While all of the courses offered at NYU Madrid are sponsored by departments or units at the university´s home campuses (NY, Abu Dhabi, ShangHai), we strive to leverage the advantages of being in Madrid, inflecting all of our courses, whenever possible, with local culture and content.
Fall enrollments at NYU Madrid:
2021, 138
2022, 209
2023, 252
2024, 289
289 undergraduates will be spending the Fall semester at NYU´s study-away site in the Chueca neighborhood of central Madrid. Founded in 1958 as an immersion program for Spanish majors and minors, NYUM today hosts a veritable cross section of NYU´s global student body and course catalog: these almost 300 students from the university´s campuses in New York, Abu Dhabi and Shanghai can take courses in Spanish language, literature and culture, as well as, for example, Anthropology, Art History, Business, History and Sociology. This Fall 2024 cohort includes 42 students from NYU´s Liberal Studies Program, who will complete their first year of college at our site in Madrid, as well as representatives of virtually all of the schools of NYU on Washington Square.
Fall enrollments at NYUMadrid, which historically are lower than Spring enrollments, have more than doubled since the subsiding of the pandemic.
As part of orientation, we ask a group of NYU faculty members to plan an activity that speaks to what Madrid means to them. They invariably come up with an amazing menu of screenings, walking tours, studio visits, gallery crawls, etc.
One of our signature orientation activities, known as "Mapping Madrid" has our faculty taking small groups of students out and about to visit their favorite corners of the city. These excursions and walking tours exemplify our firm belief that the city of Madrid can and should be our classroom, textbook, and laboratory, and that study-away, when taken seriously, can involve 24/7 immersive learning.
Traces of the Spanish Civil War on the streets of Madrid? Vestiges of the city's Islamic origins? Working-class communities and gentrification as they collide in Chueca and the other neighborhoods surrounding NYU Madrid? The LGBQT+ history of Madrid as it can be perceived in neighborhoods, institutions, monuments, and place-names? Haunted houses and other urban legends in the environs of NYUM? Street art and how it reflects a city in flux? Food markets as glimpses into the diversity of the city's population?
These are just some of the topics that permeate our curriculum, whether we are in a classroom at our academic center at Calle Barquillo 13, or out on the streets, reading the city.
Emily Wang and Emma Gómez Domingo are currently in their second year in NYU's Liberal Studies program.
Daniel Wuebben teaches Writing as Exploration and Writing as Critical Inquiry to the first-year Liberal Studies students at NYU Madrid. He is an interdisciplinary researcher in the field of Energy Humanities, author of Power-lined: Electricity, Landscape, and the American Mind (University of Nebraska Press, 2019).
Emily Wang and Emma Gómez Domingo were both first-year Liberal Studies students in Madrid (2023-2024) when they co-authored, with Professor Daniel Wuebben, an article titled "Diverging Paths, Converging Goals: Framing Crisis to Kairos in Bill Gates's and Greta Thunberg's Climate Discourse."
The paper proposes a typology of nine climate communication frames for the analysis of non-fiction climate books and has now appeared in the peer-reviewed Q1 Elsevier journal Energy Research and Social Science (Volume 118, December 2024).
Emma and Emily presented their research at the undergraduate research fair in New York in the Spring of 2024. The authors spell out the relevance of their research in the article's conclusion:
"Our typology of climate communication frames provides a starting point for comparing rhetorical approaches across books that span the climate-energy spectrum. Systematically and qualitatively comprehending authors' rhetorical frames and narrative strategies can offer a clearer picture of how an author's position, medium, and methods influence where and how their arguments land and influence change, as well as how future messages can be most effectively constructed and disseminated by diverse messengers to wide audiences."
NYU Madrid Director James D. Fernández remarks: "Our top-notch faculty and small class-size allow us to foster undergraduate research, even though students are only here for a semester or a year. Emily and Emma's accomplishment --publishing an article in a top-tier journal as first-year undergrads--is truly extraordinary. Kudos, as well, to their mentor, Daniel Wuebben."
"As a deeply passionate and committed advocate for diversity, equity and inclusion with experience conducting academic research, teaching, volunteering, and building community to uplift under-represented groups, I look forward to joining the NYUM community this Fall."
Eniola Linda Adeyemo will join the faculty of NYUMadrid this fall to teach the course ¨Migrations and Cultural Diversity in Spain: Anthropological Approaches.” Eniola is currently completing her PhD in Psychosocial Studies at Birkbeck College, London, with a thesis focusing on “Belonging and Identity in Afro-Spain.” She holds a MRes in Social Research Methods and Psychosocial Studies, also from Birkbeck, and an MA in Social and Cultural Anthropology, which she earned at the Universidad complutense de Madrid.
