Lunch will be provided!
1:25 p.m. to 2:15 p.m.
RIO GRANDE ROOM
Forrest Harding
Making Learning Stick: A Practical Approach to Spiraling
Teachers dedicate valuable time and effort to teaching new concepts and skills. However, students often struggle to remember what they learned a few days earlier. The solution is spiraling, which involves a simple, structured, and strategic review. We will demonstrate how to implement a straightforward spiraling structure in the classroom.
SUNSET ROOM
Erika Lowery
Where Did Antisemitism Come From? Exploring the Origins of Antisemitism in European History
The phenomenon of antisemitism is over 2,000 years old, yet courses that deal with the Holocaust often don't consider pre-20th century history. This session outlines the larger context of antisemitism, providing content teachers need, through primary sources, to help students understand the origins and persistence of this form of hatred. This session provides educators a foundation for Holocaust Remembrance Week and lesson approved by the Texas Holocaust, Genocide, and Antisemitism Advisory Commision(THGAAC). -Institute for Curriculum Services
SCENIC DRIVE ROOM
Mario Lucero
Vikki DeLoach
Michele Garcia
Annotating informational Text in Social Studies
Participants will learn and practice an annotating strategy where readers interact with informational text by highlighting, underlining, circling, and writing notes.
MISSION TRAIL ROOM
Allan Carey
America 250: Building Civil Discourse Around the Impact of our Founding Principles
Discover and evaluate America’s founding promises through inquiry, in-depth analysis, and viewpoint-diverse civil discourse. As we approach the 250th anniversary of the Declaration of Independence, this immersive session explores whether we as a nation are living up to its ideals. Participants will examine the Enlightenment ideas that inspired the Founders—such as natural rights, equality, and the consent of the governed—and compare those foundational concepts with how they are understood today.
TRANS MOUNTAIN ROOM
Obed Hernandez
Julietta Rojas
Dual Perspectives, One Goal: Engaging Social Studies Through Ed Tech
This session brings together two dynamic educators: Obed, an Instructional Technology Coordinator and self-proclaimed Ed Tech aficionado, and Julietta, a Social Studies guru who now integrates technology seamlessly into her dual credit classes. Together, they will showcase 10 powerful educational technology tools—including Canva, FigJam, Adobe Express, and an AI toolkit—to demonstrate how Social Studies teachers can transform everyday instruction. Participants will explore classroom-ready strategies that make history, geography, government, and economics come alive, while promoting inquiry, collaboration, and critical thinking. Attendees will leave with a curated digital resource guide, activity templates, and practical strategies they can implement the next day.
SKY VIEW TERRACE ROOM
Alexa Proffitt, Ph.D.
Fostering Civil Discourse
In an increasingly complex world, students and teachers need opportunities to engage in meaningful, reflective conversations about the issues that shape their lives and communities. In this interactive session, Facing History and Ourselves will share research-backed strategies, ready-to-use tools, and curated resources that support social studies educators in fostering respectful dialogue around topics that matter. Together, we’ll examine how to build a supportive classroom culture that encourages student voice, critical thinking, and connection across differences.
PASO DEL NORTE 3 ROOM
(Adjacent Building A)
Holly Cobb
David Desrosiers
Mexican Revolution - New Deal - World War II (Using the Art of Tom Lea)
Attendees will be introduced to three lessons offered through the Tom Lea Institute. The Mexican Revolution curricula focuses on the art of Tom Lea and Jose Cisneros presenting the role of El Paso in the Mexican Revolution. The New Deal curricula presents the New Deal WPA program through the murals of Tom Lea. The World War II curricula presents the Pacific theater and Tom Lea's work as a war art correspondent.