From the GOG application (November, 2022)
Plan:
Workshop/Symposium/Study Trip, Madrid, January 2024 (one week).
The in-person capstone meeting in Madrid during the J-term will allow the participants to: meet and collaborate in person with each other; meet the NYU Madrid staff and other faculty; become familiar with the academic center its culture and resources; become familiar with the curricular resources available in Madrid and its environs; meet local intellectuals, artists, activists and leaders working on the topics at hand.
The exact shape of the January encounter will depend to a large extent on the needs and desires of the participants. We imagine lectures and panel discussions held each morning from Monday to Friday at our academic center, followed by afternoon outings/excursions to sites of particular interest. Some examples of the kinds of special events that we can foresee, and stand ready to organize:
A walking tour of Madrid, paying special attention to the scars left on the city by the Spanish Civil War. This tour leads naturally into a discussion of how fascism is remembered and forgotten in Spain, and, more broadly, how Civil Wars are memorialized in different contexts. Led by Emilio Silva, Founder of the Association for the Recovery of Historical Memory in Spain, and Almudena Cros, art historian who has developed these itineraries.
A walking tour of Madrid focusing on the history of slavery and of Afro-descendants in the city and in Spain. Led by Antumi Toasijé, NYU Madrid lecturer.
Meetings with some of the principal collectives of Madrid’s afro-descendant and Asian communities. Conciencia Afro and Asociación Li Wai.
A visit to the Prado, guided by Estrella de Diego, one of Spain’s leading art historians and former holder of the KJC Chair. Estrella’s most recent book is a personal exploration of the Prado from the point of view of diversity (or lack thereof), paying specific attention to the question of gender.
A visit to the Reina Sofía, led by Germán Labrador, Director of Public Programs at the Museum. Spain’s most important museum of Modern Art is located at the edge of Lavapiés, one of the most ethnically and racially diverse neighborhoods in Spain. The museum has made a major effort to develop as a “museo situado” –that is to say, a museum that is in and of a specific site, a museum that serves and represents a specific community.
A visit to the Museo de América, a controversial collection and institution documenting Spain’s actions in, and ties to, the Americas, followed by a visit to one of the city’s Latino neighborhoods, such as Cuatro Caminos.
Proposed goals:
=Networking: to strategically establish, restart or rekindle relationships between faculty at NYU Madrid and other NYU sites, particularly New York; to allow a corps of strategically selected non-Madrid faculty members to become intimately acquainted with the installations, resources, curriculum, staff and faculty of NYU Madrid, while collaborating on a meaningful curricular project.
=Curricular: to revise and enrich course offerings in Madrid, New York and potentially other sites,through the sharing and revision of syllabi, resources and experiences; to explore the development of new networked courses, or other forms of cross-site collaborations via the curriculum: to sharpen the intellectual/curricular identity of NYU Madrid
-Academic/intellectual: to explore in an interdisciplinary way the interconnected histories and legacies of fascism/anti-fascism, racism/ antiracism and imperialism/anti-imperialism, particularly, though not exclusively, in Spain and the US.
Would you care to provide a blurb about your experience at NYUMadrid's GOG workshop?
It was an honor to be in a select group of such engaging scholars. I was especially pleased to encounter the powerful work of our junior colleagues teaching at NYU Madrid, and was impressed by the depth of cutting edge expertise in NYU Madrid's faculty …. It made me want to explore other ways that NYU faculty in New York could meet and learn from NYU Madrid faculty, and vice versa…Overall this week revealed a dynamic concert of engaging debates and cultural practices that are contesting the legacies of fascism, racism, and colonialism.
—Jill Lane, NYUNY