Artistic and Creative Literacy
Artistic and Creative Literacy
Artistic and Creative Literacy is a multifaceted concept that encompasses the knowledge, skills, and dispositions necessary to engage authentically with the arts. It involves the ability to participate in artistic creation processes, understand and interpret artistic expressions, and communicate effectively about artistic experiences.
Imagination and Pretense:
The capacity to think creatively, using imagination and pretense to generate new ideas and possibilities.
Active Menu to Meaning-Making: The ability to choose and manipulate artistic materials, symbols, and metaphors to convey meaning and express oneself.
Intentional, Holistic Teaching: Educators who understand the creative process and purposefully support learners in their artistic experiences.
Co-Player, Co-Artist: The recognition of students as active participants and co-creators in the artistic process, valuing their perspectives and contributions.
Characteristics of Artistically Literate Individuals:
Use a variety of artistic media, symbols, and metaphors to communicate their own ideas and respond to the artistic communication of others.
Develop creative personal realization in at least one art form, continuing active involvement as an adult.
Cultivate culture, history, and other connections through diverse forms and genres of artwork.
Find joy, inspiration, peace, intellectual stimulation, and meaning when participating in the arts.
Approaches to Developing/Designing Curriculum:
Design Thinking: Encouraging creative problem-solving and innovative thinking.
Arts-Specific Vocabulary and Expression: Using arts-specific terminology and modes of expression to facilitate understanding and communication.
Embodied Experience: Fostering physical, emotional, and social immersion in artistic experiences.
Co-Creation and Collaboration: Encouraging students to work together, sharing ideas and perspectives to create new artistic expressions.
Incorporating Arts Education:
Quality Arts Programs: Providing opportunities for students to engage with various art forms, such as dance, drama, media, music, and visual arts.
Bespoke Projects: Tailoring arts education to meet the needs of individual schools and students, ensuring accessibility and inclusivity.
Artist-Educator Collaboration: Working with professional artists to deliver innovative programs and training in schools.
Assessment and Accreditation:
Arts Award: A national accreditation scheme recognizing students’ artistic achievements and contributions.
Cookie Settings: Providing students with choices and agency in their artistic experiences, while respecting their privacy and consent.
HOW CREATIVE AM I ? : A SELF ANALYSIS
Understanding Artistic Techniques
I can identify and describe the key techniques used in visual art (e.g., brushstroke, texture, color contrast) and how they contribute to the overall effect.
(1) Never (5) Always
Contextual Analysis
I understand the historical and cultural context in which an artwork was created and can discuss how these factors influence its meaning.
(1) Never (5) Always
Theme Identification
I can identify the central themes of an artwork, such as identity, conflict, or transformation, and explain how the artist conveys them.
(1) Never (5) Always
Symbolism in Art
I recognize the use of symbolism in art and can explain the deeper meanings of the symbols used in a given work.
(1) Never (5) Always
Artistic Innovation
I can identify innovative or unconventional approaches in art and appreciate how these contribute to a shift in artistic expression.
(1) Never (5) Always
Personal and Social Impact of Art
I can reflect on how art influences personal identity or societal values and articulate its role in shaping cultural narratives.
(1) Never (5) Always
Engagement with Diverse Art Forms
I actively engage with a variety of art forms (e.g., painting, music, dance, literature) and make connections between them.
(1) Never (5) Always
Critical Thinking in Art Interpretation
I can critically analyze an artwork from multiple perspectives, questioning its meaning, purpose, and cultural implications.
(1) Never (5) Always
Artistic Intent and Audience Perception
I can distinguish between an artist’s intended message and how different audiences may interpret the artwork in varied ways.
(1) Never (5) Always
Art and Personal Reflection
I can relate my personal experiences and perspectives to my understanding of art, allowing me to connect emotionally and intellectually with the work.
(1) Never (5) Always
Artistic literacy is defined in the National Coalition for Core Arts Standards: A Conceptual Framework for Arts Learning (2014) as the knowledge and understanding required to participate authentically in the arts. While individuals can learn about dance, media, music, theatre and visual arts through reading, print texts, artistic literacy requires that they engage in artistic creation processes directly through the use of materials (e.g.,charcoal or paint or clay, musical instruments or scores) and in specific spaces (e.g., concert halls, stages, dance rehearsal spaces, arts studios, and computer labs.)
Researchers have recognized that there are significant benefits of arts learning and engagement in schooling (Eisner, 2002; MENC, 1996; Perso, Nutton, Fraser, Silburn, & Tait, 2011). The arts have been shown to create environments and conditions that result in improved academic, social, and behavioral outcomes for students, from early childhood through the early and later years of schooling. However, due to the range of art forms and the diversity and complexity of programs and research that have been implemented, it is difficult to generalize findings concerning the strength of the relationship between the arts and learning the causal mechanisms underpinning these associations.
The flexibility of the forms comprising the arts positions students to embody a range of literate practices to:
● use their minds in verbal and nonverbal ways;
● communicate complex ideas in a variety of forms;
● understand words, sound, or images;
● imagine new possibilities; and
● persevere to reach goals and make them happen.
Engaging in quality arts education experiences provides students with an outlet for powerful creative expression, communication, aesthetically rich understanding, and connection to the world around them. Being able to critically read, write, and speak about art should not be the sole constituting factors for what counts as literacy in the Arts (Shenfield, 2015). Considerably, more dialogue, discussion, and research are necessary to form a deeper picture of the Arts and creativity more broadly. The cultivation of imagination and creativity and the formation of deeper theory surrounding multimodality and multiliteracies in the Arts are paramount.
