Als de Inuit 100 woorden voor sneeuw hebben, en de Schotten 100 woorden voor veen —
hoeveel woorden voor water verliezen we telkens wanneer haor, polder of phù sa worden vertaald naar simpelweg “water” of “land”?
In Bangladesh bepalen woorden als haor en beel hele levens.
In Nederland vertellen polder en kwelder eeuwen van strijd tegen de zee.
In Vietnam is phù sa meer dan slib: het is vruchtbare bodem die miljoenen voedt.
Maar vertaald naar Engels worden ze “meer”, “moeras”, of “floodplain”. Zo verdwijnt nuance — en met die nuance, kennis.
In Rathad an Isein / The Bird’s Road, a glossary of Lewis moorland words and peat-cutting terminology, — lezen we iets dat raakt:
“Wanneer talen minder gebruikt worden, verliezen we ook het begrip van de wereld om ons heen. We verliezen de details van het landschap, de woorden uit kleine dialecten, namen voor lokale plekken en kenmerken, en woorden voor gebruiksvoorwerpen. Hun verhalen en verleden beginnen te verdwijnen.”
Books from Scotland
Dat is precies wat wij bedoelen met: taal is ook ecologie.
Hetzelfde gebeurt in Bangladesh, Nederland, Vietnam en elders. Woorden als char, haor, beel, polder, kwelder, phù sa zijn geen poëzie, maar kaarten van ecologisch geheugen — ze geven ons een precieze manier om land, water, bodem en klimaat te zien én ermee te leven.
Woorden zijn kaarten van ecologisch geheugen. Ze dragen kennis over hoe gemeenschappen samenleven met water, bodem en klimaat.
Als woorden verdwijnen, verdwijnen manieren van weten.
Taal is ecologie.
En zonder de juiste woorden, zijn er geen juiste daden.
Zeker in een internationale context worden locale begrippen en concepten weggevaagd voor een "standardized English Vocabulary".
"If we want locally led climate adaptation, we need a language that captures local knowledge. Standardized English simplifies — but it also erases. Each overlooked word is a lost insight into how people adapt, survive, and thrive in landscapes of water."
🌐 Interactieve kaart – plaatsnamen die water- en landschapsverhalen onthullen.
📖 Lexicon – hoe culturen rivieren, wetlands en bodems beschrijven.
💡 Adaptatieconcept – om lokale kennis te beschermen, moet de taal beschermd worden.
Cummunity gestuurde adaptatie aan klimmatverandering (Locally Led adaptation) begint met luisteren. En luisteren begint met taal begrijpen.
👉 Wij zoeken partners en mede-makers die mee willen bouwen.
Samen zorgen we dat de diepe kennis in woorden niet verloren gaat.
Robert Macfarlane schreef in Landmarks:
“Woorden hebben om de natuur te beschrijven betekent dat we aandachtiger worden — en hopelijk ook zorgzamer.”
Woorden als haor, polder, phù sa, terp, beel zijn geen poëtische extra’s.
Het zijn werkende kaarten van veerkracht en adaptatie.
নদী (Nodī) – River. In Bangla folk songs (bhatiyali), the river is a metaphor for life’s journey, separation, and union:
“নদীর বুকে নৌকা ভাসে, মাঝি বলে টান…” (“On the river’s chest floats a boat…”)
খাল (Khal) – Canal. Rural children swim, women wash, and farmers irrigate through the khal; many villages are named after their khal.
ঝরনা (Jhorna) – Waterfall or spring, often celebrated in Sylheti songs about hilly landscapes.
ডোবা (Doba) – Rainwater depression. Common in proverbs: “ডোবায় মাছ, ঘরে খাস” (“Fish from the doba feeds the home”).
হাওর (Haor) – Large floodplain depression. In Sylheti ballads and baul songs, haors are described as endless water in monsoon, endless fields in winter. The phrase “হাওর-বাওর” evokes remoteness, abundance, and danger.
