*The mysterious circumstances behind an Asian American pop star’s death spell disaster for the group’s remaining members in Cheng’s debut, a thrilling psychological horror.
*Chelsea is missing, but she's not gone. In this moving graphic novel, thirteen-year-old Reanna grieves the loss of her older sister. Can she find comfort through her family's Ojibwe traditions?
Without any idea of what happened, Reanna and her family struggle to find closure. Driven from their home by memories, Reanna's mom moves to the big city. Left behind on the reserve, Reanna and her little brother go to live with their dad. Reanna is hurt and angry that her mom has run away. She feels lonely, abandoned--but she is not alone. Lights turn on in empty rooms, and objects move without being touched. There are little moons everywhere.
*Chuck Warren died tragically at the old abandoned mill, but Paz Espino knows it was no accident - there's a monster under the town, and she's determined to kill it before anyone else gets hurt. She'll need the help of her crew - inseparable friends, bound by a childhood pact stronger than diamonds, distance or death - to hunt it down. But she's up against a greater force of evil than she ever could have imagined.
*When college freshman Grace Mendes reluctantly attends her first pillow fight match, she falls in love with the surprisingly gritty sport. Despite her usually shy, introverted, and reserved nature, Grace decides to try out for the Pillow Fight Federation (PFF), a locally famous league of fighters with larger-than-life personas. . . They may battle with pillows, but there is nothing soft about these fighters.
*Seventeen-year-old Aimee Roh has Sensory Time Warp Syndrome, a rare condition that causes her to time travel to a moment in her life when she smells something linked to that memory. . . . Aimee's fear of vanishing at random has kept her from living a normal life. When Aimee disappears for nine hours into a memory of her estranged mom . . . she becomes distraught. Not only was this her longest disappearance yet, but the memory doesn't match up with the story of how her mom left, at least, not the version she's always heard from her dad.
*To free herself from her dysfunctional family in Kingston, Jamaica, and join her beloved aunt in Paris, thirteen-year-old Pumkin Patterson turns her passion for baking into a way to raise money for her French exam, but when word gets out, she stands to lose everything she's worked so hard for.
*Sixteen-year-old star wrestler Rowan Harper's biggest fan is her father.
But he has ALS, and his symptoms are getting worse. Saving his life will cost more money than the family has, but Rowan finds a solution. Will she risk her chances at a scholarship by competing in a lucrative, but illegal, underground MMA fight?
Takedown is a high-intensity coming-of-age story about family illness and competitive combat, with lots of heart, hope, and headlocks.
*WINNER???
*Liska knows that magic is monstrous, and its practitioners are monsters. She has done everything possible to suppress her own magic, to disastrous consequences. Desperate to be free of it, Liska flees her small village and delves into the dangerous, demon-inhabited spirit-wood to steal a mythical fern flower. If she plucks it, she can use its one wish to banish her powers. Everyone who has sought the fern flower has fallen prey to unknown horrors, so when Liska is caught by the demon warden of the wood--called The Leszy--a bargain seems better than death....
*IRL, Darcy has just moved to the small prairie town of Unity Creek with her two moms. It feels like she left everything good behind in the city. She misses her tabletop gaming friends and her boyfriend -- and is horrified by the homophobia her family faces in their new home. Then she meets kind, quiet Art, who invites her to join his Dungeons & Dragons game....
*Eira and Soren are queer twins living with their survivalist parents when a plague starts spreading that turns people into zombie-like monsters. They disagree with their parents about a lot, but they can't deny that their way of life keeps them safe while much of the world perishes--for now. When it becomes clear that their safety won't last, the twins decide to strike out on their own.
*Helen Knott’s debut memoir, In My Own Moccasins, wowed reviewers, award juries, and readers alike with its profoundly honest and moving account of addiction, intergenerational trauma, resilience, and survival. Now, in her highly anticipated second book, Knott returns with a chronicle of grief, love, and legacy.
Having lost both her mom and grandmother in just over six months, forced to navigate the fine lines between matriarchy, martyrdom, and codependency, Knott realizes she must let go, not just of the women who raised her, but of the woman she thought she was.
*A queer Syrian refugee reckons with a life spent out of place.
