period. Both periods did the majority of their sculpture as nudes. The Greeks portrayed a young, vigorous, and athletic person in their works. These works idealized the individual and in a way, attempted to capture the idea of youth and strength in their design. The works reflect the commonly held views of youth, strength, and courage which were encouraged in the Greek City states. A couple of interesting notes about the Greek sculpture. Greeks portrayed the gods in very similar fashion as they did the regular humans. There were no distinctions of size or body make up in their sculpture which would suggest that the gods where greater or more powerful then the humans. This is also similar in Greek stories, where the gods are shown to have very human characteristics, both good and bad.
duration 13:05 minutes
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https://www.youtube.com/watch?v=eBa77eekTqU
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Greek Sculpture (BBC: How Art Made The World)
babylonianman's channel
Uploaded on May 27, 2008
How greek art created something more human than human.
Excerpt from the BBC documentary "How Art Made The World" concerning greek sculpture.
Presented by Dr Nigel Spivey (University of Cambridge).
Music: "Enfer (La Double Vie De Veronique)" by Zbigniew Preisner.
duration 10:00 minutes
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https://www.youtube.com/watch?v=5BudueUX4mM
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1/2 The Body Beautiful - Ancient Greeks...Secret Knowledge
Art Documentaries
Published on Apr 8, 2015
First broadcast: April 2015.
Episode 16/16 Writer and classicist Natalie Haynes leads us on a journey into ancient beauty and modern glamour, examining how our current obsession with the body beautiful goes back thousands of years to an era of stunning artistic achievement. With unique access to the British Museum's major exhibition which opens on March 26th, Haynes explores the Greek preoccupation with the human form ranging from objects of abstract simplicity to breathtaking realism.
duration 15:00 minutes
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https://www.youtube.com/watch?v=cbUUf2idtL8
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2/2 The Body Beautiful - Ancient Greeks...Secret Knowledge
Art Documentaries
Published on Apr 8, 2015
First broadcast: April 2015.
Episode 16/16 Writer and classicist Natalie Haynes leads us on a journey into ancient beauty and modern glamour, examining how our current obsession with the body beautiful goes back thousands of years to an era of stunning artistic achievement. With unique access to the British Museum's major exhibition which opens on March 26th, Haynes explores the Greek preoccupation with the human form ranging from objects of abstract simplicity to breathtaking realism.
duration 13:36 minutes
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https://www.youtube.com/watch?v=B-kfOdg4TPM
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The Human Body in Ancient Greek Art and Thought
Portland Art Museum
Published on Oct 15, 2012
IAN JENKINS, PH.D.
SENIOR CURATOR, DEPARTMENT OF GREECE AND ROME, BRITISH MUSEUM
Jenkins explores Greek notions of ideal beauty in both nude and draped images of the male and female human bodies. He contrasts the moral aesthetic of sound mind in sound body with other representations to show how the human form served as a bearer of many meanings. Anthropomorphic gods, larger than life heroes, part-human part-animal monsters of myth are all considered as a visual language. His talk concludes with the legacy of the Greek experience in the Roman era and its transmission to the present day.
duration 1:11:08 hours
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amarildo topalis
Uploaded on Dec 9, 2009
Its a video about ancient art, every statue had colors.
by Amarildo Topalis
duration 07:30 minutes
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amarildo topalis
Published on Dec 31, 2010
duration 04:22 minutes
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Faces of Ancient Europe ～ ArianrhodJelena
Published on Oct 17, 2016
The ancient past was full of European people. From China to North Africa, and from Europe to even the American Continent before, not only Columbus, but before the first ‘official discovery’ in CE 999 attributed to Leif Erikson.
It seems also that the European ancient past was more colourful than previously thought, or so I have discovered recently. Archaeologist Vinzenz Brinkmann conducted a study in 2005 at the Glyptothek in Munich using ultraviolet light that revealed all ancient Greek statues showed traces of having been painted with colour pigmentation, but not only that, most of these sculptures still showed extremely elaborated design patterns which were completely invisible to the naked eye until now, thus revealing these old statues were far from being the classical model of white marble pieces of art that we had taken for granted for hundreds of years but works of art full of brilliant colours.
