Break the Mould: to completely change the way something has traditionally been done, and do it in a new way

With Roald Dahl’s work that in itself is a challenge, there is no set or traditional way…

The Vision

Roald Dahl’s classic Charlie and the Chocolate Factory is filled with constant reminders of how we can all do things a little differently. “No other factory in the world mixes its chocolate by waterfall… But it’s the only way if you want it just right.” Willy Wonka. Dahl’s stories are consistently focussed around children and the ways that they re-imagine their world. FIS Dance Company’s realisation of Charlie and the Chocolate Factory takes the same imaginative mould and then creatively breaks and rebuilds it. You will probably recognise the elements of the story, the characters and the journey and perhaps you will be given a refreshed take on the themes, ideas and relationships that we explore. 

The Intention

It’s fair to say that former Artistic Director of the Ballet Rambert Christopher Bruce’s approach sits well with our intention for Break the Mould. 

“Christopher Bruce prefers an audience to keep an open mind about his works, often avoiding programme notes and specific statements. However, he does recognise that his pieces are concerned with ideas, rather than abstract dance and there is usually strong imagery.”(Rambert Online)

So, it really depends on where you sit in your perspective and in the auditorium. Just see how it impacts you. 

The Ensemble Approach

The FIS Dance Company’s approach is ensemble driven. Break the Mould does have key characters that drive the narrative forwards piece by piece and there is the collectively tight ensemble that envelops these characters in gold paper. The intention is that this choreographic Wonka Bar delivers the best possible taste in terms of emotions, themes and atmosphere. All of these ideas are wrapped in a varied soundtrack, reinforced by dynamic lighting and design ideas that hopefully ignite your imagination. 

The Characters

Often the characters in Charlie and the Chocolate Factory are viewed through the seven sins. Let’s take that idea and look at why Mike Teavee might be slightly lethargic or disengaged (sloth), or the concept that Veruca Salt is demanding and wants it all (greed), and view their stories from another perspective. Not blaming the lazy or spoiled child, but breaking that mould and thinking about the environment that surrounds them. Perhaps they are misunderstood? And why? A good question to ask perhaps? See what you make of the representations - all interpretations are on the table. 

The ‘Play’ Ethic

What you see on stage is the result of three months of hard play. The dancers enter the rehearsal space and offer a huge part of themselves, offering time, energy and creativity. The ensemble has been faultless in their work (play) ethic, managing to juggle school, other activities, home and social lives … AND produce an original piece of Dance Theatre that would sit well on any stage. Before this creative process started, not a single movement had been choreographed, no music had been found and the set was non-existent. Through play, collaboration, trial, error and experimentation these ‘elements’ have been unearthed, discovered and solidified. Right up to the moment the first performance happens - these things continue to unfold. All of this requires the dancers (and designers) to be open to play, adaptation and hold a calm confidence in each other. You can only applaud the ensemble for their skillful approach. 

The Thanks

The best way to do this is to simply thank EVERYONE who has played a part in making this such a fantastic experience. Students, parents, technicians, Hausmeisters, administrators, teachers and other supporters - we can’t thank you enough! 

A special thanks goes to the wonderful SPA (Supporters of the Performing Arts). We are blown away by your support and commitment! If you are interested in becoming a SPA volunteer, please contact spa@fis.edu.

Enjoy the show!

The Cast and Crew