Self-Reflection on Elliot Eisner's Lessons on Education and the Arts
The arts encourage students to think critically by challenging them to interpret and analyze complex ideas and perspectives.
True / False
Engaging with the arts helps students develop their emotional intelligence by encouraging self-awareness and empathy.
True / False
The arts provide opportunities for students to be creative and innovative, skills that are essential in all areas of life, including problem-solving and entrepreneurship.
True / False
According to Eisner, the arts contribute to cognitive development by improving students' ability to think abstractly and perceive the world in multiple ways.
True / False
Arts education allows students to express ideas, emotions, and experiences in ways that may be difficult to convey through traditional academic subjects.
True / False
Through artistic projects, students often work together, learning how to collaborate effectively and appreciate diverse perspectives.
True / False
Eisner believes that arts education is valuable because it enhances learning in non-arts subjects, such as math, science, and language, by encouraging diverse thinking and connections.
True / False
By engaging with the arts, students learn to pay attention to detail, which enhances their ability to observe, analyze, and appreciate subtle aspects of the world around them.
True / False
In the arts, students often face challenges and setbacks that teach them the value of perseverance and the importance of sustained effort in achieving mastery.
True / False
The arts can help students explore moral and ethical dilemmas, developing their ability to think critically about societal issues and make informed decisions.
True / False
Elliot Eisner posited valuable lessons or benefits that educatio can learn from arts and he summarized these into SEVEN as follows:
1.Form and content cannot be separated. How something is said or done shapes the content of experience. In education, how something is taught, how curricula are organized , and how schools are designed impact upon what students will learn. These “side effects” may be the real main effects of practice.
2. Everything interacts; there is no content without form and no form without content. When the content of a form is changed, so too, is the form altered. Form and content are like two sides of a coin.
3. Nuance matters. To the extent to which teaching is an art, attention to nuance is critical. It can also be said that the aesthetic lives in the details that the maker can shape in the course of creation. How a word is spoken, how a gesture is made, how a line is written, and how a melody is played, all affect the character of the whole. All depend upon the modulation of the nuances that constitute the act.
4. Surprise is not to be seen as an intruder in the process of inquiry, but
as a part of the rewards one reaps when working artistically. No
surprise, no discovery, no progress. Educators should not resist
surprise, but create the conditions to make it happen. It is one of the
most powerful sources of intrinsic satisfaction.
5. Slowing down perception is the most promising way to see what is
actually there. It is true that we have certain words to designate high
levels of intelligence. We describe somebody as being swift, or bright,
or sharp, or fast on the pickup. Speed in its swift state is a descriptor
for those we call smart. Yet one of the qualities we ought to be
promoting in our schools is a slowing down perception: the ability to
take one’s time, to smell the flowers, to really perceive in the
Deweyan sense, and not merely to recognize what one looks at.
6. The limits of language are not the limits of cognition. We know more
than we can tell. In common terms, literacy refers essentially to the
ability to read and to write. But literacy can be re-conceptualized as
the creation and use of a form of representation that will enable one to
create meaning-- meaning that will not take the impression of
language in its conventional form. In addition, literacy is associated
with high level forms of cognition. We tend to think that in order to
know, one has to be able to say. However, as Polanyi (1969) reminds
us, we know more than we can tell.
7. Somatic experience is one of the most important indicators that
someone has gotten it right. Related to the multiple ways in which we
represent the world through our multiple forms of literacy is the way in
which we come to know the world through the entailments of our
body. Sometimes one knows a process or an event through one’s
Skin.
Issues in Teaching Creativity
In his famous TED talks on creativity and innovation, Sir Ken Robinson (Do schools kill creativity? 2006; How to escape education death valley?, 2013) stressed paradigms in the education system that hamper the development of creative capacity among learners. He emphasized that schools stigmatize mistakes. This primarily prevents students from trying and coming up with original ideas. He also reiterated the hierarchy of systems.
Firstly, most useful subjects such as Mathematics and languages for work are at the top while arts are at the bottom. Secondly, academic ability has
come to dominate our view of intelligence. Curriculum competencies, classroom experiences, and assessment are geared toward the development
of academic ability. Students are schooled in order to pass entrance exams in colleges and universities later on. Because of this painful truth, Robinson
challenged educators to:
● Educate the well-being of learners and shift from the conventional
learnings toward academic ability alone;
● Give equal weight to the arts, the humanities, and to physical education;
● Facilitate learning and work toward stimulating curiosity among
learners;
● Awaken and develop powers of creativity among learners; and
● View intelligence as diverse, dynamic, and distinct, contrary to common
belief that it should be academic ability-geared.
Characterizing Artistically Literate Individuals
How would you characterize an artistically literate student?
Literature on art education and art standards in education cited the following as
common traits of artistically literate individuals:
● Use a variety of artistic media, symbols, and metaphors to
communicate their own ideas and respond to the artistic
communications of others;
● Develop creative personal realization in at least one art form in which
they continue active involvement as an adult;
● Cultivate culture, history, and other connections through diverse forms
and genres of artwork;
● Find joy, inspiration, peace, intellectual stimulation, and meaning when
they participate in the arts; and
● Seek artistic experiences and support the arts in their communities.
Wrap Up
● Creativity can be defined as the process of having original ideas that
have value.
● All children have the capacity for innovation and creativity. ●
Schools should work toward educating the whole-being of the child.
Evaluate
Read the questions and instructions carefully. Write your answers
on the space provided.
1. How should arts learning be structured so that students can begin to
think like an artist?
2. What are some best practices in teaching that create an active or
student-centered learning environment?
3. Why are 21st century skills or personal dispositions important goals for
students in arts education?