Etel Adnan, Time (Nightboat Books 2019)

time.mp4

Ariel He (2020)

(Frisch) Time AnnotatedVideo2.mp4

By annotating Time by Etel Adnan, this book has come into my life in a way that is closer than a companion. Its layers make it whole. Through embroidery, writing, folding, ironing, crossing out and other small additions, it has become someone I trust. I am still surprised by some of her verses, but isn’t that like a friend? Can say anything and learn too.

Emily Frisch (2020)

Vero Bello Abrante (2020)

Julieta Beltran Lazo (2020)

Steve Kim (2020)

Meicheng Annotated Book

Meiching Chi (2020)

Vienna Gambol (2020)

Fred Moten, All That Beauty (Letter Machine Editions 2019)

Helena Miller (2020)

IMG_1892.MOV

Tarelle Parker (2020)

David Jhave Johnston, ReRites: Raw Output / Responses (Anteism 2020)

Shuyuan Zhang (2020)

Yumo Wang (2020)

ReRites Human + A.I. Poetry Scribbled on by Teo.docx

Teo Von Baeyer (2020)

Sesshu Foster, City of the Future (Kaya Press 2018)

Tony Zhang (2020)

My reading experience was broken at the beginning because Sesshu Foster intentionally created a “fragmental” quality in City of the Future. But later I noticed although the images might be saltatory in his poems, there are some beautiful rhythms in the lines. I started to try to capture my feelings by writing and drawing. When I cannot follow the poems in the most rational way I begin to imagine and draw about how I feel.

Yuanhao Liu (2020)

Mary Ruefle, Dunce (Wave Books 2019)

pg 38.MOV

Christianna Choe (2020)

Jennie Peng (2020)

annotatedfinal.pdf

DUNCE ANNOTATION PROJECT.pdf

For my annotation on Dunce I decided to explore the theme of mortality through the medium of printmaking. The more prints you produce the less ink is transferred, the image eventually becomes a ghost of itself. Each print attempts to convey the mood/feelings provoked in each poem.

Hanna Suros (2020)

Ben Gerow (2020): Mary Ruefle, Dunce (Wave Books 2019)

annotated book

Choose one of our assigned books to annotate, initiating a semester-long conversation with the book — in the margins, between the lines, in inserted leaves or cards, wherever interaction leads.

Ian Williams, Word Problems (Coach House Books 2021) https://chbooks.com/Books/W/Word-Problems

Brian Kim Stefans, Festivals of Patience: The Verse Poems of Arthur Rimbaud (Kenning Editions 2021)

https://www.kenningeditions.com/shop/festivals-of-patience-the-verse-poems-of-arthur-rimbaud/

Nehassaiu deGannes, Music for Exile (Tupelo Press 2021)

https://www.tupelopress.org/product/music-for-exile/

Shin Yu Pai, Virga (Empty Bowl 2021)

https://www.emptybowl.org/store/9g6h1h9prysw7iv443nj58bavca7nt

You may also use your 5th self-selected book .

Address the author, the content, your experience as reader, and other relevant contexts. You can use the conventional technologies of notation, marking, underlining, highlighting, illustration.

"Is tana an dubh" (the ink is thin), Codex Sangallensis 904 (9th century CE)

“Is acher in gaith innocht fufuasna faircae findfhol / ni ágor réimm mora minn dond laechrai lainn óa lothlind” (“Bitter is the wind tonight it tosses the ocean’s white hair / I do not fear the coursing of a clear sea by the fierce warriors from Norway”), Codex Sangallensis 904.

Annotating and collaborating - The CollationThis month’s crocodile mystery was, as Andrew Keener quickly identified, an image from Gabriel Harvey’s copy of Lodovico Domenichi’s Facetie and (Folger H.a.2): There is a lot that could be said about Gabriel Harvey and his habits of reading. He was a scholar, a writer, and a prolific reader who heavily annotated his books, about 200 of... Continue Reading »

Beinecke Library on Twitter“Delmore Schwartz's heavily annotated copy of James Joyce's Finnegans Wake Delmore Schwartz papers @YCAL_JWJ https://t.co/YL0HF5pSWC b. #OTD”

Stanley Kubrick’s Annotated Copy of Stephen King’s The Shining The web site Overlook Hotel has posted pictures of Stanley Kubrick’s personal copy of Stephen King’s novel The Shining, which is normally kept at the Stanley Kubrick Archive, but has been making the rounds in a traveling exhibition.

David Foster Wallace Archive Will Open with Live WebcastThe Independent reports that the David Foster Wallace Archive at the Harry Ransom Center at the University of Texas will debut the collection with a live webcast on September 14, 2010 featuring rea…

The 321 Books in David Foster Wallace’s Personal Library: From Blood Meridian to Confessions of an Unlikely Bodybuilder Not long after David Foster Wallace died, his fans found themselves with a new place of pilgrimage: not his tombstone, in the manner of a Jim Morrison or a Kurt Cobain, but his literary archives. You'll find them at the Harry Ransom Center at the University of Texas at Austin.

How is annotating poetry different?

Can you annotate by illustration?

For Centuries, Readers Annotated Books With Tiny Drawings of Hands“In the list of rarely-used punctuation marks—amid the interrobang (‽), hedera (❧), lozenge (◊), and asterism (⁂)—the manicule is a pointedly unique symbol. Quite literally: it takes the form of a hand with an outstretched index figure, gesturing towards a particularly pertinent piece of text.”

Glosses, Pronunciation Guides, Translation

Tabs, Inserts, Pop-ups

iAnnotate — Whatever Happened to the Web as an Annotation System?A meeting about annotation services and software shows how new tools may be on the horizon, and reminds us that our audiences are likely to be the heaviest users once these emerge.

Or thinning: erasure, ripping, folding

Jen Bervin, Nets (2004)

www.jenbervin.com

Ronald Johnson, Radi os (1977)

http://bostonreview.net/beachy-quick-the-speaking-ear-ronald-johnson-radi-os

Tom Phillips, A Humument (1966-- )

http://www.tomphillips.co.uk/humument

Although the emphasis on the assignment is on annotation using language, alteration is also a possibility.

www.carli.illinois.edu/unusual-damage-books

https://www.annotatedbooksonline.com/highlights/

Think about relationships between reader and author; between now and the point in time when the book was written, between handwriting and print, and exchanges and metamorphoses between reader and writer, past, present, and future. You are talking to the author but also disrupting or expanding authorship. Think about what makes sense in terms of the page and book and your investigation of both. What kinds of information do your additions or subtractions convey? What types of writing implements will you use? Is the book sacred? What are the differences between the page and screen? Is the discourse private or public? Your annotated books will be exhibited.

Meicheng Chi (2020)

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