duration 11:36 minutes
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https://www.youtube.com/watch?v=DHOov8sWycA
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THE COLOR OF ANCIENT GREECE / ΤΟ ΧΡΩΜΑ ΤΗΣ ΑΡΧΑΙΑΣ ΕΛΛΑΔΑΣ
ΠΗΛΕΥΣ ΟΡΕΣΤΗΣ
Uploaded on May 20, 2010
ΟΠΟΙΟΣ ΠΑΡΑΛΑΜΒΑΝΕΙ ΔΙΑΣΤΡΕΒΛΩΜΕΝΗ ΚΑΙ ΚΑΤΕΣΤΡΑΜΕΝΗ ΙΣΤΟΡΙΑ, ΦΥΣΙΚΟ ΕΙΝΑΙ ΝΑ ΑΓΝΟΕΙ ΤΙΣ ΡΙΖΕΣ ΤΟΥ ΠΟΛΙΤΙΣΜΟΥ ΤΟΥ (ΕΧΕΙ ΟΜΩΣ ΤΗΝ ΔΥΝΑΤΟΤΗΤΑ ΝΑ ΜΑΘΕΙ) ΚΑΙ ΣΥΝΕΧΙΖΕΙ ΤΟΝ ΥΠΝΟ ΤΟΥ . ΠΧ: ΟΙ ΝΕΟΕΛΛΗΝΕΣ ΠΡΟΤΙΜΟΥΝ ΕΒΡΑΙΚΗ ΙΣΤΟΡΙΑ ,ΠΟΛΙΤΙΣΜΟ ΚΑΙ ΘΡΗΣΚΕΙΑ!!
duration 02:30 minutes
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Stanford
Uploaded on Mar 16, 2011
Were ancient Greece and Rome filled with dignified white marble statuary? Not a chance. A Stanford sophomore shows an ancient statue the way it was meant to be seen -- in Technicolor. Her Cantor Arts Center exhibition also shows the technology that helped rediscover long-lost colors.
Related story:
http://news.stanford.edu/news/2011/ma...
Stanford University:
Stanford News:
Stanford University Channel on YouTube:
http://www.youtube.com/stanford
duration 02:38 minutes
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https://www.youtube.com/watch?v=fIPjFYukyhM
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Transformations - Classical sculpture in Colour / Som forvandlet - Antik skulptur i farver
Ny Carlsberg Glyptotek
Published on Aug 27, 2014
Transformations – Classical Sculpture in Colour
Special exhibition at the Ny Carlsberg Glyptotek, Copenhagen
13.9 - 7.12 2014
Antiquity was white – as white as marble! For hundreds of years this fact has been one of the mainstays in the story of the origin of Western culture. This autumn’s major special exhibition turns the idea of the white world of Antiquity upside down and shows that Greek and Roman sculpture were colourful to a high degree.
www.glyptoteket.com/transformations
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Reconstructions: Archaeological Institute Göttingen and Stiftung Archäologie.
Photo: Stephan Eckardt, Ole Haupt
Film: Oncotype Aps
duration 00:57 minutes
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https://www.youtube.com/watch?v=QARJIHMiMEM
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Why has the knowledge of colours been forgotten? - White Europe
Ny Carlsberg Glyptotek
Published on Nov 7, 2014
duration 06:21 minutes
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https://www.youtube.com/watch?v=pZe8cx0MAmY
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What is our view of classical sculpture in colour?
Ny Carlsberg Glyptotek
Published on Dec 18, 2015
duration 08:37 minutes
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mukankakuna
Published on Oct 5, 2014
Reconstruction of the original polychromy of the statue of Augustus of Prima Porta.
More info (in spanish)
http://rodrigorivas3d.blogspot.gr/2014/05/policromia-en-la-antiguedad.html
duration 02:35 minutes
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https://www.youtube.com/watch?v=zzeJ3woacUM
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True Colour Pigment of Classical Greek Sculpture
Published on Mar 2, 2016
Archaeological reconstruction of typical Classical Greek statue depicting an armoured male soldier, complete with ‘before/after’ true colour pigments that would have covered the marbles circa 4th century bc - as attested to by recent ultraviolet analysis. The original vibrant coloured typology of the sculptures, adorning monuments such as the Parthenon for instance, were a shock to experts the world over when analysed through ultraviolet technology – accustomed instead to the pure white form the statues convey in their current condition. Entire design and musical composition created by Christopher Antoniou ©.
duration 02:44 minutes
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Getty Museum
Uploaded on Feb 7, 2012
Using ultraviolet and raking light, archaeologist Vinzenz Brinkmann examines marble sculptures of Athena and Paris from the Temple of Aphaia, now in the Glyptothek in Munich. In the process, he reveals examples of physical evidence used to inform the recreations of the original color design and paint scheme of the statues.