Using contemporary Madrid as a case study, the course explores anthropological approaches to develop theoretical and analytical frameworks that will help students understand the diversity and complexity of migrations and their effects on society and culture.
From Dr. Valerio's course description: "How do we make sense of the world that surrounds us? Why have different civilizations come to different, and in some cases, very similar notions of the sacred, good government, communal life, and the good life? Through a comparative analysis, the course examines the ways in which several ancient societies conceptualized the human condition and answered enduring issues such as the meaning of life, our relationship to the divine and to Nature, the role of myths and rituals, but also the interplay between the sacred and the profane, justice and power, and freedom and equality."
Valerio D'Angelo is an Italian scholar currently based in Madrid. He received his PhD in philosophy from the Universidad Autonoma de Madrid with a thesis titled The night of the world. An analysis of the relationship between nihilism and politics. He works at the intersection between political philosophy, philosophical anthropology and philosophy of religion and has published scholarly works on topics such as anarchism, nihilism and political myth, among others. He is currently writing a monograph on the concept of "use" between ontology, politics and ecology. Valerio has teaching experience in various public and private universities, including at study-abroad sites, such as the University of San Diego, Saint Louis University and, now, New York University.
At NYU Madrid he will be teaching "Global Works and Society: Antiquity" with our first-year Liberal Studies students. Students in the course will engage in close readings of foundational works from the ancient Greek, Islamic, Chinese and early Christian traditions. These texts will be explored both as proper objects of inquiry in their own right, and as prompts for considerations of contemporary political and ethical dilemmas.
"In principle, the educational mission of museums of modern art is supposed to be what brings these often off-putting institutions closest to individuals, communities and their everyday lives. But there is a central paradox here: museums, and the modern world-view that brought them into existence —with their constitutive notions of the autonomy of art, of the genius, or the masterpiece—are in large part responsible for the wrenching of “art” out of everyday lives in the first place. There is a way in which a certain kind of Arts Education can actually sharpen the distinction between producers of art (a few, select geniuses) and consumers of art (the uninitiated masses). Thus, in a certain sense, museums, through educational outreach, might at times be attempting to heal with one hand a wound they have inflicted with the other."
--Sara Torres-Vega, from the syllabus of her course Art Before/Beyond/Without Museums. Dr. Vega-Torres is a Professor of Sculpture and Art Education at the Universidad complutense de Madrid.
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Even though education is often purportedly at the core of the mission of most modern museums, the activities --and the archives-- of museums' education departments are more often than not underfunded and overlooked. This contradiction throbs at the heart of the modern museum and is the focus of a new collection of essays, titled Art Education as a Radical Act: Untold Histories of Education at MOMA (Routledge, 2024), and co-edited by NYUM faculty member Sara Torres-Vega and Wendy Woon, who is an adjunct instructor in Steinhardt's Visual Arts Administration Program. The publication is the result of Dr. Torres-Vega's three year stint at New York's Museum of Modern Art, where she mined the educational archives of the museum, and interviewed all of the living directors of MoMA's Education Department. In addition to co-editing the volume, Torres-Vega is the author of nine of the twenty-nine essays included in the book.
Early in the volume, Torres-Vega quotes from a remarkable speech made by the architect Buckminster Fuller in 1951: "The battle for the human spirit will be fought and won in art rooms of the nation's schools and in the artists' studios, but only if the creative arts become a major part of every child's education and if the artist asserts his significant and historical role as the people's advocate." In many ways, Art Education as a Radical Act is a collection of reflections and interviews that aims to understand both the culture that enabled Fuller to make such a bold pronouncement some 70 years ago, and the culture --today's culture-- of fewer and fewer art rooms in the nation's schools, of celebrity artists, blockbuster shows and museum gift shops, in which Fuller's words seem impossibly utopian or even misguided.
Torres-Vega designed and teaches "Art Before/Beyond/Without Museums" at NYU Madrid, an extraordinarily popular course that recognizes celebrates, and explores the fact that most art in Spain happens, resides and circulates outside of the Prado,the Reina Sofía, and Madrid's other museums.
The Fulbright/Castillejo Grant will allow her to continue her research next summer in New York on the founder of MoMA's Department of Education (and erstwhile professor of NYU), Victor D'Amico, and his partner and collaborator, Mabel D'Amico.
