Understand the development of rock music in Australia
Explore a variety of influential Aussie rock songs
Listening Comparison analysis of AC/DC "Thunderstruck"
Perform Aussie rock pieces - "Long way to the top", "Thunderstruck", & "Smoko"
Compose an Aussie rock riff. Compose a verse in the style of "Smoko"
Rock music in Australia, is also known as Oz rock, Australian rock and Aussie rock. Australia has a rich history of rock music and an appreciation of the roots of various rock genres, usually originating in the United States or Britain. Australian rock bands and musicians developed their own unique Australiana sound with pub rock and indigenous music. Throughout this topic we will study the music of some of Australia's most influential rock bands.
"It's a Long Way to the Top" is a song by Australian hard rock band AC/DC. The song combines bagpipes with hard rock instrumentation; in the middle section of the song there is a call and response between the bagpipes and guitar.
Describe 2 musical features of the male vocals. (This could be Pitch, Tone Colour, Rhythm, Dynamics..)
Identify one similarity and two differences between the verse and the chorus.
Piano
Guitar
Extension: try a rock solo....
Compare the 2 versions of "Thunderstruck" and create a venn diagram of similarities and differences
Perform the riff using guitar techniques of tapping, hammer on's and pull offs.
UNFINISHED
Right hand
Pattern 1: Play the notes B, D#, and F# in a repeating sequence eight times. A simple pattern is middle, bottom, top, bottom, middle, bottom, top, bottom (representing the three notes of a B major chord in a specific inversion).
Pattern 2: Switch to the notes E, G, and B, and play this pattern eight times.
Left hand
Play a steady B octave (the note B repeated) throughout the right-hand patterns.
You can also just play a single B note, or alternate between B and E to follow the chord progression.
Compose a 2 bar rock inspired riff on guitar or keyboard.
Extension: Write your riff in your book using music notation or guitar TAB.
Long considered one of the greatest Aussie rock songs of all time, it’s easy to see why. It was catchy, fun, and unlike nothing we had ever seen before up until that point in Australia. A year after its release, Elton John visited Australia and was so taken aback by how good the song was that he teamed up with his usual collaborator Bernie Taupin to write ‘Crocodile Rock’. The fact that one little Aussie song was the inspiration for one of the most famous songs from one of music’s most famous artists is something to behold in itself.
The biggest track from the former Sherbet frontman’s third studio album Rise in 1990, ‘The Horses’ was actually a cover of a track written by Steely Dan member Walter Becker, and recorded by Rickie Lee Jones. Having caught the ear of Braithwaite by accident, he recorded his own version of it, which took it’s time to reach the #1 position on the charts, but would ultimately spend close to six months in the Aussie top 50. 27 years later, it’s still a track that can unite everyone at a party when it comes on the sound system.
As Iva Davies once explained, the impetus for this song came from a trip to Uluru, in which he was taken aback by the natural beauty and wonderment that our fine country has to offer. The fact that he was able to write a song that so perfectly captures the feelings of many Australians, while making a chorus that dutifully compliments Australia, almost makes it seem like it was destined to be one of the great Aussie songs from the start.
In 1986, John Farnham’s career wasn’t doing too well. Following a stint fronting the Little River Band, he was back on the solo circuit, but considering his recent albums hadn’t performed that great, he was a little bit nervous. After wisely turning down the opportunity to perform ‘We Built This City’, he was given the opportunity to record ‘You’re The Voice‘. It became an instant classic, turning Farnham into a household name once again, and making his newest record, Whispering Jack, one of the best selling records in Australia.
Once in a while, a song comes around that encapsulates the feeling of a generation; the 60’s had their protest songs, the 80’s had songs about bad fashion, and Australians in the 90’s had ‘Prisoner Of Society’. Angsty, rebellious, and liberating, there’s hardly any Aussie who grew up in the last few decades who doesn’t know all the words to this song, or at the very least, didn’t sing it while getting a stern talking to from their parents.
birds of tokyo
crowded house
the chats
Title: "Smoko"
This song describes the reactions of hard working Australians who interrupts their “smoko” or meal break.
The breakout hit and soon became viral after its release, with now over 21 million views on YouTube.
The song was written in December 2016. Has been taught in Year 8 Music ever since.
