Sherry Wu
I have integrated illustration, photography, cosmetics, installation, graphic design, and so on to show my diversity in art in my works. These works show my ability and the universality of the media I am involved and my attainments in art. I think artworks can be more vivid through digitalization and interaction. A static, plane work can be transformed into a living, moving, four-dimensional work that can build communication with its viewer. This can make the artists' style more apparent and make the audience better immersed in the work. When these static works come dynamic or interactive, they can bring those who don't go to art exhibitions closer to art and blend with art. Like the ocean, you'll never how deep it is unless you touch it.
The six snakes represent my different phobias.
Fear of the deep sea
Fear of death
Fear of aimlessness
Fear of the public
Fear of height
Fear of crowdedness
I, fall to abyss, along with whales
I, riding on butterflies, escalating
I, giggling, smirking, nurturing crimes
I, being watched, under dim lights
I, surrounded by connected patterns, enter the stray
I, gaze at dandelions on mountain hills, and never awake
Planning
Final
Illustration
Installation
Grasp my heart
As well as my soul—
A heart, lacking power;
A body, lacking soul.
Clench them in my palm—
A weak heart;
A hopeless soul.
Endeavor to survive.
Within my palm,
Unable to grasp you tightly,
My fingers are also constrained by the chain.
Who struggles to survive?
Not you,
But me.
Some thoughts, just thoughts,
Can hardly be carried out.
Some fish seem to be free—
Freely swimming,
But confined to the fish tank.
We all want to be rid of these fetters,
to liberate ourselves from the shackles.
Video
Outside the screen is
the boundless ocean.
Inside the screen,
Hindering my dreams.
Wandering and wandering,
I know my journey,
Full of fantasy.
Process
Installation Final
Fall 2020 Interdisciplinary Art Practice I
Fall 2020 4D Fundamentals projects
I believe everyone has met toilsome moments, and when it builds up, we want to suicide. For me, every time I say, “I want to suicide,” it is a joke. It is more like an expression through speaking, just like we cry when we are sad and curse when we are upset. I decided to visualize this moment of speaking. This topic isn’t directly related to the politics of space, but it involves space. I noticed that I always imagine different ways to suicide in my mind, so I recreated those moments in photographs. You might see a juxtaposition between reality and creation in my artwork, just like what I did in the second project. And again, I flipped how it should be. The person thinking should be real, but the scene it is thinking should be fake. I overturned the roles and made them the other way to create mocking and irony. Moving to the focal point of the artwork, the flipped mask on top of the figure was inspired by a group of illustrations I saw somewhere on social media. It is a good way to show the word “thinking” instead of using thought bubbles, which lack aesthetics. I chose to use yellow as the overall tone is because I was evading a general tone of eeriness. The act of committing suicide is scary, but I don’t want my audience to feel that when they first see it. Since the photographs are small compare to the overall arrangement, I want an eeriness to evoke when my audience pays close attention to the photograph.
Spring 2020 2D Fundamentals projects