বিল (Beel) – Wetland. Folklore portrays beels as mysterious, full of fish and spirits. Beel names mark many places (e.g., Chalan Beel).
পুকুর (Pukur) – Pond. Symbol of domestic life: marriage songs often speak of the pukur ghat as the site of meetings.
ঝিল (Jhil) – Shallow waterbody. Common in poetry to evoke quietness and reflection.
চর (Char) – River island. Folk stories depict chars as lands of opportunity and loss — fertile but dangerous, appearing and vanishing. Songs of the Padma river often mention “চরের মানুষ” (people of the chars) as resilient yet uprooted.
কান্ডা (Kanda) – Slightly elevated land. In rural speech: “কান্ডায় ঘর বাঁধো, নইলে ভেসে যাবে” (“Build your home on the kanda, or it will be washed away”).
তট (Tot) – Riverbank. In bhatiyali, the tot is where lovers part as the boat departs downstream.
মোহনা (Mohona) – Estuary. In poetry, symbol of meeting, mixing, and uncertainty — where sweet and salty water blend.
খাড়ি (Khari) – Tidal creek. In Sundarbans folk tales, kharis are passages of both tigers and honey gatherers.
সৈকত (Shoikot) – Beach. Modern folk songs celebrate কক্সবাজার সৈকত as a place of wonder.
পলি (Poli) – Silt. Farmers bless the monsoon’s gift of poli: “পলিতে ধান, পলিতে জীবন” (“Silt gives rice, silt gives life”).
লোনা জমি (Lona Jomi) – Saline land. In coastal songs, lowna is tied to hardship and migration, as families lose crops to rising saltwater.
ধানক্ষেত (Dhan Khet) – Paddy field. Endless subject of folk songs: golden paddy fields as symbols of fertility and love (“সোনার ধানে ভরা মাঠ”).
Rivier – river, often meandering (e.g., Waal, IJssel).
Beek – small stream, usually in higher sandy areas.
Spreng – man-made spring brook (Veluwe), dug for watermills.
Gracht – canal within a town, often defensive or for transport.
Kanaal – large man-made canal for transport, drainage, or water supply.
Vaart – navigable canal, often dug for peat transport.
Plas – lake or pond, often from peat digging (plassen).
Meer – natural or former inland lake (Haarlemmermeer before reclamation).
Poel – small natural pond, often seasonal or marshy.
Veenplas – shallow lake formed in peatlands after digging peat.
Wiel – scour hole left after a dike breach (reminder of flood history).
Polder – reclaimed land surrounded by dikes, drained artificially.
Terp – man-made dwelling mound to escape floods, common in Friesland/Groningen.
Kwelder – salt marsh land, periodically flooded by the sea, used for grazing.
Komgrond – basin clay soil in riverine area, heavy and flood-prone.
Oeverwal – natural levee along a river, higher and sandy, often used for settlements.
Uiterwaard – floodplain between river and dike, seasonally flooded.
Kreek – tidal creek or remnant of an old watercourse in polders.
Veen – peat soil, important in Dutch history (fuel, subsidence issues).
Zavel – loam soil, mix of sand and clay, fertile and valued.
Klei – clay soil, especially zeeklei (sea clay) and rivierklei (river clay).
Droogmakerij – drained lake reclaimed for agriculture (Beemster, Schiphol).
Dijk – dike, essential Dutch landscape element protecting land and polders.
Sluis – sluice, water control structure regulating levels and flows.
Sloot – ditch for drainage, ubiquitous in Dutch farmland.
Sông – river.
Suối – stream, small watercourse in hills/mountains.
Rạch – tidal creek or small distributary, common in Mekong Delta.
Kênh – man-made canal, used for irrigation, drainage, and transport.
Mương – small irrigation ditch, narrower than kênh.
Ngòi – rivulet or brook, often used in northern regions.
Ao – pond, usually dug by households, used for aquaculture and water storage.
