Faculty presentations for Advanced Studios sections will be held online through this site. Each faculty member has offered a brief presentation describing the semester and a link to the syllabus.
Advanced Studio presentations will focus on each studio's theme, content, and subject. Each student must submit an online ballot listing their preferences in order. The link for balloting
will be accessible from Tuesday, February 6th, by 1:00 pm and close Saturday, February 10th at 1:00 pm.
We cannot accommodate preferences for anyone who has not completed the lottery form within the open period. Students who submit after the deadline will be placed in whichever studio can accommodate them.
Students will receive their Advanced Studio on Wednesday, February 14th.
Please note that faculty will not be involved in the running of the lottery to ensure fairness to all students. The lottery is completed blind to student and faculty identification; every effort is made to place students in their top three choices. Previous studio placements below third choice are considered in the lottery.
All section placements are final.
There will be seven (7) sections of Advanced Studios offered within the department led by the faculty listed below.
Advanced Studios within the architecture department combine undergraduate and graduate-level students.
The advanced studio with the Center for Complexity, hosted by Industrial Design, is open to students in Industrial Design and across the college with registration reserved for four (4) Architecture students at any level. This studio meets Tuesday / Thursday 1:10 - 6:10 pm. It is an individual student's responsibility to confirm this meeting time does not conflict with other registered or department-required courses. Students in this studio will have a home space for the duration of the semester in the CfC studio space at 68-72 South Main Street. If you are placed in this studio, you will NOT have a designated desk in the BEB for the Fall semester.
It is department policy that all undergraduate and graduate students are permitted to take one (1) non-architecture approved Advanced Studio during their studies.
Description
Since the late 19th century, the average temperature of the Earth has increased by 1.7 degrees Fahrenheit. Last summer was one of the hottest in contemporary history. This is due to industrialization, the use of fossil fuels, and accelerated urbanization, among other factors. Cities are major contributors to the so-called urban heat island effect; their dynamics, materiality, behavior, growth, and operation have exacerbated the conditions of climate change. Faced with the challenges presented by these phenomena, the various urban actors working on the ground must plan, design, and implement strategies that create inclusive, mitigating, resilient, and adaptable urban environments.
This course will explore alternative possible futures—new models, revived models, hybrids—for housing and public space in Monterrey, Mexico, a city that has been experiencing extreme heat, drought, and widespread heat island effect, toward meeting housing needs and creating more sustainable habitats for both people and for nature.
Surella Segu RISD Bio | El Cielo
email: ssegu@risd.edu
Nestled in the fold between representation and design, this studio is concerned with practices of architectural image-making (historical, contemporary, and to come) and the ideas / ideals / mythologies that images, along with the acts of their production, perpetuate. With an interest in the ways by which emerging, complex image-making processes (GANs, Diffusion Models, etc.) offer opportunity, if not insistance, to adapt the way we make, read, and think Architectural Imagery, we will be invested in constructing collaborative, intentional, critical practices of design and drawing in co-authorship with AI models and with one another.
To set a foundation for this work, we will begin the semester by first entangling with architectural images of the past and present. Narrowing in on a curated canon of precedents (projects both built and drawn) we will take up an irreverent attitude toward legacies of architectural “mastery” by remixing representations, decoupling ideas of “style” and “manner” to produce a rogues’ gallery of case study projects. Like a manual analog to Midjourney, we will “/imagine ___ in the style/manner of ____” becoming experts in the simulation and/or emulation of canonical manners of making.
This exercise will lead us into the primary design assignment of the semester, in which students in pairs will intervene in the site of a case study project, arguing for a speculative alternative that will supplant the mythologies of the original with something Other. Developing our own new Manners of making that learn from and against those that make up our prevailing canon, we will act in one part revisionary history, one part alternate reality, and one part speculative future to make space for Other Stories to rise to the surface of architectural conversation.
email: thilker@risd.edu
🧱 Course Description
This studio investigates the material, environmental, and social intersections between waste, labor, and the built environment. With a focus on building and urban waste, salvage, reuse, recycling, and regeneration, we will think and work towards just industrial futures in New York City amid the climate crisis and cultures of consumption. As acts of design are reoriented from the notion of material resource (linear act of extraction) to resourcefulness (creative material management), WASTE/WORKS aims to revalue waste materials, infrastructures, and networks toward more circular and collective institutions, more social ‘supply chains,’ and more materially energetic architectures and landscapes.
