Right below is Dear Traveler; Obelin Story's prologue and its detailed development. The prologue only lasts for three pages, displaying a dream sequence that'll lead to the next chapter. As of the moment, the product is without text and therefore is in an incomplete state. Due to an unforeseen injury in my dominant hand, production on this webcomic was cut short.
The tools used to illustrate the pages shown was my personal computer and a Wacom Intuos Pro tablet. The art program of choice was Clip Studio Paint.
If you ever heard me talk at length about my comic, you probably would've heard me complain about "old sketches." I had attempted to start Dear Traveler; Obelin Story on my own a year or so prior. In that time, I had conceptualized the prologue and made these sets of of sketches. It was an idea and sequence I was rather fond of, but I found myself taking a break from the project not too long after. Nowadays, I find the guidelines I left to be rather crude. The art style is outdated, and there's a lot of errors with the anatomy and posing. This would lead to a large struggle early on as I wanted to reuse these sketches. I was still very fond of the visual sequence at display. I thought, by not having to create new material to work off of, I would speed up development time. I was wrong.
Fun fact, the outline (first row) was actually much smaller than depicted here. It has been significantly scaled up as originally it was a set of little thumbnails. The purpose of the outline was so I could see the page to page flow of the prologue and create the visual plan of which I would refine. That's why the outline is just a set of scribbles.
Realizing I couldn't work with some of my old sketches, I thought out to fix some of the more egregious errors I made. While I'm showing a couple here, there was actually a lot that didn't make the cut. The angle and poses were difficult even for my more experienced self.
Some of my favorite changes were fixing Nyoka's broken back and drawing a more realistic crouching position.
Nyoka is the name of my main character by the way.
Down the road, I actually edited quite a bit of my line art. In comparison to the colored and shaded version of this prologue, there are several differences that could be spotted. I noticeably thickened Nyoka's neck in the last panel of the second page and even adjusted his knees in the very last page. Whatever else can be your own "spot the difference." I suppose this proves that even in my time working on my senior project my art skills were still developing.
Colors make a difference, don't it? Figuring out the color palettes for each scene was another difficult endeavor. After all, I had to come up with three different sets of colors as the environment transitioned. I ended up duplicating the page files so I could experiment with the copy. To put things into perspective, the first page could've looked like this:
First Color Palette
Second Color Palette
I made this font to specifically use for my comic. I've seen many online comic creators use their own handmade font, and I wanted to give it a try. However, I found my handwriting far too neat for its own good. I wanted a font with more personality. So in the end, I never ended up using it.