Love art? Follow us on Google+ to stay in touch: http://bit.ly/gettygoogleplus
Video excerpted from Bunte Götter. © Stiftung Archaölogie 2005. Conceived and directed by Vinzenz Brinkmann. Assisted by Clemens Schmidlin and Franziska & Jakob Brinkmann. Special thanks to the Staatliche Antikensammlungen and Glyptothek, Munich
duration 03:07 minutes
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The British Museum
Published on Jun 23, 2014
The virtual reconstruction of a metope from the Parthenon sculptures using 3D scanning and visualisation.
Created by the British Museum in collaboration with the National Museum of Denmark, Copenhagen. 3D scanning by Conservation Technologies, National Museums Liverpool
duration 05:57 minutes
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The British Museum
Published on Jun 23, 2014
A new technique unveils ancient colour at the British Museum.
duration 05:39 minutes
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https://www.youtube.com/watch?v=uwDHi2KNM4s
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重現雅典巴特農神殿的色彩 Colors reproduce the Parthenon in Athens
mylovelyplanet
Published on May 10, 2014
重現雅典巴特農神殿的色彩
Colors reproduce the Parthenon in Athens
duration 03:16 minutes
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https://www.youtube.com/watch?v=tQPBJERcjJk
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Römische Bildhauerei in Farbe / Roman sculpture in color
ccitydesign
Uploaded on Sep 4, 2010
Polychromie (Vielfarbigkeit): (Note: For English description read below!)
Viele römische Skulpturen waren farbenfroh aber nicht lebensecht bemalt. Die Kolorierungen in dieser Videodokumentation beruhen dem gegenüber auf größtmöglich realistischer Farbgebung sind daher jedoch künstlerisch unhistorisch.
Alle Personen, welche zu diesem Video beigetragen haben, sind im Abspann erwähnt.
Die benutzten Programme waren GIMP, Avisynth, VirtualDub, Winmorph und Audacity. Alle sind frei erhältlich.
- ENGLISH --------------------------------------------------------------
Polychrome (Use of multiple colors):
Many Roman sculptures were fancyful but not realistically colored. Opposed to that the colorations in this video documentary are based on realistic colors as far as possible. From an artistic point of view they are therefore not historic, though.
All people who contributed, by providing the music and the fotographs that were modified by me, are mentioned in the end credits.
Programs used are GIMP, Avisynth, VirtualDub, Winmorph and Audacity. All are free to get.
Musik: http://www.jamendo.com/de/album/57558
Link to pictures:
http://www.flickr.com/photos/ccitydes...
dauer 02:44 minuten
(bitte unter Verwendung des Rechtsklicks Ihrer Maus und öffnen Sie Link im Folgenden privaten Fenster,)
https://www.youtube.com/watch?v=cEU-BRD1L0U&feature=related
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Roman Sculpture and Colour: the "Treu Head" (Ancient Greek and Roman Color / Polychromy)
Giovanni Verri
Published on Nov 25, 2014
This contribution presents recent work on an important Roman marble head of the mid-second century ad from the collection of the British Museum (1884,0617.1). The head was found on the Esquiline Hill in Rome in 1884 and soon after its discovery was acquired for the British Museum. Unusually, it retained extensive traces of its original polychromy, including otherwise rarely preserved skin pigments. Ever since the German scholar Georg Treu published the sculpture in 1889, it has played a significant part in the discussion of ancient sculptural polychromy and in particular the question of whether or not the flesh parts of marble sculptures were originally painted. However, early doubts about the authenticity of the pigment traces led some twentieth-century scholars to question the authenticity of the sculpture as a whole.
For this study, the polychromy of the head was extensively investigated using non-invasive techniques (ultraviolet and visible-induced luminescence imaging) and invasive analytical methods, including Raman spectroscopy, Fourier transform infrared spectroscopy, high performance liquid chromatography and gas chromatography-mass spectrometry.
It was found that complex mixtures of pigments, and selected pigments for specific areas, were used to create subtle tonal variations. These included: calcite, red and yellow ochres, carbon black and Egyptian blue for the flesh tones; calcite to provide highlights on the flesh areas; lead white and Egyptian blue for the eyeballs; a red organic colourant in the nostrils, the lachrymal ducts and the inner parts of the mouth; and red and yellow ochre for the hair.