🥘 NOTE: We will engage with the RISD Nature Lab this semester for material ‘cooking’ experiments. Taking resourcefulness as an ethos, the studio expects students to get creative with sourcing, recipes, and low-footprint approaches to model making. Prepare to get your hands dirty!
🚆 NOTE II: NYC TRIP! Please note that the studio plans to travel to New York City from March 17th — 18th (full itinerary to be confirmed in the Spring, alternative dates are March 16th-17th or 18th-19th pending group availability). This is a required studio trip which allows students to visit a number of sites including the final project site. We will be moving quite a lot on foot and on public transport in New York / Brooklyn. The school will cover train tickets, 1 night’s accommodation, and a group meal or two.
Amelyn Ng RISD Bio | www.amelynng.com
email: ang@risd.edu
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www.depot.directory
www.planetaryhomeimprovement.store
Evan Farley RISD Bio / Assembly Archive
email: efarley@risd.edu
Description
Through making and drawing, we will explore ways that architecture can be imperfect, imprecise, incomplete, or unfinished. How does one deliberately generate situations of imperfection? How can we exploit the delta between the ideality of the complete and the potential of the incomplete? We will start with a referential archive, move to making proto-architectural models and drawings, find novel ways to hide the architecture, and finally dive deep into details and site to find moments of tension and opportunities. We will merge analog and digital methods of making to find novel representation techniques.
You will design a 10-50,000 sqft building with a particular program (chosen by you and evolved together in desk crits) within a site in Providence. The studio aims to combine personal preoccupations with conceptual and disciplinary issues of architecture. We will discuss topics such as archaeology, science, psychoanalysis, and mythology in relation to architecture.
email: dmehta@risd.edu
Penn Ruderman RISD Bio | OPRCH
email: jruderma@risd.edu
This studio will develop compassionate configurations of products, services, environments, systems, material and visual cultures in collaboration with the Division of Addiction Medicine at Rhode Island Hospital. Working in close collaboration with the newly created Bridge Clinic — which aims to serve as a point of entry into care for people with addiction — students will explore questions like:
What does a clinical space look/work like which cares for staff and patients?
Are there better ways of conceiving of the roles of everyone involved?
How should institutions incorporate insights from community practice without dampening the vitality?
Can we design stigma out of systems of care?
In studio, students will gain experience in rapidly researching an evolving and complex social phenomena, developing frameworks for understanding and responding to the phenomena, and building and testing strategic interventions. This strategic design skill set will empower students to tackle the many complex challenges they may face in leading design practices or organizations that are increasingly looking to designers as providing a critical core competency.
The topic of the studio is challenging, deeply human, and often uncomfortable. As a studio, we will need to be generous to one another and to the people we will encounter, learn from, and work with. Our aim is to contribute to the creation of a healing and humane system of care for everyone who needs it. We intend to create common cause with other leaders in this issue space in order to realize meaningful social impact.
objects | artifacts, services | experiences, systems | platforms, strategy | storytelling
Justin W. Cook is the Founding Director of the Center for Complexity. He is a strategic designer working on the world’s most challenging problem sets, such as healthcare, sustainability and education. His passion is to tackle these systems challenges by designing innovative organizational architectures.
Tim Maly is a Senior Lead at the Center for Complexity. Tim is working on designing institutions suitable for managing existential threats and providing care beyond stigma. A writer and critical designer, Tim has taught in the Masters of Industrial Design program at RISD, helping students understand the role that communication plays in explaining and exploring ideas. Tim has a background in game design and journalism.
email: jcook@risd.edu, tmaly@risd.edu
*Please note this Advanced Option Studios is with the Center for Complexity and Industrial Design (ID) led by Justin Cook and Tim Maly.
The studio in ID meets Tuesday and Thursday from 1:10 - 6:10 pm with designated studio space in the CfC studio at 68-72 North Main Street.