Harmonics of Nature

This web page is associated with a book called called Harmonics of Nature

The book can be bought at: https://play.google.com/store/books/details/Dr_Jerome_Heath_Harmonics_of_Nature?id=OPUrCwAAQBAJ

The book gives excellent explanations and proof of the Harmonics Theory of the Universe. The discussion below goes beyond the book in discussing other areas and ideas related to the Harmonics of Nature, and research into Harmonics of Nature.

Nature provides a number of different patterns: spirals, ripples, patterns on birds feathers, spots and stripes on animals. Symmetry is pervasive in living things.

In high speed photography we can see the crown-shaped splash pattern formed when a drop falls into a pond. We see five-fold symmetry in the echinoderms, a group that includes starfish, sea urchins, and sea lilies. Snowflakes have striking sixfold symmetry. Dunes may form a range of patterns including crescents, very long straight lines, stars, domes, parabolas, and longitudinal or sword shapes. There are also symmetries, like: trees, spirals, meanders, waves, foams, cracks and stripes.

In the law of entropy we expect most things in this world to be random instead of ordered. It takes energy to create order.

Ramsey Theory says that order is the inevitable result of a large amount of random trials. Hungarian biologist Aristid Lindenmayer, and French American mathematician Benoît Mandelbrot showed how the mathematics of fractals could create plant growth like patterns in computer printouts. These are just the beginnings of understanding the harmonics of nature.

This book looks into the patterns in nature. Instead of just listing the interesting patterns I am concerned about demonstrating a general etiology of those patterns. This is a new way of looking at the physical universe itself to understand not only the etiology but the general physics of those patterns. Thus we can see a set of characteristics that allows us to understand, predict, and use the processes of these patterns.

The building blocks of closed systems in nature are the constraints. What we see (what derives from the constraints) of such nature is based on the harmonics that are tunable to the constraints, on those constraints, and on how the constraints effect a probability distribution. These harmonics are not traceable, as would be the case under an equal and opposite reaction in Newtonian processes, since they are created by constraints, the constrained probability distribution, and some energy process not directly related to the result (e.g. air blown across the end of a tube). The results are not specific (not based on an equal and opposite reaction), but are a series of possibilities that are describable as theme and variation.

Organ Pipe

Harmonics

The output of the organ pipe is clearly based on ‘theme and variation’. If this was a functional (Newtonian) process it would have a singular output (every action has an equal and opposite reaction). Any process whose output demonstrates ‘theme and variation’, that process or the portion of the process showing ‘theme and variation’ is the result of ‘constrained probabilities’; and not of functional action!

Boat Wakes

These videos show waves crossing each other under various conditions. This is on a canal (the Ala Wai Canal) not on the ocean and there is very little flow of water along the canal. The waves are because of some kind of wind (or wakes from passing canoes). The above video shows how crossing wake waves cross waves from the wind.The wake waves last a long time after the boat is gone. They cross back and forth between the sides of the canal.

The video on the left shows crossing waves that are reflecting the crossing winds above the water. There is a Michigan Avenue effect here from the relatively tall buildings along the Ala Wai Boulevard. The wind in this area is the result of harmonics of a probability distribution of gusty winds that are constrained by the height of buildings. This produces wave patterns on the water that reflect the conditions of the harmonics in the air above the water. The cross wind here is caused by a similar effect (the probability distribution of gusty winds constrained by the height of valley walls) through Palolo Valley just north of us in the Koolau Mountains.

Palolo Valley and the Ala Wai Canal (the border of Waikiki)

The video on the left is pointed approximately at the East edge of the 18th green. The Rainbow is a bonus (the Rainbow could not be here if the Palolo Valley winds were this high).

The video on the right show the more common wave reflection along the Ala Wai as the waves move along the canal but have a vector that points toward the shore. Here our eyes make the waves appear to move together. The primary waves \ \ \ are moving to the left and toward the shore. The secondary waves / / / are moving to the left but away from the shore. The patterns is quite stable which demonstrates the harmonic basis of the process.

I am impressed with the fact that wave patterns can pass each other (using the same water molecules for both waves) and not destroy each other. On Newtonian terms this would be impossible. Is this an example of "Harmonic Tunnelling"?

Beyond navigating by the sun and stars, the Polynesians used their extensive knowledge of the sea to successfully guide them through their voyages. By careful observation of sea swell patterns, wind direction, cloud formations, and patterns of bird flight and flotsam, traditional Pacific navigators pieced together the course they chose to follow.

Sea Swells: Sea swells are waves that have moved beyond the wind or storms that generated them. Swells tend to be more regular and persistent in their flow than waves. By observing the swells and understanding the winds that created them, Polynesian navigators could steer their canoes according to the swell patterns. Interestingly, swells are more easily felt than seen.”[The Mariners Museum;,Exploring Through the Ages, http://ageofex.marinersmuseum.org/index.php?type=navigationtool&id=10].

There is information in waves.

Gunwale Snowdrifts

So I woke up on a very cold Saturday morning, with lots of drifted snow everywhere. I looked out the window and saw the canoe gunwale snow drift across the front lawn. Being curious I put on warm cloths and my parka and went out to take a look. There was a canoe gunwale drift on the front lawn and on the back lawn. I thought I would see a canoe bow and stern on the sides of the house. I was disappointed that the ends of the drifts just seemed to disintegrate.

So, what happened here? Our house was a distance from other houses. We were on 5 acres of land. There was a woods on part of the 5 acres but that was far enough away from the house as to not interfere with the gunwale drift process. Much of the land especially to the West, where the wind of the blizzard was from, was open land. The long side of the house was lined up roughly East and West. The nearest trees were on a ditch near the woods that was at least 200 feet behind the house.The house, in its context, happened to be the only constraint in the area for the wind. Our weather came from the West, or, at times, slightly North of West.

House and Drifts From the Side

The wind is effected by the presence of the house as a constraint. The wind is tuned by this constraint much like an organ pipe is tuned by the length. The constraint is 10 or 15 feet from the drift that it formed. Towards the house from the drift there is less and less snow, as you get closer to the house. Right next to the house you can see: grass, dirt, and concrete. The maximum height of the drift is about three feet, as I remember.

House and Drift from the Front

This is how natural harmonics works in the air. The air is three dimensional so the harmonics form some kind of cyclonic pattern. This appears to have the stability of a dimensional restriction. This type of pattern also forms underneath surface waves in water. But in that case the cyclonic structure is not moving (or moving very little) in the cross direction. In air the cross movement to the curl dimension tends to be moving, and rapidly, and relatively stable under constraint. I believe the dimensional stability of "cyclones" in air is due to the fact that they become a linear formation, like an organ pipe. They for stable linear patterns effected by a constraint (here a relatively large constraint on a long open field). Waves in water are still two dimensional. All the water wave patterns I see enforce this as a conclusion.

Dr. Jerome Heath, Ph. D.

https://www.linkedin.com/pulse/harmonics-nature-jerome-heath/

https://www.linkedin.com/pulse/somewhere-over-rainbow-jerome-heath/

Constraints and Waves

See also: Harmonics of Nature

Harmonics of Nature - the Etiology of Natural Patterns