I did a small research on using Markov Chains for Music Generation. Below is a summary of what I learned.
A Markov chain is a process that consists of a finite number of states with the Markovian property and some transition probabilities p_ij, where p_ij is the probability of the process moving from state i to state j. Andrei Markov, a Russian mathematician, was the first one to study this process.
Markov Chains provide a straightforward and intuitive framework for music generation, making it accessible for both beginners and experienced musicians.
The memoryless nature of Markov Chains simplifies the generation process, allowing for the focus on the current state without the need to consider a complex history of musical events.
Markov Chains can adapt to various musical styles and genres, showcasing their versatility in generating melodies and chord progressions that suit different contexts.
The formalization through states, initial probabilities, and transition probability matrices offers a structured and mathematical approach, aiding in precise control over the generated musical output.
While Markov Chains offer a user-friendly entry point into generative music, there are several limitations in it as well.
The memoryless characteristic, while simplifying the process, may limit the ability of Markov Chains to capture intricate musical context and nuances present in more complex compositions.
Markov Chains heavily rely on the quality and representativeness of the training data. Inadequate or biased datasets may result in the generation of less diverse and less creative musical sequences.
Due to their nature, Markov Chains may lead to somewhat predictable musical outputs, potentially lacking the spontaneity and innovation found in compositions generated by more advanced algorithms.
Markov Chains may struggle to capture long-term dependencies in music, leading to a potential limitation in generating coherent and complex musical structures.