Most of the friends I made during my time in Madrid were other Americans, but the Madrid Stories course pushed me outside of my comfort zone to immerse myself in Madrid life and form relationships with real Madrileños which I am endlessly grateful for. I’m still friends with Julio, the server in Con Amor, Lolina who lovingly calls it “like grandma´s living room... but without the grandma." The course also had a huge impact on my life because it brought me to Lolina, where I ended up spending the majority of my time that semester, both in and outside of filming our documentary. Lolina encapsulates so much of what I love about Madrid and why I decided to move back here. Its warmth, sincerity, and openness are all a mirror of the genuine kindness of madrileños --Kayla Streiber (NYUM, Fall, 2019)
Student Film Featured at NYUM Orientation (Fall, 2024)
One of NYUM´s signature courses is Madrid Stories, a documentary production class taught since 2014 by the Emmy and Goya award-winning filmmakers, Almudena Carracedo and Rob Bahar. Each semester fifteen lucky students get to take this class, in which, usually in teams of three, they set out to find and tell, in a five to seven minute documentary, one of Madrid´s infinite repertoire of stories. Portraits of people or collectives: chronicles of social movements; profiles of businesses; symphonies of neighborhoods: the final products of this class constitute an impressive archive of more than 80 films, unique student visions of the multi-faceted and dynamic city of Madrid.
One of the films produced in this course, "Con amor, Lolina", made during the semester just prior to the outbreak of the COVID pandemic, is a tender portrait of a bar in the
Malasaña neighborhood near NYUM, where, for years, patrons have been leaving notes in the drawers of the establishment´s tables. Messages in bottles, addressed to no one in particular, or to posterity, tossed into the sea of time. Love notes, aphorisms, reflections on life, promises, hopes, regrets, etc.
In our academic orientation, we use the film, made by Kayla Streiber, Amanda Nicole Marano and Karen Morey, to ease into discussions that we hope to sustain throughout the year: the human instinct to leave traces; the difficulty of interpreting traces left by others: the notion of the archive, of the historical record, that, with all of their limitations, allow us to think about others, to think about the past, to think about ourselves and our environment.
Filmmaker Kayla Streiber, who currently resides in Madrid, has agreed take part in our orientation session this semester.
Pilar Alejandra Paradiso (NYUM, Fall '23) spent her final college semester with us here at NYU Madrid. She majored in International Relations, with a focus on Human Rights and Diplomacy.
"Without my experience at NYU Madrid, I would have never been so open to continuing my education away from my home in the United States, nor would I have learned of the opportunity of studying world peace and development."
Pilar Paradiso, Starting Her MA in International & Development Studies in Geneva (Fall, 2024)
"My semester at NYU Madrid was life changing. The dedicated faculty and staff made my experience what it was. I had some of the best professors of my university career; all of whom went over and beyond to support their students' education and wellbeing. Each of my classes incorporated Madrid culture into learning, with class trips to Las Ventas Bullring to discuss the rich culture of bullfighting as well as the issues associated with it, to a small town in Galicia to learn about the impact of the civil war on impoverished, rural communities, and to museums to witness the strong influence of european, mediterranean, and african culture in the city's art. These lessons helped myself and my peers appreciate the city we were studying in so much more.
Most importantly, as a final semester senior, my professors made it a point to help me figure out what I could do next. With the guidance of Professor Adam Dubin, I decided to pursue my masters degree in International and Development Studies at the Geneva Graduate Institute. He listened intently to my goals and aspirations of studying peace and conflict and suggested the program I would ultimately get into and attend.
Without my experience at NYU Madrid, I would have never been so open to continuing my education away from my home in the United States, nor would I have learned of the opportunity of studying world peace and development."
"I'm not sure when I'll return to Madrid, but now it feels like one of the many plausible paths in my post-NYU future, and I know if I return, I'll have meaningful connections awaiting me there." --Isabella Montano
Isabella Montano Charts Global Career Path at NYUM (Fall, 2024)
"Being in NYUM helped me picture a more global career path. NYU does a good job of informing you about global programs and opportunities, but I think it can be difficult to seriously imagine what that might look like. However, actually being in Madrid takes that dream of the future and grounds it in real experiences and connections."
Isabella spent the 2023-2024 academic year at NYU as a Global Liberal Studies student, and managed to stay on through the summer, working as an intern for NYU Madrid Professor, Adam Dubin. Isabella discovered her passion for the field of international human rights law in her courses and internship at NYUM, and was able to pursue that passion further, working over the summer with Professor Dubin and his colleagues at the Migration Studies Institute of the Universidad Pontificia Comillas on a research project that examines the state of human rights across Europe by mapping the use of a framework called the EU Charter of Fundamental Rights.
"I'm now working on law school applications, and sharing my experience abroad is such a central part of that. I now have a wonderfully fresh perspective to bring to the table and can honestly say that I have a global understanding of the topics I've been studying during my undergraduate career. There are certain careers and majors where I think many students don't feel that studying abroad will do much to support their post-college plans, but after my time in Madrid, I wish I could tell them all: 'You're totally wrong!'"