Banned Book Club by Kim Hyun Sook
During South Korea's Fifth Republic from 1981 to 1987, Kim Hyun Sook convinces her traditional mother that women should go to college. In 1983, Sook looks forward to immersing herself in Western literature, but she finds out that reading can be a life-or-death activity under a totalitarian regime. A young man invites Sook to a reading group, which she learns is actually a secretive group reading banned books in a basement.
Review from School Library Connection Star:
Kim Hyun Sook has been working hard at her parents' restaurant to save money so that she can attend the local university. Her dream is to study literature, although her mother is sure she will be corrupted by all the students who spend their time protesting instead of studying. Her father, on the other hand, is sure she will succeed. At the university Kim Hyun Sook braves the protestors and goes to class before innocently joining a dance troupe and book club that are actually fronts for groups protesting the corrupt government. She eventually realizes that sometimes you have to take a stand, especially when an innocent act of reading a classic piece of literature is considered an act of sedition and is punishable with prison time. The year is 1983, and Kim Hyun Sook conveys her memories of those years with a fast-paced narrative that holds the reader's interest and provides historical details for those unfamiliar with the background of the Fifth Republic's military government in South Korea. The memoir ends by recapping what has happened since 1983 and with a warning that democracy doesn't just happen or maintain itself without work and even sacrifice on the part of the people. Violence is not explicitly portrayed, but is communicated in a way that leaves no doubt about what is happening to the victims. Teenagers will relate to Hyun Sook's conflicting struggle between being the good student/daughter and standing up for what she believes in. The narrative detailing her transition into adulthood is honest, fresh, and compelling. The poignancy of Ryan Estrada's black-and-white illustrations capture the brutality of treatment of those protesting the government and are sure to evoke strong emotions in the reader.