Author: Phoebe Bathje, Geology major, Museums & Society minor
Advisor: Dr. Kimberly Hamlin, Department of History
From ancient Greek and Roman cameo carving to Beyoncé’s Papillon ring, gemstones and jewelry have been used to convey a variety of messages over millennia. These pieces, which provide a window into the values of a people, would not have been possible without lapidaries’ craftsmanship. Human fascination with precious stones dates back thousands of years before the common era and endures today. A number of academic works analyze the use of precious stones and their attributed mystical qualities as are recorded in medieval texts and imagery. Fewer works focus on the different ways these precious stones were morphed into their recognizably human-altered shapes (e.g. Buettner, 2022). During a 2-week study abroad trip to London, England in January 2025, I studied examples of well-known gems and jewelry, didactic text instructions, and archived pictorial representations recording the basis of gem cutting practice. This research was conducted through consulting printed and archival material at the British Library, Wellcome Collection, London School of Economics, and British Museum. Additionally, by visiting museum artifacts on display at the British Museum, Victoria and Albert Museum, Natural History Museum, and Ashmolean Museum. Considered together, the images and descriptions of lapidary machines from the mid sixteenth century to eighty years ago tell of devices utilizing all the same basic methods. Foot pedals, hand cranks, and eventually electronic motors power essentially the same spinning disc machine. Displays at the Victoria and Albert Museum and Ashmolean Museum showed increasingly complex gemstone designs which were achieved by advancing technology through the centuries. By studying the history of technological advancements in a particular trade, we can see how one machine has changed over time by incorporating inventions born of technological breakthroughs. While the foundations of this ancient craft remained relatively consistent over hundreds of years, the impact of major industrial revolutions is evident in the evolution of gem cutting apparatuses.
Gold, amethyst, and emerald necklace. Made in Rome in the 3rd century CE (necklace)
'Papillon' ring made of tsavorite, diamond, white gold, and titanium. Designed by Glenn Spiro for Beyoncé’ in 2014 (Spiro)
To gain experience into archival research techniques
To investigate how technological advancements are seen in progressing gem cutting apparatuses
To connect finished lapidary products to the machinery likely used to create them
To spark appreciation for the interconnectedness of human history in the evolution of technology
Study Abroad in London, England from January 5-17th, 2025
Consulted printed and archival material at the British Library, Wellcome Collection, London School of Economics, and British Museum
Visited museum displays at the British Museum, Victoria and Albert Museum, Natural History Museum, and Ashmolean Museum
How did gem cutting, faceting and polishing technology differ and change over time?
Lapidary machines from the mid sixteenth century to recent decades tell of devices utilize all the same basic methods.
Foot pedals, hand cranks, and eventually electronic motors power spinning elements for cutting, faceting, and polishing.
Displays at the Victoria & Albert Museum, Ashmolean Museum, Pitt Rivers Museum, and British Museum showed increasingly complex gemstone designs which were achieved by advancing technology through the centuries.
Woodcut by Jost Amman in 1568. A man cutting stones using a pedal-operated wheel next to a window. Photograph at the Wellcome Collection by Phoebe Bathje.
Engraving by Benoit Louis Prevost and Juste-Nathan Boucher ca. 1735-1804. A man using a pedal-operated wheel to grind stones. Photograph at the Wellcome Collection by Phoebe Bathje.
Drawing in a book by John Mawe in 1826. A man using a hand-crank-operated horizontally oriented wheel to polish stones. Photograph at the Wellcome Collection by Phoebe Bathje.
July 18, 1891 Scientific American article page with illustrations of a man cutting and polishing diamonds with a hand-operated wheel and a horizontal powered wheel. Photograph at London School of Economics by Phoebe Bathje.
Illustration in a book by James Henry Howard in 1946. A line drawing of the horizontal faceting wheel and its components with labels. Photograph at the British Library by Phoebe Bathje.
Image of a polishing wheel manufactured by CNCEST. Screenshot from an eBay listing accessed April 19, 2025.
By studying the history of technological advancements in a particular trade, we can see how one machine has changed over time by incorporating inventions born of technological breakthroughs
While the foundations of this ancient craft remained relatively consistent over hundreds of years, the impact of major industrial revolutions is evident in the evolution of gem cutting apparatuses.
Considering the history of this technology which produces time-honored relics, artifacts, and heirlooms allows us to further appreciate the far-reaching accomplishments of innovation and scientific interconnectedness.
Queen Victoria's coronet and arm band made of step-cut sapphires and Brilliant-cut and single-cut diamonds. Designed by Prince Albert, made by Joseph Kitching, London, 1840-2 (Kitching). Photograph at the Victoria & Albert Museum by Phoebe Bathje.
Necklace and earrings set made of sapphires in brilliant-cut diamond borders, open-set in silver, ca. 1850 (Necklace). Photograph at the Victoria & Albert Museum by Phoebe Bathje.
Investigating the technological advancements that allowed for greater artistic expression may reveal societal and personal values of the past.
Regionally characteristic jewelry styles and methods may be used to trace historic and prehistoric trade routes.
Display curiosity; seek out opportunities to learn.
Seek and embrace development opportunities.
Identify and respond to needs based upon an understanding of situational context and logical analysis of relevant information.
Gather and analyze information from a diverse set of sources and individuals to fully understand a problem.
Understand and leverage technologies ethically to enhance efficiencies, complete tasks, and accomplish goals.
Navigate change and be open to learning new technologies.
Buettner, Brigitte. The Mineral and the Visual: Precious Stones in Medieval Secular Culture. The Pennsylvania State University Press, 2022
Kitching, Joseph. Coronet and Case. Victoria & Albert Museum, Jewellry. M.20:1, 2-2017
necklace. ca. 3rd century CE. British Museum, Greek and Roman. 1917,0601.2749
Necklace. ca. 1850. Victoria & Albert Museum, Jewellry. M. 89-1951
Spiro, Glenn. Papillon. 2014. Victoria & Albert Museum, Jewellry. M.1-2018
Precious gems were by nature only afforded and collected by the affluent who could pay for lapidary work likely done by a specialist
The preserved and curated artifacts presented here are not an exhaustive list of lapidary methods and styles.
I would like to thank Dr. Kimberly Hamlin for her guidance and support throughout this two-week research trip.