Musicology: From Renaissance to Baroque/Listening and Writing I/Analysis I
Music Theory: Review Figured Bass, Dominant 7ths, Cadences, Modulatory Functions
Continuous harmonic motion using sequences and cycles of secondary dominants, Fortspinnung, Stretto
Composition I: 5th Species Counterpoint in 3 voices
Audiation: Tonal Patterns in solfeggio using tonic/dominant functions, Melodic/Harmonic Identification I (M/H ID I)
Musicology: Baroque Music Study Guide I
Early Baroque Music
Analysis I
Music Theory: Composition I - 5th species counterpoint in 3 voices
Audiation: Tonal patterns/Major tonality/All functions
Partial Synthesis 2 and 3
Music of the Middle Baroque Period
Analysis II
Midterm Exam
Music of the Late Baroque
Analysis III
Fugue
Audiation, Musicology and Music Theory Final Exams, Semester I
From Baroque to Classical Time Bands
Realizing Figured Bass in 4 parts
The Enlightenment
Mannheim Hofkapelle
Musical Forms Study Guide
Haydn and Mozart
Analysis I
Composition I
Composing Basslines
Sonata Allegro Form
Analysis II
MIDTERM EXAM
Mid to Late Classical Time Band
Beethoven
Analysis III
Composition II
Analysis IV
Semester II Audiation, Musicology and Music Theory Finals