Form and Experience

The Waiting Grounds

It was five minutes to noon. Around me, on all sides, enormous sheets of fire were cascading slowly from the sky, passing straight through the floor of the basin, and then rising again in an inverted torrent. The megaliths were no longer visible, screened by curtains of brilliant light, but I groped forward, following the slope, searching for what shade would still be among them. Twenty yards farther on I saw that the sun was directly overhead. It expanded until the disc was as wide as the basin, and then lowered itself to about ten feet above my head, a thousand rivers of fire streaming across its surface in all directions. There was a terrifying roaring and barking noise, overlaid by a dull, massive pounding as all the volcanoes in the volcano jungle began to erupt again. I walked on, in a dream, shuffling slowly, eyes closed to shut out the furnace around me. Then I discovered that I was sitting on the floor of the basin, which started to spin, setting up a high-pitched screaming.

The drawing is an imagination of a world made up of fire. While fire seems huge powerful body, it is actually made of delicate and elegant flames. The drawing looks at fire not as a whole but zooms in to observe the dance of these delicate flames.