Phineus interrupting the wedding banquet of Perseus and Andromeda (Hugues Taraval, 1767)
Ille nihil contra, sed et hunc et Persea vultu 30
alterno spectans petat hunc ignorat an illum:
cunctatusque brevi contortam viribus hastam,
quantas ira dabat, nequiquam in Persea misit.
ut stetit illa toro, stratis tum denique Perseus
exsiluit teloque ferox inimica remisso 35
pectora rupisset, nisi post altaria Phineus
isset: et (indignum) scelerato profuit ara.
fronte tamen Rhoeti non inrita cuspis adhaesit,
qui postquam cecidit ferrumque ex hoste revulsum est
calcitrat et positas adspergit sanguine mensas. 40
tum vero indomitas ardescit vulgus in iras,
telaque coniciunt, et sunt, qui Cephea dicunt
cum genero debere mori; sed limine tecti
exierat Cepheus testatus iusque fidemque
hospitiique deos, ea se prohibente moveri. 45
bellica Pallas adest et protegit aegide fratrem
datque animos.
Erat Indus Athis, quem flumine Gange
edita Limnaee vitreis peperisse sub undis
creditur, egregius forma, quam divite cultu
augebat, bis adhuc octonis integer annis, 50
indutus chlamydem Tyriam, quam limbus obibat
aureus; ornabant aurata monilia collum
et madidos murra curvum crinale capillos;
ille quidem iaculo quamvis distantia misso
figere doctus erat, sed tendere doctior arcus. 55
tum quoque lenta manu flectentem cornua Perseus
stipite, qui media positus fumabat in ara,
perculit et fractis confudit in ossibus ora.
Hunc ubi laudatos iactantem in sanguine vultus
Assyrius vidit Lycabas, iunctissimus illi 60
et comes et veri non dissimulator amoris,
postquam exhalantem sub acerbo vulnere vitam
deploravit Athin, quos ille tetenderat arcus
arripit et 'mecum tibi sint certamina!' dixit;
'nec longum pueri fato laetabere, quo plus 65
invidiae quam laudis habes.' haec omnia nondum
dixerat: emicuit nervo penetrabile telum
vitatumque tamen sinuosa veste pependit.
vertit in hunc harpen spectatam caede Medusae
Acrisioniades adigitque in pectus; at ille 70
iam moriens oculis sub nocte natantibus atra
circumspexit Athin seque adclinavit ad illum
et tulit ad manes iunctae solacia mortis.
VOCABULARY
Cuspis, Cuspidis, f. Point - line 38
Revello, revellere, revellī, revulsum, to pull out - line 39
Calcitrō, -āre, -āvī, -ātus, to kick - line 40
Adspergō, adspergere, adspersĩ, adspersum, to sprinkle - line 40
Indomitus, -a, -um, untameable/uncontrollable - line 41
Ārdēsco, ārdēscere, ārsī, to catch fire - line 41
Coniciō, conicere, coniēcī, coniectum, to hurl - line 42
Hospitium, hospitiī, n. hospitality - line 45
Aegis, Agidos, f. the Aegis - line 46
Chlamys, chlamydos, f. cloak - line 51
Tyrius, -a, -um, of Tyre -line 51
Monīle, monīlis, f. necklace - line 52
Murra, murrae, f. myrrh - line 53
Stīpes, stīpitis, m. post - line 56
Harpē, harpēs, f. curved sickle-shaped sword - line 69
Acrisiōniadēs, Acrisiōniadae, m. name for Perseus - means grandson of Acrisius - line 70
NOTES
Lines 30 - Ille - that man/he is referring to Phineus
Line 32 - Cunctatus is a deponent participle. It is a Perfect Active Participle even though it looks like a PPP
Line 37 - The image of the altar protecting the criminal is an almost ironic depiction of religious/divine protection
Line 38 - Non inrita is a double negative: Not ineffective = Effective
Line 46 - Datque animos - The image of Athena giving Perseus courage is an example of true divine assistance, in contrast to the image of the altar protecting the enemy in line 37
Line 50 - Bis…octonis integer annis by using the word integer (“youthful” or “untouched”), Ovid emphasizes Athis’s youth and innocence, which paints Perseus in a less-than-heroic light when he brutally kills him.
