Achievement Standard 91312 v2 Photography (2.2 - 4 credits)
Use drawing methods to apply knowledge of conventions appropriate to photography
WELCOME TO YEAR 12 PHOTOGRAPHY!
This assignment will provide evidence towards achievement standard 91312 (2.2)
WHAT YOU WILL BE DOING:
In this assignment you will be completing 6 photoshoots focusing on 6 different conventions that will create a body of work that will provide evidence for 2.2. You will learn about some key techniques in photography: Exposure, Depth of Field, Shutter Speed, Viewpoint, Lighting, and Composition. Your workbook will demonstrate your understanding of the techniques, methods and ideas of your artist models as you analyse their work and create your own photographic drawings in response, this will provide evidence towards 2.2.
For this internal you will be taking all of your photos during class time. You will be completing a total of six photoshoots. Each new photoshoot will focus on a new convention, your teacher will do a workshop with you on each convention before you go and take your photos.
YOUR OUTCOME:
A4 VISUAL DIARY/GOOGLE SLIDES VISUAL DIARY SHOWING ARTIST MODELS & PHOTOSHOOTS
Our first photo is going to be based around learning about correct exposure and how to manage this in your camera. Your teacher will take you through how to control the exposure in your camera in class but you can also read about it by clicking on the image labeled Exposure below.
1. In class your teacher will give you a range of artist models to choose from (these are also listed below). You will need to complete an artist model analysis in your visual diary. Your teacher will take you through how to complete this, you can also look through the 'Artist Analysis' page to help you.
2. In groups of 2 - 3 you will be given a camera to go out and explore the school grounds taking a range of photos focusing on getting your exposure right. You need take an example of purposeful underexposure, correct exposure, and purposeful overexposure.
At the bottom of this page you can find a detailed list on how to layout your work book and a student example. You can also look through the teacher example in class.
Although you are working in groups, this is NOT a group assessment!
Each person in the group will need to take turns using the camera to complete their photoshoot. While the rest of the group is waiting they can either model or help position reflectors and props.
Each student needs to take a MINIMUM OF 25 PHOTOS for it to be considered a complete photoshoot!
Now that we have completed your first photoshoot it is time to go through your photos. Your teacher will take you through how to move your photos from your SD card on to your USB.
Open Bridge on you computer and create a contact sheet that includes all the photos you have taken. Your teacher will demo this to the class, you can also go to 'contact sheets' under the Tutorials tab to see how to do this. Print out your contact sheet/s and glue into your Visual Diary.
Using Bridge go through your photos and pick out 3 - 9 of your best photos. Edit these photos in photo shop and when ready, print them out and glue into your Visual Diary.
Write a small Evaluation on how well you think you did showing the convention that photoshoot is based on. Write about the positives and negatives and what you would change or keep the same for next time.
Take a look at the Teacher Visual Diary Exemplar to see how to set up your Google Slide Visual Diaries.
These are to be completed through the google classroom assignment, click on your class below to be taken to there:
YOUR VISUAL DIARY PAGES/SLIDES WILL INCLUDE:
x1 Page/Slide A4
Notes on the convention
Analysis of examples of the conventions from established practice/Artist Model
x1-2 Pages/Slides A4
Contact sheets - (click here to see how)
x1 - 2 Page/Slides A4
Larger prints of 3-9 successful images
An evaluation of the images.
Use some the questions below to help you with your Evaluation:
What went well?
What didn't go well?
What can you improve upon?
What did you learn?
Did you follow your shoot plan? If not, why?
What will you take from this into your next shoot?
How well did this shoot link to your previous shoot?
How well did this shoot link to your theme?
Now that you have completed one photoshoot and have it in your visual diary, it is time to focus on to the next convention. You will repeat Task's 1 & 2 for all six photo shoots, looking at a different convention for each one. For each new convention your teacher will take you through a workshop on the convention and provide you with a list of artist models to chose from that show the convention you are focusing on.
Shoot 1: Exposure
Shoot 2: Depth of Field
Shoot 3: Shutter Speed
Shoot 4: View Point
Shoot 5: Lighting
Shoot 6: Composition
Below you will see a picture for each different convention, if you click on the image it will take you through to a page that tells you all about the convention and how to use it.
Click on the image and it will take you to the page that will tell you all about that convention
Apply knowledge involves using processes, procedures, materials, techniques and pictorial conventions when making artworks.
Apply specific knowledge involves selecting and using particular processes, procedures, materials, techniques and pictorial conventions according to an intended purpose when making artworks.
Apply in-depth knowledge involves critically selecting and using particular processes, procedures, materials, techniques and pictorial conventions according to an intended purpose when making artworks.
Drawing methods refers to the use of media, techniques and processes to arrange elements (eg line, shape, space, colour, tone, point, texture, form, mass) and principles (eg balance, harmony, rhythm, tension, contrast) to inform artwork. Photography drawing may include sketches, compositional notes, proof sheets, working prints, photograms, collage, montage and photographs.
Conventions appropriate to photography refers to the characteristics and constraints applicable and fitting to the field.
Contexts may include: gallery or museum, marae, public or private collections, urban and/or natural environment, studio or workshop situations, relevant publications (eg books, journals, magazines, catalogues), internet, video, films, slide library, the artists’ works studied, interviews, discussions.