As of 2015, the Red Hot Chachkas have disbanded
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Hailing from the San Francisco Bay Area, the Red Hot Chachkas create new American klezmer from Old World roots with their original compositions, arrangements, and improvisations, featuring violin, clarinet, accordion, mandolin, bass, and drums. Their CDs are "Beats Without Borders" (2010), "Spice It Up!" (2007), and "Family Album" (2002).
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Hailing from the San Francisco Bay Area, the Red Hot Chachkas create new American klezmer from Old World roots, with their original compositions, arrangements, and improvisations. Their contagious musical performances inspire and transform audiences. From Toronto's Ashkenaz Festival to San Francisco's Davies Symphony Hall, favorite clubs, theaters, galleries, community centers, schools, and Jewish congregations, as well as private parties and simchas ranging from orthodox to outlandish, their hot sound and uptempo beat has folks up dancing. Led by bandleader, dance leader, and classical violinist Julie Egger, the seasoned musicians draw on disparate influences and backgrounds: soulful Barbara Speed (clarinet), balkanic Diana Strong (accordion), oldtimey Tony Phillips (mandolin), jazzy Breck Diebel (bass), and worldly Aharon Wheels Bolsta (drums). Their CD "Beats Without Borders" (2010) presents all original tunes composed by band members, and follows "Spice It Up!" (2007), and "Family Album" (2002). See RedHotChachkas.com.
Photos © Fletcher Oakes. High-resolution versions available on request.
The Red Hot Chachkas have been playing Klezmer music since 1998. We started by learning the basics, the standards, going to KlezCamps, and listening, listening, listening to recordings and performers, old and new. We bring our deep appreciation of traditional Klezmer to all our gigs. At the same time, we have explored other musical genres, and added a wide array of these to the mix, including improvisation. This new CD presents all original compositions, and the title “Beats without Borders” reflects our many musical journeys. With wild abandon and solemn introspection, we travel to places of joy, beauty, and dancing; our excitement has no borders! Enjoy!
Kostakowsky's Sher No. 4 (Traditional, arr. Red Hot Chachkas © 2007) 3:42. This traditional sher is from Nat Kostakowsky's International Hebrew Wedding Music, published in 1916 (now available as The Ultimate Klezmer, and recommended). Kandel's Orchestra recorded a version in 1918 as "Rusishe Sher." As with most sher melodies, sections can be mixed-and-matched to fit the square dance choreography.
Zets! (Barbara Speed © 2009) 3:13. Our drummer Michael really gets a chance to shine on this revved-up ditty of Barbara's. He may never have gotten as hot and sweaty as he did during this recording session! According to Michael Wex, in his book on yiddish "Born to Kvetch," a "zets" is a "blow." Julie knows the word well; parents often say to their kids, “If you don’t stop it now, I’m gonna give you a zets!”
Barack Ata Illinois (Tony Phillips © 2009) 2:48. No prize for guessing to whom this modal melody that Tony composed on January 20, 2009 is dedicated. Although the mood of the day was elation, this intelligent, elegant, and dignified meditation is what emerged. The title is from the beginning of the Hebrew prayer that circulated by email during the previous November, "Barack ata Illinois elohenu melech ha'olam hoo-ray p'ri ha-electoral landslide. Amen." Based on actual historical events. Amen.
Dancin' on the Creekside (Julie Egger © 2009) 3:44. Julie lives in West Marin, where every winter she watches to see if the creek will overflow, as it has in the past. But her community is close-knit and vital, and it rejuvenates on a daily basis. It is like living in “Brigadoon,” where, when someone is in need, the universe provides. Glenn's suggestion to use the tight James Brown-style anticipated accents on the snare, his wild accordion solo, and his "Twist and Shout" lead into the final notes of this song, help us all to shake it up, baby! This song is dedicated to the folks from San Geronimo Valley, California.
SF Sher (Breck Diebel © 2009) 2:39. The traditional Yiddish sher dance is for squares of four couples, accompanied by a dance tune likewise called a "sher," with moderate tempo, usually played in duple meter. Breck's original composition is squarely in the tradition. Named for "the City by the Bay," it displays a pretty melody and a bit of a novelty. It's the only tune on this CD featuring multi-instrumentalist Barb on the flute.
Stomp It Up (Barbara Speed © 2007) 2:38. Barbara wrote this soon after joining the Chachkas, to reflect her excitement about being in the group and soaking up the klezmer style. She tried to write a dance tune in the tradition, but she's played in a lot of other styles, and it shows. It starts out as a bulgarish, but gets bluegrassish, and then heads out to sea.
Sha! (Traditional, arr. Red Hot Chachkas © 2007) 3:41. At weddings and other simchas, we're likely to play this freylach, a traditional dance tune with frenzied energy, as the chosen and kalle (bride and groom), or other honored persons, are lofted in chairs, and family and friends dance wildly around them.
Der Cholem Fun Yid (Traditional, arr. Rob Reich © 2007) 2:43. On a transcontinental plane trip, Rob heard and transcribed this stately hora from a 1955 recording by the great clarinetist Dave Tarras. Julie starts the melody on violin, and then it's passed around. Note the cool and unusual resolving figure.