Selected publications
“Reading in the Dark: After Theory,” l’Atelier: Trouble dans la théorie 13.2 (2022): 48-67. https://ojs.parisnanterre.fr/index.php/latelier/article/view/599
· «À l’Ecoute des atmosphères multimédia: Beckett et Joyce à l’ère de la transmission technologique» Frontières Sonores du Littéraire, Ouvrage Collectif du Projet Frontières du Littéraire (28.06.2021) https://flt.hypotheses.org/1132
· “Murmur, Hum, Shout, Crash! Listening, Suddenness and Passing Time with Beckett and Contemporary Installation and Video Art,”Angles: The Torn Object: Experimentation in Contemporary Anglophone Literature, Art and Film 13.1 (2021) https://doi.org/10.4000/angles.4797
"À l'écoute de Simone Weil: La transposition de(s) sens," Simone Weil, réception et transposition, ed. R. Chenavier, T. Pavel, (Classiques Garnier, 2019).
“Jean-Luc Nancy and the Image of Visual Culture,” Introduction to Jean-Luc Nancy and Visual Culture (Edinburgh University Press, 2016).
“On the Threshold: Visual Culture, Invisible Nature,” Jean-Luc Nancy and Visual Culture (Edinburgh University Press, 2016).
“Jubilation ex nihilo: Beckett, Joyce, et l’événement du rire,” Littérature et Jubiliation :Modernités : 39, ed. Eric Benoit, (Presses Universitaires de Bordeaux, 2015).
“Listening high and low: Yeats, Joyce, Beckett and the condition of music in modernist Irish literature,” Re-Imagining Ireland: Ireland and Popular Culture, ed. Sylvie Mikowski (Peter Lang, 2014): 83-102.
“Laughter and the limits of identity: Joyce, Beckett and the philosophical anthropology of laughter,” Études Irlandaises 38.1 (2013): 173-186.
“Soundings: The Secret of Water and the Resonance of the Image,” The Senses and Society 8.1 (2013): 72 - 84.
"Beckett: Funny Walks," The Vacuum (Beckett Centenary, 2013).
“From ‘Ha he hi ho hu. Mummum’ to ‘Haw! Hell! Haw!’: Listening to laughter in Joyce and Beckett,” Journal of Modern Literature 32.3 (2009): 144-166.
“In one ear and out the others: Beckett.Mahon.Muldoon,” Journal of Modern Literature 30.2 (2007): 180-196.
“Mnemosyne and the Mislaid Pen: the poetics of memory in Heaney, Longley and McGuckian,” Last Before America. Ed. Brearton & Hughes (Belfast: Blackstaff, 2001), 54-68.
“Song, murmurs and laughter in Irish Writing,” Critical Ireland, Ed. Kelly & Gillis. (Dublin: Four Courts, 2001), 115-123.