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Overview:
Cataloging the history of England through epic poetry
Themes related to heroic battles, fate, and the blending of traditional religions with Christianity
Many of the stories started in an oral tradition before being written down
Writers/Theorists Include:
Beowulf Poet (Beowulf)
Battle of Maldon
Translations of the Bible
Explore more about Old English.
Overview:
Continuation of religious and heroic themes from the Old English period
Many stories repeat or mirror the Lives of the Saints as a model of virtuous behavior
Many works are either anonymous or written by a community
Purpose of literature is to teach morality
Writers/Theorists Include:
Geoffrey Chaucer (The Canterbury Tales)
Sir Gawain and the Green Knight
Pearl Poem
Overview:
Themes focus on human potential and a rise of individualism and a resulting dive into human motivation and the complex nature of humanity
Rise in secular/political topics in addition to earlier religious topics
Historically influenced by the patronage of Queen Elizabeth I and later King James I
Structurally, introduction of blank verse and sonnets
Writers/Theorists Include:
William Shakespeare (Romeo and Juliet; Macbeth; Hamlet, King Lear; Much Ado about Nothing)
Christopher Marlowe (Doctor Faustus)
John Milton (Paradise Lost)
Explore more about the Renaissance and Elizabethan Period
Overview:
Emphasis on being able to understand the world through reason alone
Sees humanity as imperfect and of limited potential
In response cultivates values of restraint, order, common sense thinking, and conservatism in religious, politics, and economics
Everything, including art and literature, should be pragmatic and serve a purpose
Writers/Theorists Include:
John Bunyan (The Pilgrim's Progress)
John Dryden ("A Model of Christian Charity")
Alexander Pope (The Rape of the Lock)
Overview:
Primarily academic and essay writing to reflect on the state of the colonies, their mission, the religious context, and (ultimately) the notion of revolution
Some poetry in the work of Phillis Wheatley
Writers/Theorists Include:
John Winthrop ("A Model of Christian Charity")
Jonathan Edwards (Sinners in the Hands of an Angry God)
Alexander Hamilton (The Federalist Papers)
Thomas Paine (Common Sense)
Phillis Wheatley ("On Being Brought from Africa to America")
Explore more about Neoclassicism and the Revolutionary Period
Overview:
Focus on things that are known through emotion and the imagination
Includes a dive into the psychology of characters as part of that reflection
Treats Nature as a site of Divine Revelation and personal meaning
Beginning of Gothic fiction, questioning the limits of humanity through comparison to supernatural and quasi-human characters
Includes allusions to folklore, myth, and medieval tales as part of developing their world
Writers/Theorists Include:
Samuel Coleridge (The Rime of the Ancient Mariner)
William Wordsworth ("The World is Too Much with Us")
Lord Byron
Percy Shelley
Mary Shelley (Frankenstein)
Alfred, Lord Tennyson (In Memoriam)
Explore more about Romanticism
Overview:
Exploration of National Identity, what does it mean to be American separate from its English roots
Utilized an English style, but with American settings (the American Frontier) and characters (including Native Americans)
Mostly novels that depicted the lives of everyday Americans in a realistic style, though with more Romanticism than the Revolutionary Period
Some Slave Narratives
Writers/Theorists Include:
James Fenimore Cooper (The Last of the Mohicans)
Washington Irving ("The Legend of Sleepy Hollow" and "Rip Van Winkle")
Overview:
Revival of Rationalism
Aims to represent life truthfully with little to no romantic idealism
Lives of everyday people
Detailed descriptions of settings and social conditions
Explore Determinism vs. Free Will to critique how societal forces shape individual choices
Response to the Historical Context of Industrialization, Victorian Morality, and Social Class.
Raise awareness and encourage reform
Writers/Theorists Include:
Charles Dickens (Great Expectations; A Tale of Two Cities)
George Eliot / Mary Evans (Middlemarch)
Connection to Russian Authors like Leo Tolstoy (War and Peace) and Fyodor Dostoyevsky (The Brothers Karamazov)
Split into the Dark Romantics and the Transcendentalists.
