14 May 2025
3:00pm SG/Phil
10:00am Romania
In the first part of our keynote we will consider why given our knowledge of the looming crisis going back over 30 years and an intention to play our part in minimising our environmental impact, we failed to make change in theatre over many decades. We will review some of the approaches which were tried and explain why in our view they didn’t succeed in changing practice in the performing arts sector.
In the second part we will talk about the Theatre Green Book (TGB). We will talk about why the particular circumstances of COVID were crucial to its creation and the key principles underpinning its success. We will cover the impact and reach of the Theatre Green Book networks. We will conclude thinking about why theatre makers and professionals are by the nature of our work, so well placed to make change, and to be a working model of how to approach the transition to decarbonisation, in other industries.
We will then handover to Ang Xiao Ting so delegates can directly hear from a non-UK based speaker how the TGB is already being applied in Singapore.
15 May 2025
8:00pm SG/Phil
3:00pm Romania
This keynote explores how performance can confront the health impacts of climate change, drawing on findings from a new WHO policy brief on the arts, climate, and health. From site-specific rituals to digital interventions, it examines how artists foster environmental awareness, community resilience, and sustainable futures—positioning performance as a vital practice in planetary and public health.
16 May 2025
2:00pm SG/Phil
9:00am Romania
Dennis D. Gupa
Reflecting on the burden and the unexpected apprehensions of applied theatre as a mode in generating knowledge and mobilizing discourse on the impact climate change within countries in the Global South, this keynote speech aims to respond to these questions: How inclusive are we when promoting and generating knowledge on ecological stewardship? Who gets to be part of the conversation? To what extent we are able to engage performance and theatre in ecological stewardship? What happens when grassroots ecological knowledge inform performance making? And what are the limitation of performance and theatre in the promotion of ecological stewardship within the context and the challenges of climate crises?
In attempting to answer these questions, I will take advantage of narrating my personal experiences of conducting research in island communities heavily impacted by climate crises. Using autoethnography, I will draw on the possibilities of re-imagining these crises into epistemology of collaboration emerging from island community that has long histories of vernacular oceanic creativity that demonstrates its refusal from the continuing violence of war and climate injustice. Relevant in this presentation will highlight my encounters and collaboration with the fishers in Tubabao Island, Guiaun Eastern Samar, Philippines which underpins how Indigenizing performance practice results to ecologizing theatre of a post-anthropocentric world-making.