The examination confirmed beyond doubt the authenticity of the preserved pigments and thereby the sculpture itself, which can now rightfully reassume its important place in the art historical discussion of the polychromy of ancient sculpture. In addition, it provided valuable insights into Roman painting techniques on marble and allowed revealing comparisons to be made with other ancient polychrome works, such as funerary portraits.
However, despite the exceptional state of preservation of the colour on the ‘Treu Head’, the small amount of surviving pigment and the extremely complex painting technique do not allow for a satisfactory reconstruction. With the aim of excluding a modern reinterpretation of ancient painting techniques, the colour reconstruction proposed here was created by digitally ‘transplanting’ images of face parts of sculptures and mummy portraits showing paint layers similar to those observed on the ‘Treu Head’. The evidence for the comparison is based on the scientific investigation undertaken on the ‘Treu Head’ and the comparative sculptures and mummy portraits presented in this presentation. The novelty of this colour reconstruction lies not only in the thorough scientific reliability of the data, but also in the use of only Roman painted objects.
The final appearance of the head is therefore not intended as a definitive reconstruction of the ‘original’ appearance of the head, but as a ‘possible’ appearance. In other words, from the scientific evidence the head could have looked like the reconstruction proposed here.
Music: Ataraxia by Lee Rosevere
http://freemusicarchive.org/music/Lee...
duration 09:06 minutes
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https://www.youtube.com/watch?v=gRMPYh2QdSM&t=134s
For further information:
G. Verri, T. Opper and T. Deviese, “The ‘Treu Head’: a case study in Roman sculptural polychromy”, The British Museum Technical Bulletin, 4, 2010 39-54
G. Verri, T. Opper and L. Lazzarini, “In picturae modum variata circumlitio? The reconstruction of the polychromy of a Roman ideal female head (Treu Head)”, in Diversamente Bianco, la policromia della scultura Romana, P. Liverani and U. Santamaria (eds), Edizioni Quasar, Roma 2014 149-183
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11. The polychromy of Greek and Roman sculpture and architecture by Cecilie Brøns
Carlsbergfondet
Published on Feb 5, 2016
duration 32:50 minutes
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NTDTV
Uploaded on Sep 14, 2010
Scientists in Greece have reconstructed the face of an ancient Athenian girl, using the teeth and skull found in a mass grave. Named "Myrtis", the life size mannequin now forms part of an exhibition called "Face to Face with the Past."
Greek scientists and archaeologists have given a face to an ancient Athenian girl from the 5th century B.C.
The facial reconstruction process utilized the teeth and skull from her skeleton, discovered in a mass grave in 1995.
The 11 year old girl, known as "Myrtis", died of typhoid fever during a plague in 430 B.C.
Manolis Papagrigorakis, a professor and orthodontist from the University of Athens, worked with a team of 20 scientists on the project.
[Manolis Papagrigorakis, Professor and Orthodontist]: (Greek)
"We had all of the skull, the jaw, and the teeth, and something very rare - the milk teeth on the skull. These all helped us to be accurate with the final product, and we are very close - 95 percent close to reality with the final product."
The scientists used a 3-D technological program called the "Manchester method" - from the University of Manchester - often used on Egyptian mummies, for the reconstruction process.
[Manolis Papagrigorakis, Professor and Orthodontist]: (Greek)
"The first part of the research was an analysis of the ancient DNA in order find out what the Athenians of the period had died of in Athens. This study took place in 2006 and it was found to be typhoid fever."
Typhoid fever killed many during the period, including Pericles, the great ancient Athenian statesman who had the vision of building the Acropolis.
The exhibition at the museum has been called "Face to Face with the Past", and Papagrigorakis says they will also attempt the same reconstruction on another man and woman.
Because of her death from typhoid fever, Myrtis has even been made a representative of the United Nations Millennium Development Goals, a project to raise awareness over various issues in the world including "United Nations Millennium Development"
For more news and videos visit ☛ http://english.ntdtv.com
Follow us on Twitter ☛ http://twitter.com/NTDTelevision
Add us on Facebook ☛ http://on.fb.me/s5KV2C
duration 02:17 minutes
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The Alexander Sarcophagus Project
Vinzenz Brinkmann
Published on Dec 17, 2016
The Polychromy of the so called Alexander Sarcophagus in the National Museum of Istanbul. Research, Documentation and Reconstruction (Vinzenz Brinkmann, Ulrike Koch-Brinkmann)
duration 10:30 minutes
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https://www.youtube.com/watch?v=6UaG1oMBFWg
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