Line 49 - Egregius forma - Ablative of Specification: extraordinary in beauty
Line 61 - By describing Lycabus as both a comes (companion) and one who does not hide his veri amoris (true love), Ovid implies that he and Athis, both boys, are lovers and not just friends
Line 70 - Acrisioniades is a patronymic: A name derived from a father or ancestor - it is another name for Perseus
Lines 71-73 - The meter across these three lines slows down as the lines progress, with a dactyll majority in line 71 (DDSDDS), an even split with more or less alternating dactylls and spondees in line 72 (SDSSDS), and a mostly spondees with a long stretch of long syllables in line 73 (DSSSDS). This slowing down and stuttering meter echoes Lycabus slowing down as he dies next to his companion.
71-73 - The imagery that Ovid uses here of Athis and Lycabus being joined in death is reminiscient of his other stories like Pyramus and Thisbe, which further reinforces the idea that Athis and Lycabus are lovers, not friends
Discussion question for lines 60-73 - What language or motifs from his other stories does Ovid use to imply that Athis and Lycabus are lovers as opposed to close friends without explicitly stating it?
He [Phineus] replied with nothing, but looking at this man [Cephus] and Perseus
With his face alternating, he does not know whether to attack this one or that:
And having hesitated a moment, the spear balanced with all the strength
The rage provided, he sent in vain at Perseus.
When it stuck in the couch cushions, then finally Perseus
Leapt up, and fierce with the weapon, and having sent it back,
Would have pierced that enemy breast, had Phineus not gone
Behind the altars: and (shamefully) the altars protected the criminal.
However, the point stuck, not without effect, in the forehead of Rhoetus,
Who, after he fell and the iron was torn out from the enemy,
Kicks and splatters the set tables with blood.
Then truly the crowd catches fire with uncontrollable rage,
And they hurl their weapons, and there are those who say that Cepheus
Ought to die with his son-in-law; but from the threshold of the house
Cephus had gone out, having called witness to both justice and loyalty
And the gods of hospitality, that he was prevented by her from being moved.
Warlike Pallas [Athena] is present and protects her brother with the aegis
And gives him courage.
There was the Indian Athis, whom Limaee, born from the River Ganges,
Is believed to have given birth to beneath the glassy waves.
Extraordinary in beauty, which he enhanced with rich ornaments,
still youthful at twice-eight years,
Clothed in a Tyrian cloak, which a golden border
Surrounded; golden necklaces adorned his neck,
And a curved hairpin adorned his hair, dripping with myrrh;
He indeed was skilled at hitting things, however distant, with a hurled javelin,
But more skilled at drawing the bow.
Then, also, as he was bending the flexible horns with his hand, Perseus
Struck him with a log, which lay smoking in the middle of the altar,
And smashed his face into broken bones.
When the Assyrian Lycabus saw him tossing his praised features
in blood, Lycabus, most closely joined to him
As both a companion and one who did not hide his true love,
After he lamented Athis breathing out his life under the bitter wound,
He snatched up the bow that he had drawn
“Let your contest be with me!” he said,
“You shall not long rejoice in the fate of the boy, for whom you have more
Hatred then praise.” All these things he had not yet
Finished saying; the piercing weapon flashed from the string,
But although avoided, it hung in Perseus’ billowing robe.
The descendant of Acrisius turned against him the curved sword, proven by the slaughter of Medusa
And drove it into his chest; But he,
Now dying, with eyes swimming under a black night,
Looked around for Athis and leaned himself towards him
And carried to the shades the comfort of their joined death.