Department of English, Miami University
English: Creative Writing
Advised by Joseph Bates
At its core, children’s fiction exists for two reasons: to provoke imagination and to teach lessons. While children’s literature aimed at grade-school audiences has the ability to teach younger readers more basic character tenets and ideologies, middle-grade has the unique responsibility and ability to address complex concepts, feelings, and experiences. Middle-grade novels play a vital role in helping young readers navigate the complexities of the world, the people in it, and where they fit into it all. Designed for readers between the ages of eight and fourteen, these books engage with meaningful societal themes, encouraging the development of empathy, self-reflection, and emotional intelligence. This project analyzes a curated selection of bestselling middle-grade novels to examine how authors convey complex ideas through accessible narrative strategies for the demographic. Focusing on three core areas—theme, character development, and writing style—this research explores how successful middle-grade fiction presents nuanced, resonant stories that both entertain and educate.
Through close reading and comparative analysis, the study identifies patterns in how authors weave challenging themes into narratives that are developmentally appropriate yet thought-provoking. These findings demonstrate the literary sophistication and developmental value of middle-grade fiction, reinforcing its importance as a space for both imagination and understanding in young readers' lives.
Books examined in this research include Rewind by Lisa Graff, Ellie Engle Saves Herself by Leah Johnson, Creatures of the In-Between by Cindy Lin, Nic Blake and the Remarkables by Angie Thomas, Plain Jane and the Mermaid by Vera Brogsol, Bye Forever, I Guess by Jodi Meadows, The Liar’s Society by Alyson Gerber, Shark Teeth by Sherri Winston, And Then Boom by Lisa Fipps, The Wrong Way Home by Kate O’Shaughnessy, and Sing It Like Celia by Mónica Mancillas.
Theme: What themes are commonly explored in middle-grade novels, and how do authors weave these themes into narratives that are both age-appropriate and thought-provoking in ways that help young readers better understand the world around them?
Character Development: How do middle-grade protagonists evolve through key stages of their character arcs, and how do their personal journeys contribute to a deeper understanding of growth, conflict, and identity for young readers?
Writing Style: How do middle-grade authors use language, tone, and style to balance accessibility with complexity, creating narratives that are both engaging and age-appropriate while authentically conveying young readers’ experiences?
Theme was perhaps the hardest element of this research project to capture, as there are little restrictions on what is a common or appropriate theme and how an author conveys these themes.
In middle grade fiction, themes can be presented in more direct or more subtle ways, often depending on the subgenre. Realistic fiction tends to explore its themes through grounded, everyday situations. For example, Shark Teeth by Sherri Winston deals with family and responsibility through the real-life struggles of its main character. Fantasy stories, like Creatures of the In Between by Cindy Lin, often use magical or imaginary settings to explore themes like leadership and bravery in a more symbolic or indirect way. This variety shows how the middle grade genre can approach important ideas in different ways, making space for both realism and imagination to help young readers think about the world around them.
Thematic intensity can vary significantly, not only across different novels but also within the subplots of a single narrative. Shark Teeth was perhaps the most intense novel out of the selected books, addressing complex issues such as parental alcoholism and its emotional repercussions for the protagonist, Sharkita. At the same time, the novel also incorporates lighter, more universally relatable themes, including first crush, insecurities around appearance, and participation in extracurricular activities. This range in thematic intensity suggests the flexibility of the middle grade novel as a genre—capable of engaging readers with age-appropriate explorations of serious real-world issues while still offering moments of levity, relatability, and emotional growth.
"What if Mama started drinking again? What if we went back into foster care? I felt afraid of losing my family. Afraid of what a future with Mama would be like. Terrified I didn't know which was worse—a life with her or one without."
—Shark Teeth
Sherri Winston, pg. 24
"This is what I've wanted since the day we arrived in Driftaway Beach This is what I've worked for. I should be racing up and down the hallways, shouting hallelujah! Or hooray! But I only feel sad and empty."