Hồ – lake, natural or man-made.
Đầm – lagoon or marsh, shallow water, often brackish.
Phá – coastal lagoon, larger and saline/brackish (e.g., Phá Tam Giang in Central Vietnam).
Bưng – swamp or wetland, often seasonally flooded (southern usage).
Cồn – river islet/sandbar, often shifting, used for temporary farming.
Bãi bồi – newly deposited alluvial land, fertile and contested for agriculture.
Bãi sông – floodplain, cultivated in dry season, inundated in wet season.
Bờ bãi – riverbank land, often fragile and prone to erosion.
Lạch – tidal inlet or small river mouth.
Phù sa – alluvial soil/silt, life-giving sediment from rivers.
Đất phèn – acid sulfate soil, common in Mekong Delta, challenging for farming.
Đất mặn – saline soil, linked to sea intrusion.
Ruộng – paddy field, tightly tied to irrigation, soil, and flooding.
Awa – River. Central to Māori identity: “Ko au te awa, ko te awa ko au” (“I am the river and the river is me”). In legends, rivers are ancestors; the Whanganui River is legally recognized as a living being.
Wai – Water, source of life. In traditional karakia (chants), wai is invoked as a cleansing and protective force. Waiora (pure water) symbolizes health; wairua (spirit) carries the same root.
Waiariki – Hot spring. Stories tell of ancestors using these for healing and communal bathing; still places of gathering today.
Manga – Stream/creek. Place names beginning with Manga- link to ancestral journeys and resource sites.
Rere – Waterfall. Often sacred sites, used for ritual purification (tohi ceremonies).
Roto – Lake. Many lakes have guardian spirits (taniwha) said to protect or test people. Lake Taupō is described in traditions as the heart of the North Island.
Repo – Swamp/wetland. Valued mahinga kai (food-gathering grounds), especially for tuna (eel) and harakeke (flax) harvest. Songs celebrate repo as places of sustenance.
Ngāwhā – Warm springs. Associated with healing powers and sometimes feared for their steaming, mysterious qualities.
Puna – Spring. Often regarded as sacred sources of life. Proverb: “He puna wai, he puna ora” (“A spring of water, a spring of life”).
Moana – Ocean. In haka and waiata, moana represents vastness, migration journeys, and the connection back to Polynesian voyaging ancestors.
Waha – River mouth. Meeting place of river and sea; seen as thresholds of change, often rich in kai (food).
Whanga – Bay/harbour. In legends, safe havens for ancestral canoes (waka), such as the arrival of the Arawa and Tainui waka.
Tai – Tide, sea. In proverbs: “E kore e ngaro, he takere waka nui” (“The hull of a great canoe will not be lost”), connecting tides to resilience of voyaging.
Matāitai – Customary fishing grounds, linked to tribal rights and obligations passed down orally.
Ngutuawa – River confluence. Seen as powerful meeting points; some were chosen as settlement sites for their richness.
Kāinga – Settlement. Often built just above flood levels, demonstrating practical indigenous adaptation. Songs lament abandoned kāinga after floods.
Paepae – Raised terrace/bank, linked to fortified pā (settlements).
Papatūānuku – Earth mother, central figure in Māori cosmology. All land is her body; soil and land use are genealogical, not just material.
One – Soil, sand, earth. In chants, oneone (soil) is described as the skin of Papatūānuku. Onepu (sand) figures in place names and stories of shifting coasts.
Kiripaka – Stony soil, linked in proverbs to resilience and challenge: “Hard as kiripaka.”
Māra kai – Cultivated garden. Kūmara gardens tied to ancestral knowledge of soil, drainage, and lunar planting cycles; chants guided planting seasons.
Pārae – Open field or plain, often the stage for gatherings and battles. Songs recall pārae as meeting grounds.
Horowhenua – Landslides/unstable soils; also a tribal territory name, carrying both ecological and historical weight.