Due to colonialism and cultural abuse, groups have to go through a process called deconstruction to reclaim their identities in the post-colonial era.
Deconstructionism stems from Derrida's questioning of the longstanding binary oppositions that serve as the foundation for much of Western philosophy and thought (Barker & Emma Jane, 2004, p. 40) . Derrida contended that these supposed opposites actually rely on and imply each other in hidden ways. Deconstruction involves unveiling and undoing the hierarchies created by these binaries, revealing how one side of the binary has traditionally been valued over the other. The goal is not to flip the hierarchy on its head but rather demonstrate the interdependence between the two sides. Deconstruction also spotlights the contradictions within a particular text or argument by digging beneath the surface to expose inconsistencies between what an author claims to say and what they end up unintentionally implying through their rhetorical strategies. This philosophical approach has been adapted to the study of literature and postcolonial theory as well. It aims to destabilize assumptions by highlighting the flaws and complexities within language and meaning itself (Barker & Emma Jane, 2004, p. 40) .
An important area of literary study investigates how race, ethnicity, and national identity are reflected and constructed through literature (Barker & Emma Jane, 2004, p. 338). Notably, postcolonial literature written by authors from former European colonies is analyzed using postcolonial theory. This theory examines such works in relation to concepts like race, nationhood, power dynamics, multicultural fusion, and marginalized groups’ experiences under imperial rule. It looks at how colonial discourses, hierarchies, and resistance narratives emerge within the subject positions and perspectives created in this literary tradition.
Key themes are racialization, hybrid cultural identities, struggles around self-definition and voice for subordinated groups, and the intricate relationship between colonial control and the expression of nationalistic awareness or viewpoints stemming from the daily lives of marginalized individuals.
Postcolonial literature explores how identities are formed after colonial rule. It does this by showing the experiences of marginalized groups, helping people understand their cultural backgrounds better, challenging stereotypes from the colonial era, and supporting efforts to resist colonial thinking. Ultimately, postcolonial literature examines and shapes how identities are made in the time after gaining independence.
REPRESENTATION
Postcolonial literature gives voice & visibility to marginalized groups that were oppressed during colonial rule. By representing these perspectives, it asserts and affirms identities that were once denied.
IDENTITY FORMATION
This literature allows people to reconnect with their cultural heritage and history, while also examining colonialism's impacts on their identities. It provides diverse narratives for readers to engage with as they explore their roots.
CHALLENGE STEREOTYPES
Postcolonial works challenge Eurocentric colonial narratives that have shaped identities over time. They deconstruct restricting stereotypes, empowering people to question imposed assumptions about their cultures.
EMPOWERMENT
Through portrayals of resistance against colonial forces, this literature promotes empowerment & self-determination. It inspires reclaiming cultural pride & agency among communities. Overall, postcolonial writing advances the struggle for identity & liberation from colonial legacies.
Memory in the Flesh authored by Ahlam Mosteghanemi does have the postcolonial genre and although it incorporates a romantic theme, the narrative primarily focuses on the Algerian struggle against French colonialism. The story intricately weaves Khaled's modern-day life in Algeria with his fascination for Constantine, a female revolutionary from the 1950s independence struggle.
Mosteghanemi vividly portrays the lasting impact of colonial trauma and the struggles of identity among characters shaped by Berber-Arab-French influences. The novel also explores how French colonialism disrupted Algerian culture, leading to language loss and the embrace of French customs. Memory in the Flesh powerfully illustrates the journey to reclaim identity after colonial devastation.
Through Khaled and Constantine's relationship, themes of memory, independence, and psychological liberation converge, reflecting on Algeria's postcolonial reality—with pride in sovereignty achieved, yet weighed down by the enduring legacy of colonial history.