Sunbonnet Sue and Overall Bill March 2012
This quilt began a long time ago when someone had the hankering for a lot of hand sewing. I sewed the frames, sashing, and borders after the quilt squares had been sitting on a shelf in a garage for about 50 years. The appliqued pieces are hand sewn with the tucked-under edges of each piece secured. These days when an artist adds applique, they cut the pieces with raw edges, fuse them to the background cloth, and sew a zigzag around the edges. The former method takes much more time and effort.
My brother Blaise and I hung a large fleece blanket on a curtain rod in my sewing room to create a design wall. The wall also allows me to move pieces and colors in different assortments to get a feel for how they will go together in the final project. The giant wall allows me to see how the squares can be arranged to optimal effect.
This copy below is of the same quilt with the sashing in between the squares to complete the quilt top. The squares have been washed in Orvus Paste (a horse shampoo) to get rid of the dingy old look. Fusing on the back of each square makes them sturdy in the sewing process and makes the quilt last for a long time. The good thing is that you cannot notice the fusing in the final product.