—The Wrong Way Home
Kate O'Shaughnessy, pg. 264
Across the diverse narratives, themes, and subgenres examined in this project, consistent patterns in character development emerged. A typical middle-grade character arc can be mapped through the following stages: the protagonist’s core belief, a disruptive inciting event, attempts to restore that belief, unintended consequences, relinquishment of the belief, and personal growth.
Protagonist's core belief: The protagonist starts with a deeply held conviction about themselves, others, or the world that is an integral part of their identity. It shapes their identity and choices, making it emotionally significant and resistant to change.
Inciting event: a disruptive moment, typically occurring outside the protagonist’s control, challenges the stability of their world and, more importantly, shakes their core belief, forcing them to respond in an effort to preserve it.
Restoration attempts: Uncomfortable in their new situation, the protagonist makes misguided and increasingly desperate attempts to return things to how they once were, all while subconsciously encountering new information that further challenges their core belief. The reader can often recognize before the protagonist that their belief is flawed and needs to be abandoned for true growth to occur.
Unintended consequences: The protagonist's plan is successful, but at a cost. The outcome falls short of their expectations or even makes the situation worse. In this moment, they are faced with the realization that their previous core belief was flawed and must be revised.
Growth and resolution: Having let go of their core belief in favor of a more nuanced understanding of themselves and the world, the protagonist reaches a resolution that brings a sense of acceptance, demonstrating that growth comes from embracing change.
The narrator carries the burden of conveying ideas that young readers might have a difficult time identifying or explaining due to their complexity. When a novel is written in the first person, the protagonist often needs to demonstrate a heightened vocabulary, level of perception, reflection, and emotional intelligence—typically beyond what is developmentally typical for a ten- to fourteen-year-old. If these qualities are not inherent to the character, or if they are acquired gradually over the course of the narrative, a third-person point of view may be more appropriate. This narrative distance allows the author to provide insight and draw thematic connections that the protagonist might not be equipped to articulate independently, ultimately supporting the reader’s understanding of the story’s deeper meanings.
Tone is a key element of an author’s writing style that helps strike the balance between accessibility and complexity. A more quippy, lighthearted tone can make emotionally or conceptually difficult content feel more approachable for young readers without minimizing serious issues, such as in Ellie Engle Saves Herself by Leah Johnson. It mirrors the way many middle-grade readers process and talk about their own experiences, helping to keep the story engaging even when serious themes are at play. A more serious, reflective tone invites readers to slow down and consider the emotional weight or complexity of a situation. Authors might choose this tone to authentically reflect a character’s growth, the gravity of a situation, or the emotional realism of the theme. By carefully selecting tone, authors shape how readers experience the story—whether through laughter, introspection, or empathy—while still keeping the narrative emotionally honest and entertaining.
"Since there are no flash cards for new necromancers to study how to hone their skills, I'm kind of on my own. But never let it be said that Ellie Engle isn't resourceful."
—Ellie Engle Saves Herself
Leah Johnson, pg. 99
This research affirms that middle-grade fiction occupies a unique and powerful space in the literary world. These novels do more than entertain; they model emotional resilience, critical thinking, and empathy at a formative stage of a reader’s life. By analyzing character arcs, thematic range, and stylistic approaches across bestselling titles, this project illustrates how middle-grade authors successfully navigate the crossroads of accessibility and depth. Their work makes space for young readers to confront big ideas such as identity, injustice, family dynamics, and personal growth through stories that feel both safe and transformative.
For writers, this study highlights the responsibility and creative opportunity in middle-grade literature. The genre’s ability to hold serious themes within imaginative or emotionally engaging frameworks allows authors to impact how readers see themselves and understand the world around them. As a middle-grade author, it is not only important to be aware of these structural and thematic patterns, but also to approach the work with the intention to challenge, comfort, and connect with readers. In doing so, authors can contribute to a body of literature that empowers the next generation to think critically, feel deeply, and embrace change.