1.) Play Medium Swing
2.) Play Bossa Nova
3.) Play ballad brushes
4.) Play fast swing
5.) Play up tempo brushes
6.) Trade 4's
7.) Read out of Syncopation
8.) Read a tune
Play along with this master drummer Jimmy Cobb. Notice how sparse he plays, hardly ever playing a fill, but when he does, its simple, in time, and tasty!! Listen to his dynamics, notice how he changes volume under the soloist. His hi hat is rock solid the whole time, his ride pattern quarter note is completely solid, for the whole track, but he plays with the 8ths notes to create a "lilt" or a swing. And it all fits neatly inside the bass sound. His fills are generally on the snare, on off beats, occasionally on bass drum. Play along with this whole tune -- as many times as you can. Try to memorize when his fills happen, really listen to his pattern, instead of just playing what you feel. Try to "lock in" with Jimmy Cobb & Paul Chambers (the bass player).
This is a 5 minute play along. Start with just Right hand then add left cross sticks on the snare. Get that comfy. Now just right hand and bass drum. Get that comfy. Now just snare and bass drum. Get that comfy, this may be the trickiest part so if you get frustrated, do only 1 bar at a time: do the first bar both bass and snare, then take a slight pause, play the second half. Do this slowly until you can put the 2 bars together. Once bass and snare are fitting together, try to get your right hand in the mix. If that is hard, go back to Step 1: Right Hand and Left Cross Stick, Step 2: Right hand & Bass Drum, Step 3: Left Hand and Bass Drum, Step 4: Put them all together. If you've gone through the steps and still cant get through step 4. Sleep on it, your brain will figure it out while you're sleeping, seriously, it will.
Afro-Cuban/Afro-Brazilian Influenced Patterns
This is the man that invented that beat you always play. And here he is playing another beat, very much like the one we played in class. There is a lot to this beat. Start with just bass drum and snare. Line it up perfectly first. Kick and snare have to be so solid on this groove. The right hand is all seasoning, the kick and snare is the meat and potatoes as they say. If you mess up the hi hat, no one really cares too much, if you mess up the kick and the snare, its like *record scratch on the dance floor ;D When the kick and snare start fitting and feeling more solid, start adding right hand, but just the first bar of the right hand. Right hand lays out the 2nd bar but kick and snare keep going. Notice the snare note in parenthesis is supposed to be much quieter than the other notes. Play it slowly until you can keep the right hand steady the entire time. Try to avoid starting and stopping. If you're starting then stopping a lot, its because its too fast, slow it down. Trust that your slow practice will make being able to play it fast happen quicker!