“Writing this memoir is a betrayal.” So begins this electrifying personal account from Danny Ramadan, a celebrated novelist who has long enjoyed the shield his fiction provides. Now, to tell the story of his life, he must revisit dark corners of his past he’d rather forget and unearth memories of a city he can no longer return to.
*What would have happened if she’d met him at a different time in her life, when she was older, more confident, less lonely, and less afraid? She wonders not whether they would have stayed together, but whether she would have known to stay away.
With honesty, tenderness, and a skewering wit, these stories boldly wrestle with rage, longing, illness, and bodily autonomy, and their inescapable impacts on a woman’s relationships with others and with herself.
*Four working-class Vancouver sisters, still reeling from the impact of World War I and the pandemic that stole their only brother, are scraping by but attempting to make the most of the exciting 1920s. Gin, Turpentine, Pennyroyal, Rue is a love story — but like all love stories, it’s complicated …
*Enid is obsessed with space. She can tell you all about black holes and their ability to spaghettify you without batting an eye in fear. Her one major phobia? Bald men. But she tries to keep that one under wraps. When she’s not listening to her favorite true crime podcasts on a loop, she’s serially dating a rotation of women from dating apps. At the same time, she’s trying to forge a new relationship with her estranged half-sisters after the death of her absent father. When she unwittingly plunges into her first serious romantic entanglement, Enid starts to believe that someone is following her.
As her paranoia spirals out of control, Enid must contend with her mounting suspicion that something is seriously wrong with her. Because at the end of the day there’s only one person she can’t outrun—herself.
Brimming with quirky humor, charm, and heart, Interesting Facts about Space effortlessly shows us the power of revealing our secret shames, the most beautifully human parts of us all.
*In 1980, Y-Dang Troeung and her family were among the last of the 60,000 refugees from Cambodia that then-Prime Minister Pierre Trudeau pledged to relocate to Canada. As the final arrivals, their landing was widely documented in newspapers, with photographs of the PM shaking Y-Dang’s father’s hand, reaching out to pat baby Y-Dang’s head. Forty years later, in her brilliant, astonishing book, Y-Dang returns to this moment, and to many others before and after, to explore the tension between that public narrative of happy “arrival,” and the multiple, often hidden truths of what happened to the people in her family.
*The Truth and Reconciliation Commission was established to record the previously hidden history of more than a century of forced residential schooling for Indigenous children. Marie Wilson helped lead that work as one of just three commissioners. With the skills of a journalist, the heart of a mother and grandmother, and the insights of a life as the spouse of a residential school survivor, Commissioner Wilson guides readers through her years witnessing survivor testimony across the country, providing her unique perspective on the personal toll and enduring public value of the commission. In this unparalleled account, she honours the voices of survivors who have called Canada to attention, determined to heal, reclaim, and thrive.
Part vital public documentary, part probing memoir, North of Nowhere breathes fresh air into the possibilities of reconciliation amid the persistent legacy of residential schools. It is a call to everyone to view the important and continuing work of reconciliation not as an obligation but as a gift.
*Meet Isidore “Ezzy” Desjarlais and Grey Ginther: two distant Métis cousins making the most of Grey’s uncle’s old trailer, passing their days playing endless games of cribbage and cracking cans of cheap beer in between. Grey, once a passionate advocate for change, has been hardened and turned cynical by an activist culture she thinks has turned performative and lazy. One night, though, she has a revelation, and enlists Ezzy, who is hopelessly devoted to her but eager to avoid the authorities after a life in and out of the group home system and jail, for a bold yet dangerous political mission: capture a herd of bison from a national park and set them free in downtown Edmonton, disrupting the churn of settler routine. But as Grey becomes increasingly single-minded in her newfound calling, their act of protest puts the pair and those close to them in peril, with devastating and sometimes fatal consequences.
*The MacInnes family is grieving. The loss of Miranda has devastated her husband, John Andrew, her eldest daughter, Tammy, and her youngest child, Dawn. Not Donnie anymore but Dawn, like sunrise, who transitioned while her mother received cancer treatment — without the rest of the family knowing. Now, when Dawn leaves Halifax for rural Nova Scotia to attend her mother’s funeral, she knows she’ll be meeting her sister and father for the first time as herself.