Structure Analysis:
Intro - Beginning of the song
Verse - Lyrical story
Chorus - Main title featured/catchy part
Solo - Focus on an instrument improvising
Bridge - a contrasting section
Outro - end of the song
Write out the structure of "Smoko" in your books by listening to the video:
Title: Smoko Structure Analysis
So let me set the scene
It's 2 in the afternoon and 34 degrees
The Queensland harsh summer heat
Had me sweating buckets up and down my street
It was there I spotted the bloke
Perched atop of his milk crate throne
He eyed me off as I approached
Then he said
I'm on Smoko, so leave me alone
I'm on Smoko, so leave me alone
I'm on Smoko, so leave me alone
I'm on Smoko, so leave me alone
I'm on Smoko, so leave me alone
I'm on Smoko, so leave me alone
I'm on Smoko, so leave me alone
I'm on Smoko, so leave me alone
So it's Tuesday morning
And my Centrelink hasn't come through
So I pick up the phone because I've got some abusing to do
But all I get is elevator music
Waiting on the line
On hold all the time
All I get is elevator music
Waiting on the line
'Til I get a reply
Compose your own verse to fit over the riff used in "Smoko" or one of your own riffs. Your verse should reference Australian culture.
Midnight Oil is an Australian rock band known for their energetic music and strong messages about social and environmental issues.
Midnight Oil consists of several key members:
Peter Garrett - Lead vocals and guitar; known for his energetic stage presence and activism.
Jim Moginie - Guitar, keyboards, and backing vocals; one of the main songwriters.
Martin Rotsey - Guitar; contributes to the band’s signature sound.
Pieter "Paddy" Garrett - Bass guitar; provides the rhythmic foundation.
Rob Hirst - Drums and backing vocals; also a songwriter and key member of the band.
Bones Hillman - Bass guitar; joined in the mid-1980s and played an important role in their later music.
One of their most popular songs is "Beds Are Burning," released in 1987. The song has a catchy beat and powerful vocals. It talks about the need for action on Indigenous land rights in Australia, urging people to make a change. The line “the beds are burning” symbolizes the urgency of addressing these issues.
Initial Impressions: What are your first thoughts and feelings when you hear the song? How does the music make you feel?
Lyrics Analysis: Pick a line or verse that stands out to you. What do you think it means? Why do you think it’s important?
Themes: What themes do you notice in the song? How do they relate to social issues or environmental concerns?
Imagery: What images or visuals come to mind while listening? How do the lyrics create a picture in your mind?
Musical Elements: Describe the music itself. What instruments do you hear? How do they contribute to the overall mood of the song?
Impact of the Song: Why do you think "Beds Are Burning" became an anthem for social change? What makes it powerful?
INTRO
E G A
VERSE 1
E
Out where the river broke, the bloodwood and the desert oak
Holden wrecks and boiling diesels, steam in forty five degrees
PRE CHORUS
E D
The time has come, to say fair's fair;
A E
to pay the rent, to pay our share
E D
The time has come, a fact's a fact;
A F#
it belongs to them, let's give it back
E G A
CHORUS
Em C G
How can we dance when our earth is turning?
Em C D
How do we sleep while our beds are burning?
Em C G
How can we dance when our earth is turning?
Em C D
How do we sleep while our beds are burning?
Em C
The time has come to say fairs fair,
G D
to pay the rent, now to pay our share
VERSE 2
E
Four wheels scare the cockatoos, from Kintore East to Yuendemu
The western desert lives and breathes, in forty five degrees
PRE CHORUS
E D
The time has come, to say fair's fair;
A E
to pay the rent, to pay our share
E D
The time has come, a fact's a fact;
A E
it belongs to them, let's give it back
E G A
CHORUS
Em C G
How can we dance when our earth is turning?
Em C D
How do we sleep while our beds are burning?
Em C G
How can we dance when our earth is turning?
Em C D
How do we sleep while our beds are burning?
BRIDGE
Em C
The time has come, to say fair's fair;
G D
to pay the rent, to pay our share
Em C
The time has come, a fact's a fact;
G D
it belongs to them, let's give it back
CHORUS
Em C G
How can we dance when our earth is turning?
Em C D
How do we sleep while our beds are burning?
OUTRO
Em C G D Em C G D
E G A 2x