The Bricoleur: Bricolage As Method
Rupali Gupte
2021
Rupali Gupte
2021
One of the key shifts in SEA’s orientation is to think of pedagogic institutions not as a space for the
delivery of static prescriptions or syllabuses, but rather as a collection of diverse practices with different
intentions, methods, questions and positions. Here space is provided for the academic practices of
teachers and an institutional framework is developed for that purpose.
The practitioners at SEA have their own, independent research and varying orientations within academia
which range from curatorial practices to explorations of new material technologies, and diversely
situated research methodologies adopted to studying emerging city making practices, manifold
responses to built and natural environments, and relationships between patterns and their embedded
aberrations in housing, among several others. Their academic practices are considered valuable precisely
because they add to and expand existing knowledge and practices (particularly in the areas of design)
and build corollaries across fields. These practices take the form of artisanal, artistic, reflective and
projective experimentations and explorations and produce research papers, courses, academic
presentation, all kinds of artworks, built-form experiments, design experiments, thinking and analytical
models, theoretical frameworks, etc. SEA aims at creating an ecology for supporting and nourishing such
pursuits.
The pedagogical ambition of the Allied Design course is to question existing assumptions about the
institution. It is an invitation to rethink the architectural institution as largely concerned with producing
individuals with capacities to build towards perceiving it as a collaborative of heterogeneous, distinct and
autonomous directions within architecture that inform each other and draw out the merit in each other.
The studio aims to provide space for such an expanded idea of spatial design, where the design of the
self and design of life itself become the key objectives.
The course is structured such that each faculty member anchors a studio that centres the questions that
their individual practices seek to investigate. These questions raise a longue durée engagement and are
deeply connected to philosophical processes. The course takes place during the Monsoon Semester and
is four weeks long, and offered to all students at SEA.
Each student becomes a collaborator and a companion in the practice of the teacher, bringing their
insights and personal experiments to the processes set up by the course. Each teacher defines the
pedagogic objectives for the students, and uses the objectives to set up new frames of thinking. It is
important to consider that the courses are less concerned with the production of superficial
manifestations of learnings (rather, the courses refute traditional ideas of production) than with creating
conceptual anchors through cross pollinating processes of questioning-reading-investigating-making that
stay with the student as approaches towards spatial thinking and design.
SEA recognises that the field of spatial design is much more than the building-making process and the
Allied Design studio aims at actively fostering a space to hold such an expanded idea. Students are
familiarized with the possibilities of spatial design practices beyond building making. It is both hoped and
expected that the process of building-making itself will encounter and incorporate unhackneyed and
inventive modes of imagination through such forays in architectural pedagogy.