Thesis Abstract:
THE SHAPE OF FORGETTING redefines the word 망각 Manggak (forgetting) and explores the shape of the space of forgotten memories. I am curious about the human habit of collecting past memories as manifested in writing a diary or saving tickets to special events. Why do we do this? Memories are ephemeral; they are starting to fade as soon as our minds create them. I do not know what happens to a memory when it disappears from my brain In my practice, texts from my diary represent how past memories shape the space of forgetting. I use handmade papers as a material that holds memories. Papers are used as a metaphor for the fragility and malleability of memories. By shaping the space of forgotten memories, I reflect on my personal narratives and experience the ironic nuance of memories, their futility and preciousness.
Artist’s Statement:
I pay attention to the minutiae of everyday life as a means for collecting life evidences, often referred as memories. As time passes, memories get fade away, and we lost memories that we would like to hold on. I have a yearning for all of my past memories. In my practice, I seek to bring my past memories as a story with my drawings and writings. They are integrated as an artist’s book and the book is my timeless home that would still remain physically by being read and interacted.
Photography by Jason Horvath. Image courtesy of the artist.