This icon depicts a standing frontal figure (Figure 1). The religious significance is indicated by the presence of the halo around the head and the orant pose, a gesture of prayer and intercession. Typical icons of the Byzantine Empire would depict a specific figure, such as Christ or the Mother of God. On this icon, however, the lack of distinguishing features makes the saint unrecognizable. Due to its simplicity, this icon is likely one of many mass-produced icons, made using stone molds. Being that this icon was mass-produced, it is easily comparable with other objects of the Byzantine Empire, one such being the Pendant Cross with John the Baptist (see Figure 2; no. 8). Art connoisseur Giovanni Morelli (1816-1891) argued the importance of comparing anatomical details as a tool for attributing and dating a work of art; Morelli emphasized that a figure's pose, hands, and costume are the strongest indicators of a work of art's date of creation. When comparing this icon to the pendant cross, we notice that the figures' poses are identical, with both figures facing forward and gesturing toward the viewer. Their anatomical features are etched with simple lines; both have oval faces, a rounded torso, and long fingers. Due to these similarities, we can speculate that this icon and the pendant cross were produced in similar periods of the Byzantine Empire.