Book Selections for 2025

A mesmerizing and hauntingly beautiful memoir about a Hmong family’s epic journey to safety told from the perspective of the author’s incredible mother who survived, and helped her family escape, against all odds.

Born in 1961 in war-torn Laos, Tswb’s childhood was marked by the violence of America’s Secret War and the CIA recruitment of the Hmong and other ethnic minorities into the lost cause. By the time Tswb was a teenager, the US had completely vacated Laos, and the country erupted into genocidal attacks on the Hmong people, who were labeled as traitors. Fearing for their lives, Tswb and her family left everything they knew behind and fled their village for the jungle.

Perpetually on the run and on the brink of starvation, Tswb eventually crossed paths with the man who would become her future husband. Leaving her own mother behind, she joined his family at a refugee camp, a choice that would haunt her for the rest of her life. Eventually becoming a mother herself, Tswb raised her daughters in a state of constant fear and hunger until they were able to emigrate to the US, where the determined couple enrolled in high school even though they were both nearly thirty, and worked grueling jobs to provide for their children.

Now, her daughter, Kao Kalia Yang, reveals her mother’s astonishing saga with tenderness and unvarnished clarity, giving voice to the countless resilient refugees who are often overlooked as one of the essential foundations of this country. Evocative, stirring, and unforgettable, Where Rivers Part is destined to become a classic.

 (from Kao Kalia Yang's Website)

In Yang’s middle-grade debut, a Hmong American boy makes sense of his place in the world.

In Part 1, readers meet Malcolm, who, through chapters written from the perspectives of his immediate family and elementary school teachers, grows from a kindergartener to a fifth grader. The youngest child of an older, working-class couple who came to Minnesota as refugees, Malcolm lives with his oldest sister, True, and her husband during the week so he can attend a private school; on weekends, he returns to his parents’ prairie home. Although this arrangement was a decision made with love, his family grapples with regrets and hopes. Meanwhile, many of his white teachers treat him differently due to their own biases. 

In Part 2, 11-year-old Malcolm takes over the narrative, revealing an introspective, sensitive, and lost young person. Malcolm collects family stories in order to “travel from the life I was living” and to connect with his family history. All four of his grandparents were shamans, and the shamans’ spirits are calling to Malcolm. After embarking on a spiritual journey, he finds himself literally immersed in the stories from his family’s history—stories from before he was alive, stories that aren’t without trauma. Lyrical, evocative prose deftly captures Malcolm’s longing for a sense of belonging; Yang has crafted a layered, profoundly moving musing on grief, connection (and lack thereof), and identity.

A true gem. Fiction. 11-14 (Kirkus Review)

A young Hmong American girl shares the small things of wonder that make up her world.

When Paj Ntaub moves into a new green house with big windows with her family, the garden grows with “tomatoes, green beans, and a watermelon as round as my mother’s belly.” Soon, the green house becomes their house. Paj Ntaub helps “Tais Tais hang the special story cloth about how the Hmong got to America.” She exchanges waves with her neighbors Bob and Ruth, an elderly white couple even older than Tais Tais. And changing seasons usher in life and death. In gentle prose, Yang’s picture-book debut explores nature, community, and connection. Twin brothers are born amid the summer bounty in the garden. On a snowy, cold morning, loss arrives, and bare gingko trees “[reach] for the sky with their thin fingers” against the new emptiness of the house across the street. When the world becomes green again, Paj Ntaub draws together these connections in a neighborly gesture of comfort. Using digital graphite, pastels, watercolor, and scanned handmade textures, Kim brings detailed dimension to the green house and the world around it. Alternating perspectives capture the expansiveness of the outside as well as the intimacy of Paj Ntaub’s observations.

Contemplative, curious, and kind. Picture book. 5-9. (Kirkus Review)