Dark Romantics Overview:
Dive into the psychology of the human mind and its faults/sins
See Nature as menacing and dangerous, a source of the grotesque
Often utilizes allegory to offer a lesson about humanity
Includes writers like Edgar Allan Poe ("The Tell-Tale Heart") and Nathaniel Hawthorne (The Scarlet Letter)
Transcendentalists Overview:
Emphasis on Individualism and Self-Reliance
See the Sublime in Nature, allowing it to be a mirror for the soul
Inherent goodness of humanity, but rejection of social norms and conformity
Includes writers like Ralph Waldo Emerson ("On Self-Reliance" and "On Nature") and Henry David Thoreau (Walden and "Civil Disobedience")
Overview:
Version of Romanticism
Aims to replace middle-class values of thrift and responsibility with Beauty
Focus on the senses and emotions over real-life depictions
Explore passion/excess as Beautiful rather than assaults to morality
Focus on the individual
Hellenistic revival (allusions to Greek Myth)
Art has no purpose, certainly not reform
Writers/Theorists Include:
Oscar Wilde (The Picture of Dorian Gray)
Walter Pater
Aubrey Beardsley
Overview:
Influenced by British Realism and Russian Realists like Tolstoy and Dostoevsky
Aims to represent life truthfully with little to no romantic idealism
Lives of everyday people, their psychology, and their flaws
Detailed descriptions of settings and social conditions
Engages with Historical Context such as the American Dream, Westward Expansion, and American Individualism in the aftermath of the Civil War
Addresses specifically American issues, like Race and Gender inequality
Writers/Theorists Include:
Mark Twain (The Adventures of Huckleberry Finn)
Upton Sinclair (The Jungle)
Kate Chopin (The Awakening)
Overview:
A continuation of Realism, with an extra focus on Determinism
Shaped by the rise of Charles Darwin's theories of Natural Selection and the resultant Social Darwinism
Characterized by an impersonal tone in line with scientific objectivism
Writers/Theorists Include:
Jack London ("To Build a Fire" and The Call of the Wild)
Stephen Crane (The Red Badge of Courage)
Overview:
Shaped by the experiences of the Two World Wars
Express a disillusionment with the world and spirituality after the destruction and death of war
Growth in the use of Irony to emphasize the cost of progress
Questioning of Values that had guided humanity in the past, including Religion and Technology
Uses Religious/Classical imagery and language as part of their questioning
Rise in clear imagery and thick description of the world (Return to Realist and Neoclassical Writing)
Experimentation with new forms, like Stream of Consciousness writing (see James Joyce's Ulysses)
Writers/Theorists Include:
T. S. Eliot ("The Hollow Men")
Wilfred Owen ("Dulce et Decorum Est")
W. H. Auden ("Musée des Beaux Arts")
W. B. Yeats ("The Second Coming")
J. R. R. Tolkien (The Lord of the Rings)
James Joyce (Ulysses)
Aldous Huxley (Brave New World)
Explore more about British Modernity
The Lost Generation:
Response to the experiences of the World Wars and the Great Depression
Expresses disillusionment with the world and a critique of traditional values (patriotism) and materialism (The American Dream)
Explore the moral decay of the US and the search for a new basis of identity
Includes some of the Hedonism of Aestheticism as a potential way of making meaning in a chaotic world
Experimentation of form as a reflection of the break from the past and its traditional values
Subtly hinting at characterization through vague dialogue and introspection
Includes writers like F. Scott Fitzgerald (The Great Gatsby), Ernest Hemingway (A Farewell to Arms), and John Steinbeck (The Grapes of Wrath; The Winter of our Discontent), and William Faulkner (As I Lay Dying)
Harlem Renaissance:
Major era of African American literature and arts
Fueled by the Great Migration of Black people to NYC and Harlem from the south after the Civil War
Includes reflections of African American Identity, challenging racial stereotypes, and encouraging pride in one's self
Writing mirrors other aspects of Black culture that developed during the Renaissance, such as Jazz (Duke Ellington), Religion (W. E. B. DuBois), Dance, Fashion (zoot suit), and Painting (Jacob Lawrence)
Includes writers like Langston Hughes ("The Weary Blues") and Zora Neale Hurston (Their Eyes were Watching God)
Overview:
Heavily influenced by Romanticism and the Post-WW2 and Korean War world
Aware of mortality and that we all exist in "a dream world of our own making"
Explorations with Eastern Religions and non-traditional spirituality
Rebellion against mainstream culture, with an openness to all experiences and respect for nature and each other based on a respect for the sacredness of all existence
Used drugs for heightened awareness, explored and pushed sexual boundaries
Style is characterized by spontaneity, and themes of travel and autobiography
Writers/Theorists Include:
Jack Kerouac ("On the Roads")
Allen Ginsberg ("Howl")
William S. Burroughs (Naked Lunch)
Overview:
Increased diversity of authors, subject matters, and genres
Reflections on Technology, Globalization, Identity (race, gender, sexuality), Environmentalism, and the Crisis of Meaning
Many contemporary writers still struggle with the question of Disillusionment raised in the Modern period, but have an additional challenge that it has stayed around for a long time with no real solution. Moreover, it feels like it has gotten worse and the question is why.
Characterized by Post-Modern Philosophy, which questions what is Truth and how our narratives (historical, literary, economic, political, cultural) are constructed.
Stylistically: Fragmented and non-linear narratives with multiple (unreliable?) narrators. Often driven by characters.
British
Ian McEwan (Atonement)
Salman Rushdie (The Satanic Verses)
George Orwell (1984)
William Golding (The Lord of the Flies)
Writers/Theorists Include
American
Toni Morrison (Beloved)
Donna Tartt (The Secret History)
Ocean Vuong (On Earth We are Briefly Gorgeous)
Alice Walker (The Color Purple)
Ursula K. Le Guin (The Left Hand of Darkness)
Ray Bradbury (Fahrenheit 451)
Global
Chimamanda Ngozi Adichie (Purple Hibiscus)
Margaret Atwood (The Handmaid's Tale)
Frederick Backman (A Man Called Ove)
Khaled Hosseini (The Kite Runner)
László Krasznahorkai (The Melancholy of Resistance)
The Booker Prize each year recognizes "the best sustained work of fiction written in English." The winner is chosen from a "short-list" of 6 potential novels, all of which could give great insight into contemporary fiction, as well as the future of Literature in the English-speaking world.
They also have an International Booker Prize for works translated into English. Check their full database of literary works.