In this first painting installation, large unstretched scrolls of paintings created a three-dimensional, overlapping experience for the viewing audience to step into. The scrolls were spread all over the gallery's space, covering it from floor to ceiling.

Instead of offering an ordinary experience of standing still in front of a painting, the viewers are invited to step into a painting and immerse in a multi-senses experience that presents the process and duration of the art making as part of the final outcome.

The idea of memory is evidently present in the works of Rotem Reshef. Like memory, they too are full of remnants, images from life, experiences and emotions. Reshef creates imprints on the surface of the canvas using plants, plastic sheets and pieces of wood that she submerges in diluted paint. Later she peels off the materials, leaving faint imprints that are both a testimony of the materials that created them, yet stand alone as a new and enigmatic image.