*A sweeping multi-generational story about motherhood, race and secrets in the lives of three women.
*Reimagining James Fenimore Cooper’s nineteenth-century text The Last of the Mohicans from the contemporary perspective of an urban Nisga’a person whose relationship to land and traditional knowledge was severed by colonial violence, Jordan Abel explores what it means to be Indigenous without access to familial territory and complicates popular understandings about Indigenous storytelling. Engaging the land through fiction and metaphor, the successive chapters of Empty Spaces move toward an eerie, looping, and atmospheric rendering of place that evolves despite the violent and reckless histories of North America. The result is a bold and profound new vision of history that decenters human perception and forgoes Westernized ways of seeing.
Genre-blending stories of transformation and belonging that centre women of colour and explore queerness, family and community.
A couple in a crumbling marriage faces divine intervention. A woman dies in her dreams again and again until she finds salvation in an unexpected source. A teenage misfit discovers a darkness lurking just beyond the borders of her suburban home.
The stories in Chrysalis, Anuja Varghese’s debut collection, are by turns poignant and chilling, blurring the lines between the real world and worlds beyond.
Here we are, just living in the first draft of creation, which was made by some great artist, who is now getting ready to tear it apart. In this first draft, a woman named Mira leaves home for school. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and she enters the strange and dizzying dimension that true loss opens up.
On a battlefield near the River Aisne, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory as the snow falls-a chance encounter in a pub by a railway, a hot bath with his lover on a winter night. 1920. John has returned from war to North Yorkshire, near a different river. He is alive but still not whole.
A young woman moves from the place of her birth to the remote northern country of her forebears to be housekeeper to her brother, whose wife has recently left him. Soon after her arrival, a series of inexplicable events occurs - collective bovine hysteria; the demise of a ewe and her nearly born lamb; a local dog's phantom pregnancy; a potato blight. She notices that the local suspicion about incomers in general seems to be directed with some intensity at her and she senses a mounting threat that lies 'just beyond the garden gate.' And as she feels the hostility growing, pressing at the edges of her brother's property, she fears that, should the rumblings in the town gather themselves into a more defined shape, who knows what might happen, what one might be capable of doing. With a sharp, lyrical voice, Sarah Bernstein powerfully explores questions of complicity and power, displacement and inheritance.
The Sleeping Car Porter brings to life an important part of Black history in North America, from the perspective of a queer man living in a culture that renders him invisible in two ways. It’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” When he finds a naughty postcard of two queer men, Baxter’s memories and longings are reawakened; keeping it puts his job in peril, but he can’t part with the postcard or his thoughts of Edwin Drew, Porter Instructor.
2024 WINNER: Orbital by Samantha Harvey
Orbital is an eloquent meditation on space and life on our planet through the eyes of six astronauts circling the earth in twenty-four hours . . . It snapshots a day in the lives of six women and men hurtling through space--not toward the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts--from America, Russia, Italy, Britain, and Japan--have left their lives behind to travel at warp speed as the earth reels below.
2023 WINNER: The Prophet Song by Paul Lynch
On a dark, wet evening in Dublin, scientist and mother-of-four Eilish Stack answers her front door to find two officers from Ireland's newly formed secret police on her step. They have arrived to interrogate her husband, a trade unionist. Ireland is falling apart, caught in the grip of a government turning toward tyranny. As the life she knows and the ones she loves disappear before her eyes, Eilish must contend with the dystopian logic of her new, unraveling country. How far will she go to save her family? And what-or who-is she willing to leave behind? Exhilarating, terrifying, and surprisingly intimate, Prophet Song offers a shocking vision of a country at war and a deeply human portrait of a mother's fight to hold her family together.
2022 WINNER: Seven Moons of Maali Almeida by Shehan Karunatilaka
Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali. He has seven moons to contact the man and woman he loves most and lead them to the photos that will rock Sri Lanka.
2021 WINNER: The Promise by Damon Galgut
Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life's unfulfilled potential; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt. Reunited by four funerals over three decades, the dwindling family reflects the atmosphere of its country--one of resentment, renewal, and, ultimately, hope.